Posts Tagged ‘journalism’
June 16, 2014 | by Dan Piepenbring
- “The dirty secret of poetry is that it is loved by some, loathed by many, and bought by almost no one.” (That may be dirty, but is it a secret?)
- Everyone can rattle off the names of alcoholic male writers—it’s time to give the women their due. “Jean Rhys was briefly in Holloway prison for assault; Elizabeth Bishop more than once drank eau de cologne, having exhausted the possibilities of the liquor cabinet. But are their reasons for drinking different? And how about society’s responses, particularly in the lubricated, tipsy twentieth century; the golden age, if one can call it that, of alcohol and the writer?”
- Among the artists to have illustrated international editions of The Hobbit over the years: Tove Jansson, Maurice Sendak, and Tolkien himself.
- No one can explain the success of “A Dark Room,” a best-selling game composed of words and not much else—harking back to the earliest computer games of the seventies. “These language games draw on a tradition of using language patterns as a form of play that precedes computers by thousands of years, something to which more recent video games remain indebted.”
- Look to 1984—the year, not the novel—for a curious episode from the annals of bioterrorism: “In rural Oregon, a small religious sect led by an Indian mystic was busy organizing a massive voter-fraud campaign that nearly enabled it to take over an entire county … The Rajneeshees would try to depress turnout among regular voters by poisoning thousands of residents with Salmonella.”
- Journalists reporting from more than ninety countries are collaborating on a new project called Deca: “Once a month, Deca publishes a nonfiction story about the world. Somewhere between a long article and a short book, each piece is written by one member, edited by another, and approved by the rest.”
May 6, 2014 | by Dan Piepenbring
- One of the finest World War II documentaries, 1945’s The Battle of San Pietro, was faked. Does this make it less true?
- Here’s what it was like to attend a literature seminar taught by Philip Roth in the seventies: “He barely looked at us or made eye contact, but murmured a hello, then sat down in his chair, crossed one long leg over the other, and slowly unbuckled his watch. That’s as sexy as it got.”
- “Does journalism fit into capitalism? … Journalism does exist in capitalism, and capitalism is kicking journalists’ asses. The same goes for editors, and for many publications.”
- Matt Parker, a sound artist, has been touring data hubs—those epicenters of the Internet, where all our e-stuff takes physical form—and recording the ethereal hum they give off. The result: “musical renderings of the great churn … an incredibly loud and obnoxious place filled with white noise and buzzing hard drives.”
- Analyzing the artisanal toast trend: “Artisanal toast is hardly the first harbinger of our food obsession, or even necessarily the most egregious, but it’s become a scapegoat for a growing, broader cultural backlash; the toast that broke the camel’s back.”
April 28, 2014 | by Dan Piepenbring
Last week, we had the pleasure of featuring Silvana Paternostro’s “Solitude & Company,” an oral biography of Gabriel García Márquez from our Summer 2003 issue. But Silvana also wrote, for our Winter 1996 issue, “Three Days with Gabo,” an essay about the time she spent at a small journalism workshop hosted by García Márquez in Cartagena that spring. As Silvana writes: “For us, Latin American journalists in the early stages of our careers, he is a role model. We like to say that before he was a novelist he was a reporter. He says he has never stopped being one.” The essay provides a charming account of García Márquez’s professorial style—somehow both whimsical and practical—and it serves a reminder of his formidable talents as a journalist and an observer:
It has been said that Gabo is too creative to be a good journalist. After all, he is the same writer who in his novels, with a straight face, had Remedios the Beauty levitating to the skies and the smell of Santiago Nasar after his well-announced death penetrating the entire town.
As if reading my mind he says, “The strange episodes in my novels are all real, or they have a starting point, a basis in reality. Real life is always much more interesting than what we can invent.” He says that the ascension of Remedios the Beauty was inspired by a woman he saw spreading clean white sheets with her arms stretched out to the sun. He has also said that “to move between the magical and the incredible, one has to become a journalist” … He begins to read paragraphs out loud from some of our articles; he offers light copyediting. Some of the sentences are too long and Gabo pretends to be choking as he reads along. “We have to use breathing commas,” he says. “If not, the hypnotic act does not work. Remember, wherever there is a stumble, the reader wakes up and escapes. And one of the things that will make the reader wake up from hypnosis is to feel out of breath.”
We’ve made Silvana’s essay available online for free; you can read it here. It’s a fitting conclusion to our tribute to García Márquez—he will be missed.
March 6, 2014 | by Dan Piepenbring
Gabriel García Márquez is eighty-seven today.
You describe seemingly fantastic events in such minute detail that it gives them their own reality. Is this something you have picked up from journalism?
That’s a journalistic trick which you can also apply to literature. For example, if you say that there are elephants flying in the sky, people are not going to believe you. But if you say that there are four hundred and twenty-five elephants flying in the sky, people will probably believe you. One Hundred Years of Solitude is full of that sort of thing. That’s exactly the technique my grandmother used. I remember particularly the story about the character who is surrounded by yellow butterflies. When I was very small there was an electrician who came to the house. I became very curious because he carried a belt with which he used to suspend himself from the electrical posts. My grandmother used to say that every time this man came around, he would leave the house full of butterflies. But when I was writing this, I discovered that if I didn’t say the butterflies were yellow, people would not believe it.
—Gabriel García Márquez, the Art of Fiction No. 69
January 24, 2014 | by Dan Piepenbring
Today is the feast day of Francis de Sales, the patron saint of writers and journalists. A bishop of Geneva, Francis died in 1622. He was fond of using flyers and books to convert Calvinists—hence his patronage, though one can imagine him just as easily settling into a post as patron saint of marketing, or patron saint of well-meaning finger-wagging.
Francis’s most enduring work is 1609’s Introduction to the Devout Life, which was written for laypeople—a novel idea at the time. CatholiCity, a repository of “the Finest Catholic CDs, Booklets, and Novels,” calls it “the most popular Catholic ‘self-help’ book of all time,” and when you peruse the table of contents, it’s not hard to see why. There’s plenty of practical wisdom on offer, e.g., “All Evil Inclinations Must Be Purged Away”; “One Word to Maidens”; “Dryness and Spiritual Barrenness”; “How to Exercise Real Poverty, Although Actually Rich”; and, conversely, “How to Possess a Rich Spirit Amid Real Poverty.” Then there’s the meditation on hell, which goes from yogic to despairing at the drop of a mitre:
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1. Place yourself in God’s Presence.
2. Humble yourself, and ask His Aid.
3. Picture to yourself a dark city, reeking with the flames of sulphur and brimstone, inhabited by citizens who cannot get forth.
January 22, 2014 | by Dan Piepenbring
- “A strangely democratic and egalitarian Era of the Word has emerged.” Why we may be living in an idyllic age for journalism.
- “People love stories. The more you see your story as part of a broader narrative, the better.” The six things that make stories go viral will amaze, and maybe infuriate, you. Kudos to The New Yorker for aping Upworthy’s headline style.
- And since we’re doing sixes: six pieces of advice from successful writers. (Though they’re a touch cliché, right down to the “avoid clichés” apothegm.)
- It’s the thirtieth anniversary of the Supreme Court’s Betamax decision. The medium is obsolete; the verdict is not. It’s the basis of a lot of our ideas about copyright, consumer rights, and fair use.
- #ReadWomen2014: A hashtag becomes a movement.