Posts Tagged ‘loss’
July 13, 2016 | by Vanessa Davis
This summer we’re introducing a series of new columnists. Today: cartoonist Vanessa Davis.
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November 2, 2015 | by Sadie Stein
I have friends who rhapsodize about their new relationships with unabashed stars in their eyes. “How’s it going?” you ask a few weeks later, only to be told, “Oh—he was a sociopath!” Then you listen as your friend eviscerates this former paragon with the same enthusiasm she once brought to his glorification. I always marvel, half horrified, half admiring, at the full commitment to poor judgment, the anger unmitigated by any self-reproach or, indeed, self-consciousness. To be so free! To think not “it’s amazing that we came this far” but merely “they have let us down.”
I’ve never really understood the rage that comes after a tough sports loss. Frustration, sure. Disappointment, of course. Even some heartbreak. But if sports are like war—and we’re constantly told they are—it’s an odd thing to turn on our proxies with such venom. It’s as though they go off to fight in World War II and return in the Vietnam era, heroism transformed into cynicism. AMAZIN’ DISGRACE! shrieked the New York Post. “Of course it will be hard to feel anything but anger and fury and devastation for now, and for a good long while,” wrote that paper’s Mike Vaccaro. Read More »
July 9, 2014 | by Jonathan Wilson
O Lachryma Cristi, what has happened to our weepy Brazilians? Since day one of this tournament, it seems, they have been in tears. As the technical director Carlos Alberto Parreira reported, “They cry during the national anthem, they cry at the end of extra-time, they cry before and after the penalties.” The sports psychologist Regina Brandão was rushed in, but failed to stem the flow; then it was the Pressure! The Pressure! A nation’s hopes, et cetera, et cetera.
And now this 7-1 pasting, the iconic gone-viral boy in the crowd, glasses pushed up, fingers pressed to eyes, sobbing into his Coca-Cola cup; and somewhere else not too far off, the pretty girl with tears streaming down her cheeks, rivulets slowly obliterating the Brazilian flags she had painted there. Wherever you look, buckets: David Luiz crying; Oscar, his face pressed down soaking someone’s shoulder. Cry me a river—the river cried turned out to be the Amazon. Meanwhile, the Germans never shed a tear, although Mesut Özil looked as if he might cry when Bastian Schweinsteiger yelled at him for missing an easy opportunity to put goal number eight past Júlio César. Lighten up, Bastian!
And now the hundred-foot-high concrete Christ the Redeemer that stands with arms outstretched, gazing over Rio from the peak of the Corcovado mountain, has been photoshopped with its hands to its face, a meme for the ages. Read More »
April 25, 2011 | by Thessaly La Force
In 2008, on Christmas Day, Meghan O’Rourke’s mother, Barbara, died after a two-and-a-half-year battle with advanced colorectal cancer. O’Rourke was lost in her grief, which she found overwhelming and unlike anything she had ever experienced. Her book, The Long Goodbye, is her attempt to understand her grief, documenting the years before and after her mother’s passing. In reading The Long Goodbye, I braced myself for the tears (which, yes, did come) but, by its end, discovered that O’Rourke had written a beautiful memoir about a daughter’s love for her mother. We spoke recently about her book; an edited version of our conversation appears below.
How did this book come about?
I started writing things down, for myself, before my mother died. It was a private recording of what was happening. Writing has always been the primary way I make sense of the world. My mother was going through this really intense experience: she had been sick, she had been diagnosed with advanced cancer two years before she died, and she went into a remission that was unusual. Then the cancer came back—it went to her brain, which again was not common for the cancer that she had. It was bizarre to see someone change so radically and so quickly; I had to write it down in order to not go crazy with the strangeness of it all.
After my mother died, I was supposed to be writing my column at Slate, and I couldn’t. I couldn’t focus, I couldn’t sleep, I couldn’t read. I couldn’t understand what was happening. I had thought of grief as being sad, but instead it was like being suddenly aware of all the luminous, fragile elements of existence. It was also lonely in its way. My editor at Slate said, “Why don’t you write about what you are going through.” I didn’t think what happened to me was extraordinary. But it was what I was obsessed with, and so I started to shape what I was experiencing into a piece.
I was very unprepared for grief. It was isolating. There was no language for it, and no language around it—but I felt that I was in contact with all of these deeper realities; even the sky seemed strangely bluer. But there is a discomfort that surrounds grief. It makes even the most well-intentioned people unsure of what to say. And so many of the freshly bereaved end up feeling even more alone. I came across a quote of Iris Murdoch’s: “The bereaved have no language with which to speak with the unbereaved.” I thought, What if you could find a language that would describe the experience, with all its mysteries?