Posts Tagged ‘John Jeremiah Sullivan’
April 15, 2014 | by Dan Piepenbring
- Donna Tartt’s The Goldfinch has won the Pulitzer Prize for Fiction.
- John Jeremiah Sullivan’s latest piece is a masterful look at two musicians who have fallen into obscurity: “In the world of early-20th-century African-American music and people obsessed by it … there exist no ghosts more vexing than a couple of women identified on three ultrarare records made in 1930 and ’31 as Elvie Thomas and Geeshie Wiley.”
- A statistical analysis of the paintings of Bob Ross. (Ninety-one percent contain at least one tree; 39 percent contain at least one mountain; 21 percent contain cumulus clouds.)
- Taking stock of today’s art world: “The artist has undergone an enormous increase in value, to the point of idolization. But success has come at a high price, with the power of the art system, the adjustment to taste guidelines, and the dependence on galleries and curators. To create something new all one’s own, while remaining in the game, is a balancing act that only few succeed at mastering.”
- An interview with Black Dog Bone, the founder, publisher, and editor-in-chief of Murder Dog, hip-hop’s most “potent” underground magazine.
- “The original designs for the cubicle came out of a very 1960s-moment; the intention was to free office workers from uninspired, even domineering workplace settings.”
February 20, 2014 | by Dan Piepenbring
As New York’s brutal winter wends its way onward, ever onward, two among us have had the good sense to go West: our John Jeremiah Sullivan and Lorin Stein have absconded to LA, which reliable sources indicate is sunny, balmy, and unspeakably pleasant. The two of them are probably, at this very moment, tooling around in a slick late-model convertible and soaking up rays, the reflection of the Hollywood sign visible in the lenses of their Wayfarers.
But they have a job to do: tonight, at 7:30 P.M., Sullivan will give a reading as part of the Hammer Museum’s Some Favorite Writers series, where he’ll be joined by Stein. The event is free, and given how wonderful it must feel to be in Los Angeles, you can expect both gentlemen to be in top form. Go!
February 12, 2014 | by Dan Piepenbring
Just when you thought you couldn’t wish for spring any more fervently, news arrives of our Spring Revel. Save the date: on Tuesday, April 8, writers, poets, artists, editors, readers, supporters, eminences, patrons of the arts, bon vivants, and other all-around admirable sorts will convene at Cipriani 42nd Street for a legendary evening. Women’s Wear Daily calls the Revel “the best party in town”; Mary Karr calls it “prom for New York intellectuals.”
This year, we’ll honor Frederick Seidel with the Hadada Award, to be presented by John Jeremiah Sullivan. Lydia Davis will present the Plimpton Prize for Fiction; Roz Chast will present the Terry Southern Prize for Humor; and Martin Amis, Charlotte Rampling, and Zadie Smith will all read. There will be dinner, and cocktails, and unabated merriment, thanks in no small part to our event chairs, Chris Weitz and Mercedes Martinez.
We’d love to see you there! Tickets and tables are available now.
January 24, 2014 | by Dan Piepenbring
- Japanese scrolls from the Edo period depict—yes—erumpent, competitive flatulence.
- Back to more dignified fare. Guess the classic novel from its first sentence.
- Fact: Kurt Vonnegut wrote a made-for-TV movie in 1972. It’s called Between Time and Timbuktu, or Prometheus-5: A Space Fantasy. Vonnegut later withdrew from the production: “I am not going to have anything more to do with film—for this reason: I don’t like film.” Well. As far as excuses go, that one’s airtight.
- “I think empathy is a guy who punches you in the face at a bus station, and you’re somehow able to look at him and know enough about what situation he was in to know that he had to do that and not to hit back. That’s empathy, and nothing ever happens in writing that has that kind of moral heroism about it.” A new interview with John Jeremiah Sullivan.
- As any reader of Empson’s Seven Types of Ambiguity knows, vagueness can be artful, but it’s especially so in Mandarin writing, where ambiguous sentences resemble optical illusions.
August 20, 2013 | by Justin Alvarez
Now we’re making it really easy for you! For those readers who were unable to catch James Salter, Mona Simpson, Lorin Stein, and John Jeremiah Sullivan discussing The Paris Review’s sixtieth anniversary on Charlie Rose, are you ever in luck! You can now watch the full segment below (sans introductory interview with Yelp founder Jeremy Stoppelman). Yes, we’ve given this a lot of ink, but what can we say—we’re proud!
If you have issues with the video, click here to watch.
August 19, 2013 | by Sadie Stein
If you weren’t able to catch James Salter, Mona Simpson, Lorin Stein, and John Jeremiah Sullivan talking The Paris Review’s sixtieth on Friday night’s Charlie Rose (or, like some of us, were forced to watch it in closed caption), you’re in luck! Tonight, the show airs again on Bloomberg TV at 8 P.M. and 10 P.M. EST.