Posts Tagged ‘Knoxville’
October 14, 2015 | by Nicole Rudick
“Big, Bent Ears,” our ten-chapter multimedia series with Rock Fish Stew, has come to a close. Over the past seven months, this “serial in documentary uncertainty” has enfolded a host of writers, artists, and musicians, including Joseph Mitchell, Jonny Greenwood, tUnE-yArDs, Sally Mann, Cormac McCarthy, Grouper, Nazoranai, Matthias Pintscher, Tyondai Braxton, the JACK Quartet, Swans, Tacita Dean, and Cy Twombly, as well as artists of a different stripe: a family of piano tuners, a chef, a translator, and, of course, a documentary team. There were also multiple audiences, an earthquake, strangers on a train, and the city of Knoxville.
We’ll leave you with an epilogue in which Sam Stephenson and Ivan Weiss return to Mitchell’s midcentury chronicles of New York City and sift one more time through his collected objects. This postscript is also an introduction to a filmed interview with Laurie Anderson, whose comments typify the spirit of uncertainty that binds the series.
Read the epilogue here, and catch up on the rest of the series:
- Chapter One, There Are No Words
- Chapter Two, Borderline Religious
- Chapter Three, Nazoranai, a Documentary
- Chapter Four, In Search of Lost Time in Knoxville
- Chapter Five, Alien Observers
- Chapter Six, Treatise on the Veil
- Chapter Seven, Anatomy of a Sequence
- Chapter Eight, Surrender to the Situation, Part 1
- Chapter Nine, Surrender to the Situation, Part 2
- Chapter Ten, Surrender to the Situation, Part 3
Nicole Rudick is managing editor of The Paris Review.
March 25, 2015 | by Dan Piepenbring
“Every now and then, when I’m tuning, I can make myself cry,” he said at one point. How can a piano tuner make himself cry? I thought to myself. What in the act of tuning would cause someone to do that? When I reviewed this footage months later, I could hear how dumbstruck I was. “When do you make yourself cry?” I asked, baffled.
Tim came back with an explanation that, in one fell swoop, answered the question, created a bigger mystery, and effectively ended that part of the conversation.
“This is getting sort of borderline religious here,” he said, “kind of with the f-word mixed in with it … When you say, God, I’m here—I’ll do the motions, you do the work.”
The second chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss’s “Serial in Documentary Uncertainty,” is available now. We launched the series earlier this month; it’s a combination of video, audio, photography, and writing in various arrangements and states of completion. This week, Sam and Ivan talk to Tim Kirkland, a piano tuner in Knoxville, and to the members of Nazoranai, an improvisational noise band. Read the piece here, and stay tuned for the next chapter, which comes next Monday, March 30.
February 7, 2013 | by Sadie Stein
- “The ordinary, mild-mannered bookstore had stripped off its everyday shirt to reveal its superpowers, moving with a slamming shift into warp-speed pleasure.” A paean to vanished bookstores.
- How to (if you must) divest yourself of books.
- Here is a trademark lawsuit involving both space marines and superheroes. Yes, I said space marines.
- “The precision and spirit of Austen’s novels derive, in part, from the cherished objects with which she and her heroines were in daily contact—things that might well have been overlooked or spurned by everyone else.”
- Washington, D. C. earns the title of Most Literate City. The Most Romantic crown, however, goes to Knoxville, Tennessee. (If you define romance as only shopping at Amazon.com, of course.)