Posts Tagged ‘Love and Limerence’
October 28, 2011 | by Lorin Stein
Levin wins back Kitty after behaving like a complete ass, but you may not have time to read Anna Karenina. There’s the moment when Little Miss No Name runs downstairs to say good-bye to Max de Winter, in Rebecca, and it happens early in the book, but maybe that’s not exactly a case of winning somebody back. I’m guessing swordplay and feats of derring-do are not to the point—so I would read Pursuits of Happiness, Stanley Cavell’s 1981 study of what he calls “remarriage comedies,” movies about couples falling apart and getting back together. First you’ll want to cue up the movies in question: The Lady Eve, It Happened One Night, Bringing Up Baby, The Philadelphia Story, His Girl Friday, Adam’s Rib, and The Awful Truth.
If that doesn’t give you any ideas, readers of this column will guess my first recommendation: the wacky but wise self-help book Love and Limerence, also Ovid’s Cure for Love—full of useful advice, like: focus on the beloved’s physical imperfections—and George Jones, opera omnia.
Do you think joining a private social club—a super old-fashioned one in a historic building whose members have all led long, literary lives—sounds (a) retro and totally cool, or (b) stodgy and a little weird, a misplaced desire for a twenty-something who might be the club’s only member under sixty, and only Jew in history?
September 30, 2011 | by Lorin Stein
I know that I am not alone in sometimes craving nothing more than a nice, long browse through the self-help section of the bookstore. But I know that I’m alone in admitting it to The Paris Review! My question is, do you know of any authors writing in the self-help genre who have elevated the form and who you would qualify as literary?
Let your self-help freak flag fly! I’ve already had occasion to recommend Love and Limerence, by the late Dorothy Tennov. It’s a book about what to do if you find yourself in love. This is my favorite self-help book, and I think about it often. An informal poll of The Paris Review office reveals that everyone has been telling us to read The Artist’s Way (“you can skip the spiritual parts”) but that none of us has read it.
I used to frequent Chumley’s and the Cedar Tavern. (I even went to the Algonquin once, thinking that it would be a glamorous throwback, but it turned out to be a tourist trap.) Lately even the White Horse Tavern is overrun with investment bankers. It’s awful. What is the ideal place to spend a few hours drinking—and still feel a hint of New York’s rich literary past—this fall?
It may be a little low on mystique, but if you’re in the Village and want to drink in the company of writers, you can’t go wrong with Cafe Loup. It’s crawling with them—and there’s always plenty of extra martini in the shaker. If you’re hungry, order the fries. In Boerum Hill, writers—those who can still make the rent—tend to congregate at the Brooklyn Inn (a bar that features in Jonathan Lethem’s Motherless Brooklyn). I’ve never been to Scratcher, in the East Village, except when some writer was having a party there—but I’m told it’s hard to tell the difference. If you’re headed uptown, there is always the Carlyle, a perennial tourist trap that happens also to have a wonderful bar, one celebrated in several poems by Frederick Seidel, including “For Holly Anderson.” Read More »