Posts Tagged ‘Lorin Stein’
October 17, 2016 | by The Paris Review
New Yorkers: tonight at seven, join The Paris Review’s Lorin Stein at McNally Jackson, where he’ll be in conversation with Deborah Eisenberg, Michael Greenberg, and Craig Lucas; they’re discussing the brilliant Henry Green (1905–1973), whose novels Back, Loving, and Caught will be reissued this fall by New York Review Books. Green talked to The Paris Review about Loving back in 1958:
I got the idea of Loving from a manservant in the Fire Service during the war. He was serving with me in the ranks, and he told me he had once asked the elderly butler who was over him what the old boy most liked in the world. The reply was: “Lying in bed on a summer morning, with the window open, listening to the church bells, eating buttered toast with cunty fingers.” I saw the book in a flash.
Green was a divisive writer in his lifetime. W. H. Auden called him “the best English novelist alive” (NB: he was still alive at the time); The Partisan Review called him “a terrorist of language.” Who was right? The answer to this question and many others, tonight.
September 19, 2016 | by Lorin Stein
Recently, thanks to heavy wait times at the twenty-four-hour Genius Bar on Fifth Avenue, I found myself killing an evening at the Plaza with nothing to read but the galleys of a book of art criticism, How to See, by the painter David Salle. It turned out to be perfect company—witty, chatty, intimate, sharp. And slightly exotic (at least for this reader): you rarely see novelists write so knowingly, on a serious first-name basis, about each other’s work. Soon I was dog-earing and drawing lines in the margins next to favorite passages, as for example:
On recent paintings by Alex Katz:
Some of the color has the elegance and unexpectedness of Italian fashion design: teal blue with brown, black with blue and cream. You want to look at, wear, and eat them all at the same time.
June 1, 2016 | by The Paris Review
We’re not big on themes here at the Review, but our new Summer issue was designed with the poolside in mind—we did everything short of printing it on sunscreen-proof paper. At its center you’ll find a portfolio curated by Charlotte Strick, an essay by Leanne Shapton, and a short story by Rafil Kroll-Zaidi all on the subject of swimmers, lifeguards, and lane etiquette. Read More »
April 6, 2016 | by Lorin Stein
Readers of the Review know that the Norwegian filmmaker Joachim Trier is one of our favorite young directors. (See Issue 203 for a discussion of his first two features, Reprise and Oslo, August 31st.) His new English-language debut, Louder than Bombs, stars Isabelle Huppert, Gabriel Byrne, and Jesse Eisenberg. Last week we caught up with Trier and Eisenberg for a conversation that ranged from Knut Hamsun to The Karate Kid to David Foster Wallace. We also talked about the making of Louder than Bombs. Read More »
March 14, 2016 | by Dan Piepenbring
The Paris Review hasn’t been headquartered in Paris since 1973—a cause of immeasurable confusion over the years. But this week, for once, our name makes sense: our editor, Lorin Stein, is in the City of Light. Though he’s not, to my knowledge, reviewing anything there, he’s speaking at two free events, and we invite our Parisian readers to attend.
On Tuesday, March 15, Lorin joins Russell Williams and Nelly Kaprièlian at the American University of Paris for a panel called “Translating Houellebecq.” They’ll discuss the global reception, significance, and challenges of Michel Houellebecq’s Submission, which Lorin translated into English last year. The talk will be held in Room C-104, located in the AUP Combes building, at six P.M.; those looking to attend should write firstname.lastname@example.org to register.
On Thursday, March 17, Lorin and David Szalay appear in conversation at Shakespeare and Company. Szalay is the winner of this year’s Plimpton Prize, awarded for his novellas Youth, from issue 213, and Lascia Amor e siegui Marte, from issue 215. Their talk begins at seven.
We urge our French readership to join Lorin before he returns to New York and The Paris Review resumes its life as a misnomer.
January 4, 2016 | by The Paris Review
Attention, procrastinators! This is your last chance to get a free copy of our new anthology of emerging writers, The Unprofessionals. Want to learn more? See below for a talk with our editor, Lorin Stein, and contributors Emma Cline, Kristin Dombek, Cathy Park Hong, Ben Nugent, and Jana Prikryl. Thanks to BookCourt for letting us tape their conversation.