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Posts Tagged ‘Marshall McLuhan’

Where Are They Now? Part Four

August 28, 2014 | by

The fourth in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.

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Calm Down with Some Landscapes, and Other News

June 17, 2014 | by

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Li Shan, Wind and Snow in the Fir Pines, mid-twelfth to early-thirteenth century

  • Robert Frost: the least understood of the great modernists.
  • Marshall McLuhan: the most understanding of early teenagers.
  • I never dreamed of being a dominatrix, as a child might imagine driving a steam train, but when I became one I learned a trade as intricate, and as British, as that of the steam-engine driver.”
  • In twelfth-century China, the Confucian elite knew how to blow off steam: “In lieu of a literal return to nature, court figures would instead purchase landscape paintings and hang them on their walls. When they felt their souls growing jaded and heavy from quotidian concerns, they’d gaze at the lush scenes and transfer themselves into the place of their inhabitants—ink-brush silhouettes holding fishing rods, gathering plum blossoms and sipping a refreshing beverage in a rustic tavern.”
  • “You would think that a theme park attraction called the Palace of Unicorns would be a charming fantasy world. You’d be wrong. Located within Suoi Tien Cultural Theme Park in Ho Chi Minh City, the Palace of Unicorns is a graphic depiction of Buddhist hell.”

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Douglas Coupland on Marshall McLuhan

February 1, 2011 | by

Marshall McLuhan (1911-1980).

Douglas Coupland is the author of Marshall McLuhan: You Know Nothing of My Work!, a pithy biography of the Canadian professor and communication theorist. McLuhan, who was born in 1911, is perhaps best known for coining the phrase “the medium is the message” and for anticipating the Internet decades before its arrival. Earlier this month, Coupland answered a few questions about his work as a biographer and what drew him to McLuhan.

You used an unconventional form for your biography of Marshall McLuhan such as MapQuest, an autism assessment test, use of Wikipedia as a source.

I did.

Was this innovative method a deliberate reference to McLuhan’s own idiosyncrasies? Or is it the reflection of a personal quirk?

Since starting the project I’ve felt like an unwitting manifestation of McLuhan’s beliefs about the effects of media: born 1961, TV child, Photoshop user, and so on. Having said that, I think I started the book at the crisis point in the history of biographies, and it’s a happy coincidence it happened to be Marshall.

Crisis point?

Twofold. First, if I want to know about Marshall or anyone, I can YouTube them, hear their voice, see them in action, read capsule biographies and dissertations on them—you name it. You can get a subjective and highly factual dossier on most anyone in the public realm almost instantly. It’s why publishers don’t worry about author photos any more; people just google a person and get on with things. Second, we’ve obviously entered the age of near total medicalization of personality. To write a biography of anyone, let alone someone so neuroconnectively fascinating as Marshall, seems like a gross abnegation of duty to truth. The biography has begun to morph into the pathography. Note: Marshall McLuhan’s left cerebral cortex was vascularized in a way only ever before seen in mammals in cats. He wasn’t just different; he was very different.

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