Posts Tagged ‘Jennifer Grotz’
January 5, 2012 | by Ta-Nehisi Coates
What I love about poems is how they change in the light of repeated readings. Now this is true of most art (and I guess most things), but because poems are (often) so short you can actually experience the change over a series of days or weeks of rereading, or even, still, over the space of years. When I first read Jennifer Grotz’s “Poppies” all I could tell you was that I liked its sound. I didn’t have any idea what the poem was about. I just liked letting the words fall off my tongue when I read it aloud. It was elemental, and I think almost every poem I love is like that for me. At a base level it just sounds good. “That’s how the rain comes” just sounds good. “Black pepper and blood” just sounds good.
But then I went back and I saw the philosophy at work. Grotz writes of our constant desire to tame the world, and even the righteousness of that desire (“shouldn’t we love all things equally back?”). She writes of the anguish that ultimately comes from trying (the poppies are beautiful but only “like the feral cat who purrs and rubs against your leg / But will scratch if you touch back”) and then, finally, our sadness at the whole thing. “Love is letting the world be half-tamed,” Grotz writes. I think you could say that about a lot more than just the natural world that she is addressing. That’s a lesson we’re constantly learning. Read More »
June 28, 2011 | by Emily Witt
The Academy of American Poets promised youth. “All very hip, young, cool poets,” said the invite for a recent Thursday-night reading on the rooftop of the Arsenal Building in Central Park. And it wasn’t just that night’s reading. “The entire reading series,” the e-mail emphasized, “features hip, cool poets.”
On the evening of the hip, cool reading on the rooftop, the clouds hung low and threatened precipitation. The workers of Manhattan, newly released from their cubicles, surged up Fifth Avenue to Central Park, breathing in the cultivated scents of high-end retail that punctuated the doorway of each storefront.
“I’m sick of hearing about Barack Obama,” said someone walking behind me on Fifth Avenue, as I, newly released from my cubicle, inhaled the spicy, luxurious air that poured out the doorway of Henri Bendel. “You know?” she said to her companion. “I’m sick of the jokes.”
The skyscrapers all had trees growing from their atria or complex terraces of ferns sprouting beneath their glass panes. They looked like magazine ads for oil companies. Mr. Softee trucks lined 59th Street, which was also seething with joggers. Around the stoplights the young joggers clustered, running in place. They all wore T-shirts that read “The J. P. Morgan Corporate Challenge.” They jogged to and fro on some sort of athletic scavenger hunt; hip, young, cool corporate types on what appeared to be a fitness mission that promised team building but also possibly resulted in charitable contributions. (I looked it up later: “Forty companies celebrated fitness and camaraderie in one of the world’s greatest urban parks, while raising funds for the Central Park Conservancy.”)