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Posts Tagged ‘John Cage’

A Conversation About John Cage and William Gedney’s Iris Garden

May 27, 2014 | by

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Iris Garden is a 2013 book that combines John Cage’s stories with William Gedney’s photographs—including several of the composer himself—with an ingenious design evoking Cage’s affinity for chance. The stories and photographs were selected by the photographer Alec Soth: twenty-two of the stories are from Cage’s series Indeterminacy, conceived in 1959, which featured stories of varying length, each intended to be read aloud over the course of one minute; and forty-four photographs from the William Gedney archive, shot from the 1950s to 1989 and housed at the David M. Rubenstein Rare Book & Manuscript Library at Duke University.

Leanne Shapton and Jason Fulford are the founders of J&L Books.

Leanne Shapton: As soon as I started flipping through this book, I thought, I’m so happy art publishing allows for this. It’s a strong book, but it’s quiet and subtle, and the design would never make any marketing department happy.

Jason Fulford: The book comes completely apart, literally. Even the endpapers slide out, and the cover can be unfolded—so you can read it in any order. It reminds me of how my Hasselblad disassembles. You can take all of the pieces apart and lay them out on a table. 

LS: I went to the back of the book and read Cage’s statement, which helped me “read” the book. He wrote: “My intention in putting these stories together in an unplanned way is to suggest that all things—stories, incidental sounds from the environment and by extension, beings—are related, and this complexity is more evident when it is not oversimplified by an idea of relationship in one person’s mind.”

JF: Cage stays with you your whole life. You keep coming back to things you loved about him when you were fifteen, and they still relate to you at forty. Actually, I guess I probably learned about him in my twenties. Did I ever tell you a story about Lee Elickson, the American filmmaker who lives in Amsterdam? When he was fourteen or fifteen, he had a chance to meet John Cage. He brought an empty sheet of music and asked Cage to sign it. Cage asked, What are you gonna do with it? So Lee had to think fast and said, After you sign it I’ll put it on the forest floor for a week, let nature make its marks, and then have it performed by an orchestra. So Cage was like: Oh, okay. Lee still has the paper, but he hasn’t found an orchestra yet to perform it. Read More »

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Fifty Shades of Rage, and Other News

September 4, 2013 | by

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  • Joey Ramone sings John Cage adapting Finnegans Wake. Got that?
  • Paul Muldoon’s eulogy for Seamus Heaney.
  • Fans of the Fifty Shades series are outraged at the casting for the upcoming film adaptations; a petition is circulating and already boasts 7,300 signatures. The producer has taken to Twitter to defend himself.
  • The Agatha Christie estate has granted permission to author Sophie Hannah to write a new Poirot mystery.
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    Return Engagement: An Interview with Rebecca Gates

    July 17, 2012 | by

    Image by Dan Sharp

    Rebecca Gates’s former band, the Spinanes, released their first album, Manos, in 1993. Indie pop was in its halcyon days, and Manos reached number one on the college charts. Like Elliott Smith and Lois Maffeo—her friends and colleagues in the Pacific Northwest music scene—Gates sang opaque, suggestive lyrics in a gentle and ruminative voice. But her dense guitar and Scott Plouf’s propulsive drums (they were a duo, with no bassist) were also inspired by punk. Strand, their 1996 follow-up, expanded their musical palette with experimental sounds and more complex instrumentation. After Plouf left the band, Gates moved to Chicago, where she recorded a third and final Spinanes album, 1998’s Arches and Aisles, with help from members of such simpatico post-rock bands as Tortoise and the Sea and Cake.

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