Posts Tagged ‘Johnny Depp’
January 20, 2015 | by Sadie Stein
Lately, posters for the film Mortdecai have been popping up everywhere. They feature Johnny Depp and a battalion of costars extravagantly mustachioed and looking wacky. Oh, great, I thought. More of Johnny Depp pretending to be a character actor. That’s what the world needed. Maybe in six months if I’ve seen everything else on a plane and the movies are free.
The posters were designed to intrigue, but I can’t imagine they piqued much curiosity. But of course someone, eventually, had to ask, What the Hell Is Mortdecai?, and in a weak moment, I clicked on the link. And of course, then it all made sense—kind of. The new movie is an adaptation of the Mortdecai series by Kyril Bonfiglioli. The spelling is the same, of course, but it was still hard to believe—these lighthearted posters just bear so little resemblance to the tone of the books, and the preview roams even further.
August 1, 2013 | by Katie Ryder
At the turn of the nineteenth century into the twentieth, a young Abanaki Native American woman named Margaret “Soaring Dove” “Dark Eyes” Tahamont moved from her home in the Adirondacks across the country to Los Angeles to play in the moving pictures. She was born in Indian Lake, New York, where her extended family—a mixed group of Abanaki, Oneida, and Anglo ancestry—had been well established since the town’s founding, owning substantial land, running an inn for visitors to the region from New York City, and employing many town residents as laborers.
Margaret, born Camp, judging from all photographs of her Indian Lake family, was raised in the costume of any white northerner. Her cousin Emma, near Margaret’s age, can be seen wearing a high loose bun, plush woven hats, and carefully tailored dresses covering from the high neck to the wrist, puffed at the sleeves, pintucked across the bodice, and lightly trimmed with lace.
But Margaret moved to Los Angeles to perform as an Indian in plays, Indian hobby societies, and early silent films. She now wore long braids, leather, beaded headbands, moccasins, and performed under the name Dove Eye. Her husband Elijah Tahamont, or Dark Cloud (also Abanaki, from Quebec), had been acting in silent films made in the Adirondack region—what would later be known as the “eastern Westerns”—including at least a few with soon-to-be famed director D. W. Griffith, and when eastern production companies began to move west to join nascent Hollywood corporations, the Tahamonts went along. Elijah, as Dark Cloud, played in over thirty titles; Margaret in at least five silent shorts, and likely more—the idea of preserving film and film records still lying a bit ahead on the horizon. Read More »
May 10, 2013 | by Sadie Stein
October 17, 2012 | by Sadie Stein
July 10, 2012 | by Sadie Stein