Posts Tagged ‘marriage’
December 2, 2014 | by Dan Piepenbring
From Twenty Years a Detective in the Wickedest City in the World, a 1908 book—putatively nonfiction—by Clifton R. Wooldridge, “the Incorruptible Sherlock Holmes of America.”
In his agony [Devel] confessed that the only reason he confessed the murder was that he desired to get hanged, and that he preferred hanging to life with his wife. […]
“I desired to be hung,” said Devel, mournfully. “Life is not worth the living, and with my wife it is worse than death. If I had been hanged no other man would marry my wife, and I would save them from my fate. Many times have I planned to kill myself to escape her. That is sin, and I lack the bravery to kill myself, besides. If they will not hang me I must continue to live with my wife.”
Devel states, among other things, that these are the chief grievances against married life in general, and his wife in particular:
- She was slender, and became fat and strong.
- She was beautiful, and became ugly and coarse.
- She was tender, and grew hard.
- She was loving, and grew virulent.
- She grew whiskers on her chin.
- She called him “pig.”
- She wore untidy clothes, and her hair was unkempt.
- She refused to give him beer.
- Her breath smelled of onions and of garlic.
- She threw hot soup upon him.
- She continually upbraided him because there were no children.
- She scolded him in the presence of neighbors.
- She refused to permit him to bring his friends home.
- She came into his store and scolded him.
- She accused him of infidelity.
- She disturbed him when he slept in the garden on Sundays.
- She made him cook his own dinners.
- She spilled his beer when he drank quietly with friends.
- She told tales about him among the neighbors, and injured his business.
- She served his sausages and his soup cold, and sometimes did not have his meals for him when he came home.
- She did not make the beds nor clean the house.
- She took cards out of his skat deck.
- She talked continually, and scolded him for everything or nothing.
- She opened the windows when he closed them, and closed them when he opened them.
- She poured water into his shoes while he slept.
- She cut off his dachshund’s tail.
These things, he said, made him prefer to be hanged to living with her.
July 2, 2014 | by Adee Braun
The free-love couple who pissed off nineteenth-century America.
In the summer of 1853, the Tribune of New York published a pointed letter directed at the proprietors of the American Hydropathic Institute, a “health institute” in Port Chester, denouncing the establishment for spreading “free and easy notions respecting Love and Marriage.” Its reputation locally was as a bawdy place, a breeding ground for anarchy, free love, and other dubious socialist practices. Shortly after this public cudgeling, enrollment dropped, the institute closed, and its proprietors disbanded, taking their unsavory ideas with them to Long Island. On one hundred acres of wooded land, they rebuilt the institute with the modest aim of rectifying society’s ills.
The institute was, at least nominally, a school for hydrotherapy, or water-cure, a popular nineteenth-century health movement that rejected drugs in favor of precise bathing regimens and an ascetic lifestyle aimed at keeping the body, mind, and spirit in careful order. The school was the vision and creation of Dr. Thomas Low Nichols and his wife, Mrs. Mary Gove Nichols. She was a freethinking novelist, an early feminist, and a health reformer; he was a physician, a progressive journalist, and a social agitator. Together they amassed fervent followers and passionate detractors, synonymizing the name “Nichols” with licentiousness and radicalism.
In the years before the Civil War, America was inundated with reformist ideologies—a response to societal shifts brought on by rapid social and economic changes. The Nicholses embodied this anxiety: they embraced a smorgasbord of nineteenth-century reform movements, sampling generously from socialism, free love, spiritualism, mesmerism, phrenology, hydrotherapy, and other progressive health and social ideologies. Few radical figures were as devoted to the twin causes of individualism and love. Their ideal union was one in which plurality of love was openly embraced and each individually sovereign man and woman was “drawn together solely by the charm of a mutual attraction,” as they jointly wrote in Marriage: Its History, Character, and Results in 1854. “Such a union seems to us to constitute the true marriage of mutual love in perfect freedom.” Read More »
May 20, 2014 | by Dan Piepenbring
It’s Honoré de Balzac’s birthday, making this as good an occasion as any to investigate one of his stranger works, 1829’s The Physiology of Marriage—an extraordinary kind of precursor to the self-help manual. Balzac was thirty when it was published, and already he felt he knew enough about the institution of marriage to advise others on the matter. And maybe he did: though he hadn’t married yet, he’d already perfected the art of the aphorism. This book is full of them. “To saunter is a science; it is the gastronomy of the eye. To take a walk is to vegetate; to saunter is to live.” “A man ought not to marry without having studied anatomy, and dissected at least one woman.” And “Marriage is a fight to the death, before which the wedded couple ask a blessing from heaven, because it is the rashest of all undertakings to swear eternal love; the fight at once commences and victory, that is to say liberty, remains in the hands of the cleverer of the two.”
The Physiology of Marriage is a series of meditations on the more quotidian aspects of loving and living with another—many of which arrive at the rather contemporary conclusion that marriage is exceedingly difficult, liable to end in adultery. The book has moments of surprising candor about men and women, and Balzac clearly knows a thing or two about, you know, the Human Comedy. But he’s also full of lousy counsel, and he loves playing power games. Here, for instance, are some excerpts from Meditation XII, “On the Hygiene of Marriage”:Read More »
May 2, 2014 | by Dan Piepenbring
- Need to reject a marriage proposal or two? Take a page from Charlotte Brontë’s book. Here’s what she wrote to Henry Nussey, a Sussex curate, in March 1839: “Do not therefore accuse me of wrong motives when I say that my answer to your proposal must be a decided negative … I have no personal repugnance to the idea of a union with you—but … you do not know me, I am not this serious, grave, cool-headed individual you suppose.”
- Just when you thought it’d been a while since anyone asserted the death of the novel, here’s Will Self, asserting the death of the novel. “This time it’s for real,” the headline notes.
- What do conductors do? Divining the art of hand-flapping: “One problem some conductors encountered is what a conducting friend of mine calls the ‘Grecian Urn’ syndrome. This is where the left hand mimics the right hand exactly, tracing the outline of an antique urn. It’s more picturesque than the ‘dead hand’ syndrome, where the left hand hangs limply, but just as useless.”
- New research suggests that Freud was right all along: our dreams are fueled by sex. “I vividly recall the day in the late 1970s when I realized that dreams and their unconscious sexual meaning were part of a larger whole … I and another orderly were given the task of delousing, showering and cleaning up an old alcoholic who had been picked up off the streets for a drying-out period … All of a sudden this emaciated, brittle old man jumped up, stared straight at us revealing a full erection and then lifted a massive metal table over his head, threw it against the wall and began wailing in ever louder sing-song tones a string of sexual expletives that left me and my colleague terrified that the man was crumbling, psychically, before our eyes.”
- Inflammatory bowel disease “is fast becoming resistant to every antibiotic thrown at it.” But there is a kind of miracle cure: a fecal transplant. “Some doctors have likened the recoveries of desperately ill patients to those seen with anti-HIV protease inhibitors in the mid-1990s … Yet few other interventions elicit such disgust, revulsion and ridicule … What’s behind this knee-jerk aversion? Perhaps, as one epidemiologist believes, it’s the voice of our evolutionary ancestors, warning us away from a major source of parasites and other pathogens. Perhaps, says another researcher, it’s the fading of an agrarian life that equated manure with opportunity, whose cultural influence is now drowned out by public health warnings of diarrhea-borne epidemics in towns and cities. With the last lines of antibiotic defense beginning to crumble, however, getting past the cognitive dissonance of healthy poo as powerful curative could be a matter of life or death for tens of thousands of patients.”
April 21, 2014 | by Ruth Curry
On a Tuesday in late August, on my way to the ferry landing at Thirty-Fourth Street, I saw a huge, white, rusted-out Chevy Caprice make an illegal turn off FDR Drive, nearly skidding onto just two wheels. The Caprice barreled up Thirty-Fourth Street. When it blew by me I got a quick look at its occupants: three old ladies, all elaborately coiffed: the driver, another riding shotgun, and the third leaning forward in the backseat to better converse with the other two. I imagined they had just come from a group outing to the beauty parlor. Each of them probably had a rain bonnet tucked away in their purses, in case it rained later. The driver was wearing Gloria Vanderbilt–style sunglasses and a smashing shade of coral lipstick that was probably really popular in the seventies. I was quite taken with her. When I’m an old lady I want to drive around with my girl gang in a huge rusted-out white Caprice Classic and piss off cab drivers everywhere, I thought.
The image of the three ladies stayed with me well into the next day, which was also, randomly, Tori Amos’s fiftieth birthday. In observation, a pop-culture site compiled and ranked her 100 best songs. I dumped the top fifteen or so into a playlist and listened to it for most of the day. I felt sad but not depressed, an odd combination for me. One of the reasons I don’t listen to Tori anymore is that I am old. The other is that listening to Tori Amos reminds me of Tracy, my best friend from high school. Emma Straub wrote a piece for the Daily a few years ago called “My Rayannes,” which, in reference to Rayanne Graff from the nineties TV drama My So-Called Life, posits that all teenage girls are half lesbian. Less outrageously, it outlines an adolescent phenomenon in which one seeks a darker, more daring, more risk-taking counterpart—an accomplice in DIY piercings, home dye jobs, and, in Straub’s words, “tempestuous, obsessive friendship.” Read More »
March 11, 2014 | by Chris Knapp
Love through the lens of Fellini.
Among the central occupations of Fellini’s work is what he wants from the women in his life. Near the end of 8½, his alter ego speaks of a kind of Ideal Woman: “She’s beautiful … young, yet ancient … child, yet already woman. Authentic, complete. It’s obvious she could be his salvation.” Between the breathy declaiming and 8½’s famous layers of metafiction, you get the idea that even Fellini sees this isn’t exactly a healthy attitude.
Still, throughout his work, the search for an ideal of womanhood is represented in a series of large and buxom temptresses: Anita Ekberg, Sandra Milo, Eddra Gale in an especially memorable dance sequence as La Saraghina. But pulling his films off the shelf one by one, my wife and I agreed the problem was most nearly solved, onscreen and in life, by his wife and best collaborator, the tiny and brilliant Guilietta Masina.
For any of this to make sense I’ll have to say a little about what Lola, the woman in my life, is like. To start, she’s French. She’s small and she likes to refer to herself as my little wife, but she’s solid too, and fit, with strong legs: in the WNFL she’d be a halfback. When she gets excited she bounces on her toes and hugs me around the waist, looking up at me. She’s far from graceless but she sometimes moves with a child’s gracelessness, like Masina—that physicality, impetuosity of expression and utterance, a mischievous delight in small wonders and small triumphs. On the other hand, when she has to enter or pass through a dark room, she stands for a moment at the threshold looking in with narrowed eyes. Anyway, I’m guessing the comparison to Masina will please her; she’s herself an actress, the kind whose outsize physical presence lends to rather than diminishes the subtlety of her performances. She comes from a family of film people, and all manner of moving image can transfix her: Tarkovsky, or Ozu, or Maya Deren. She sleeps deeply, dreams bodily, and uses cuddle as a transitive verb, one of the few early solecisms she’s done me the kindness of preserving. She cuddles me. Read More »