Posts Tagged ‘Kurt Cobain’
June 27, 2014 | by The Paris Review
I don’t care if I never read another charming little book about Marcel Proust—not now that I’ve read Anne Carson’s chapbook The Albertine Workout. In fifty-nine numbered paragraphs (or perhaps, exercises), Carson reviews what little we know about Marcel’s mistress, the most-mentioned and yet most elusive character in Proust’s work. Carson’s findings take us deep into the questions of what love and sex mean to Proust, and in our own lives. As the title implies, you can read The Albertine Workout in one sitting, but you will keep feeling it for days. —Lorin Stein
This week, I discovered the Web site for Nautilus, a science quarterly. I have yet to see the print version, but if it’s anything like the online iteration—elegantly and smartly designed, with illustrations that often have the look of early- to mid-twentieth-century artwork—then it’s worth picking up. The content isn’t what you’d necessary expect from a science magazine (I grew up around hardcore publications like Nature and Science): there’s fiction, photography, and art, in addition to pieces on, say, evolution, lepidoptery, architecture, and ecology. I came to the site looking for Lauren Weinstein’s comic strip “Carriers,” which she posted daily this past week. Weinstein is one of the best cartoonists at work, and this five-part story is proof of that. She and her husband are both carriers for cystic fibrosis, and the comic details her struggle in waiting to find out if her unborn child tests positive for the defect. Weinstein’s characteristic humor keeps pathos at bay, and she reflects entertainingly, by way of her terrific serpentine scroll-downs, on the how and why of genetic mutations such as this one. —Nicole Rudick
What do you think when you hear the name Luis Suárez? If you’ve followed the news this week, the phrases “biting lunatic,” “delinquent toddler,” and the “Hannibal Lecter of soccer” might come to mind; “family guy,” “superhuman,” and Uruguay’s “favorite son” haven’t crossed the minds—or lips—of many sports pundits. If you’re curious about understanding Suárez beyond the memes and gifs, Wright Thompson’s profile from late last month explores the Uruguayan player’s childhood and the mystery surrounding an incident when he head-butted a referee and received a red card in a youth match—which may or may not be true. What really stuck with me after finishing the essay wasn’t the story of the referee or the media scrutiny, but the history of Suárez and his wife, Sofia Balbi. After the pair fell in love at fifteen, Sofia moved to Spain with her family. Suárez, at the time working as a street sweeper, knew that he could never afford a plane ticket on his own. Instead, he dedicated himself to soccer until he became good enough to be picked up by a European team. The thing is, his “completely irrational” plan worked—he played first for Groningen, then moved to Ajax and finally to Liverpool, where he now plays. He married Balbi in 2009, and as Thompson writes, “He loves his family, and soccer gave it to him, and guarantees no Suárez will ever again pick up coins while cleaning the streets.” While this romantic tale doesn’t justify his actions last week, it helps explain the desperation you catch sometimes in his eyes when you watch him play, “someone who fights to win, no matter what … He bites because he is clinging to a new life, terrified of being sucked back into the one he left behind.” —Justin Alvarez
Regular readers of the Daily already know how Nicole, Sadie, and I feel about the neglected English writer Barbara Comyns. Last week it was my turn to read her gothic novel The Vet’s Daughter. It reminded me powerfully of something Donald Antrim told The Paris Review in issue 203: “In building another world through the fantastic I was making a set of rules that had to be observed, a logic that had to be carried through—that I was in some ways obeying the premise of the very opening line.” —L.S. Read More »
January 3, 2012 | by Dean Wareham
Long time no e-mail and say hello Dean!
How are you? Thank you very much for invite me at your concert on October in Tokyo.
I am so happy to see you again at your concert. You looks very fine and almost satisfactory on your life. How long will you stay in Japan/Tokyo? Are you busy in Japan?
About me: I am not fine after the earthquake very much. It was so terribly happen. I have felt so sad and scared for a long time. I become nervous. I have not good sleep, any time crying. And became unable to make music and sing song directly from after the earthquake. I am a little worry about that I wonder I never make music again, some time.
Now I am better than before, but not perfect.
Music is saved me any time. I wish/believe it is so, also this time.
I never made it to Japan with Galaxie 500 in the summer of 1991 because I had quit the band in April, just a few months before we were scheduled to tour there. Unbeknownst to me, the promoter had already put tickets on sale for a Tokyo show. Unbeknownst to him, I had decided I didn’t want to be in my own band anymore.
Twenty years later I am playing these songs again but with a different trio, comprising my wife, Britta, on bass guitar and a drummer, Anthony, from Youngstown. The very same promoter booked two shows for us in Japan. After a four-month postponement on account of the earthquake (the first time I’ve ever seen the act-of-God clause in my contract applied), I finally found myself on an American Airlines flight from JFK to Tokyo. Anthony is growing a beard, starting today. “That way people will think it was a really life-changing trip when I get home,” he says. Read More »
November 10, 2011 | by James Franco
A few weeks ago, I went to the local art-house cinema in Royal Oak, Michigan, to see Gus Van Sant’s Restless, starring Dennis Hopper’s son, Henry Hopper, and the sensitive indie-girl du jour Mia Wasikowska. The movie is in many ways a conventional love story: awkward boy meets awkward girl; they both have secret traumas that they eventually reveal to each other; they support each other emotionally when the rest of the world is unable; they have a fight; and then, by the end, they come to a greater acceptance of each other. But one director’s trite structure is another’s fresh material. If Van Sant had made nothing but offbeat romances, Restless might have been boring. But he is one of the most experimental filmmakers we have, and his decision to helm an ostensibly ordinary love story is, itself, anything but ordinary. Read More »
October 24, 2011 | by Mark Van de Walle
A story in three parts.
Karl, the Beat Hotel’s ex-meth-addict handyman, stood at the top of a thirty-foot ladder, squirting a translucent goo with the brand name “Tanglefoot” onto one of the Hotel’s air-conditioner units. I held the ladder so that Karl did not pitch off into the sand and gravel below. The goo represented a new phase in our boss’s war with the pigeon population of Desert Hot Springs, California.
Our boss was Steve Lowe. Before starting the Beat Hotel, he’d performed with Laurie Anderson and read poetry with Allen Ginsberg. His gallery showed the best work Keith Haring ever did, and he made art with Richard Tuttle. Steve had also been William Burroughs’s amanuensis, a position that combined the duties of researcher, artist’s assistant, gallerist, and Official Writer’s-Block Breaker. Steve could tell stories about hanging out with William and Kurt Cobain and Patti Smith. He also recalled that, at Burroughs’s wake, he and Grant Hart, who was the drummer for Hüsker Dü, were the only people sober enough to be horrified when somebody threw up in the swimming pool. Read More »