Posts Tagged ‘Lee Harvey Oswald’
April 30, 2013 | by Chris Cumming
Some terrorist attacks become cultural obsessions, while others are forgotten completely. There were three bombings in New York City in 1975, none of which I’ve ever heard talked about, each of which would probably shut down the city if it happened now. In January, Puerto Rican separatists set off dynamite in Fraunces Tavern in downtown Manhattan, killing four businessmen—the same number of fatalities, incidentally, that led us to close the airspace over Boston last week. In April, four separate bombs went off in midtown Manhattan on one afternoon, damaging a diner and the offices of several finance firms. The worst one came in late December, when a package of dynamite exploded in the baggage-claim area at LaGuardia Airport, killing eleven.
These were underground disturbances, moments of disorder that helped warp the culture, even if they weren’t absorbed or even remembered. In 1975, Don DeLillo was thirty-nine, living in the city, possibly beginning work on Players, his fifth novel and his first about terrorism. Long before it became obvious, DeLillo argued that terrorists and gunmen have rearranged our sense of reality. He has become better appreciated as the world has come to resemble his work, incrementally, with every new telegenic catastrophe, every bombing and mass shooting. Throughout DeLillo’s work we encounter young men who plot violence to escape the plotlessness of their own lives. He has done more than any writer since Dostoevsky to explain them. Read More »
November 30, 2010 | by Alex Gilvarry
Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?
I can’t help but think of an anecdote about Norman Mailer, who was provoked one day to reach out to his hero, big Papa himself. Mailer had just completed The Deer Park and sent off a copy inscribed
To Ernest Hemingway:
—because finally after all these years I am deeply curious to know what you think …
—but if you do not answer, or if you answer with the kind of crap you use to answer unprofessional writers, sycophants, brown-nosers, etc. then fuck you …
The book came back to Mailer unopened, stamped “Address Unknown—Return to Sender,” in Spanish. (See Mailer’s Advertisements for Myself for a complete telling in hard-earned italics.)
I have my own relationship with one of my heroes, and the mere fact that I call it a “relationship” is in itself deeply sick. I’m veiling a juvenile obsession, hiding behind the very word: hero. In truth, this relationship consists of a few encounters, some good, some bad, the first of which happened one night at Hunter College when I was an M.F.A. student.