Posts Tagged ‘Jason Fulford’
May 7, 2014 | by Jason Fulford and Leanne Shapton
Dark Knees is a 2013 book that accompanies a recent exhibition of Mark Cohen’s photographs from the 1970s, though it feels more like a cryptic archive of fragments—tightly cropped, mostly black and white pictures of parts of the body and objects on the ground. Cohen was born in Wilkes-Barre, Pennsylvania, where he’s lived and worked for the last seven decades.
Leanne Shapton and Jason Fulford are the founders of J&L Books.
Jason Fulford: I saw Cohen’s show at Le Bal. It was funny to see photographs of Pennsylvania in Paris. I’d like to meet him. I saw a video of him shooting on the street in 1982. He’s pretty sneaky—getting up really close to somebody and then flashing and moving away fast, no conversation. I think he has a thing for legs and feet.
Leanne Shapton: Girls, legs, midsections, hands.
JF: He cites surrealism as an influence. Body parts. I wouldn’t call them portraits. They’re more like pictures of clothes on people.
LS: I’d like to see that footage of him. Looking at the work, it does feel he’s moving, he sneaking, he’s snatching, and it’s almost like he’s looking out of the corners of his eyes. You don’t feel the fixed point with him—you feel it’s sidelong, that he doesn’t want to engage directly.
JF: I kind of wish I hadn’t seen the video. Have you ever seen footage of Daido Moriyama photographing in Tokyo? He uses a point-and-shoot camera and he’s very casual about it. His arms are hanging down straight with a camera in one hand. He moves through the city like a shark, slowly and methodically, in and out of stores, in and out of malls and alleyways, up and down escalators and stairwells, and his instincts seem honed to know when to shoot from the hip and when he can stop and compose. But he never gets that close to people. Cohen shoots with a wide-angle lens, so when he’s got a close up of a face he’s really only a few inches away. Also, it was a different time—people related to cameras differently. In high school, in the eighties, I used to go to the airport and take pictures of people. You can’t do that so easily now. Security won’t let you, people won’t let you. That’s the striking thing about the video of Cohen shooting—people hardly react to him. Read More »
February 16, 2012 | by Thessaly La Force
It’s no secret how much I admire Leanne Shapton. The former art director of The New York Times’ Op-Ed page is also the author of several books, including Was She Pretty? and Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry. She’s also a contributor to The Paris Review. Open any of the last four issues to glimpse her beautiful illustrations of Roberto Bolaño’s The Third Reich. Or buy issue 196, whose cover she painted. I visited her studio space north of Manhattan last spring. I can still remember her dog, Bunny, running to greet me. Leanne served tea and sweets, and we talked long after I turned off my tape recorder.
I wake up, walk the dog, or let the dog out. I’ll pretty much start working right off the top, depending on what I need to do, on deadlines.
I was talking to Sheila Heti about how and where we work. Sometimes I feel I get a lot done waiting for something else, with my shoes and coat on, with the car running. I don’t have a set routine. I can work for hours at a time, but I get a lot of stuff done in these weird starts and stops, which makes it a little bit harder to track. I have so many backs of envelopes with notes written on them in my pockets or stuffed into the side door of a car. I also use my Blackberry to write myself notes. Last night, I wrote myself an e-mail that said, “Tough girls with dark pink skin, England air, etc.” Now it’s sort of coming back to me, but when I woke up and read it, I was like, “What? What did I drink?” Lots happens in these little spaces between work and eating and sleeping. Sheila said she had this image of me standing up—you know how you stand up and eat when you’re really hungry? Well I stand up and work. It’s not a Hemingway thing, it’s more like I have to get this done, because the elevator is coming up. Some thing happens then. And that’s when I work.
May 6, 2011 | by Craig Taylor and Deirdre Dolan
In 1998, Adam Gilders, a Canadian writer, was diagnosed with a malignant brain tumor. Before his death in 2007 at the age of thirty-six, he wrote close to two hundred stories. Though Gilders’s fiction has been featured in The Paris Review and The Walrus, two of his friends, Jason Fulford and Leanne Shapton, decided to publish a more comprehensive book of Gilders’s writing under their independent imprint, J&L Books. Together, with Geoffrey Bainbridge, Miranda Purves, John Zilcosky, and Adam’s mother, Carla Gilders, they edited Another Ventriloquist, which debuts this Saturday, May 7, at the J&L FUNdraiser. We spoke to Jason and Leanne about the book.
Another Ventriloquist is an unnervingly good read. Can you talk about the status of the book when Adam died of a brain tumor in 2007? Had any of his friends discussed with him the possibility of gathering his writing into a book?
He never talked about publishing a collection of his stories. That was all our idea.
When he died, he had around two hundred unpublished pieces on his computer. One of the first conversations we had with his mother and friends after the funeral was about needing to get his stories collected and published. We never even knew he wrote so much. He was very critical of his own work and most of it he would have never brought forward for publication, especially not the older pieces or funny stuff like “Michael Douglas.” This is the one silver lining we can see to the situation—we get to read all these stories.
May 4, 2011 | by Thessaly La Force
It’s a big week for friends of The Paris Review, one full of readings, parties, and performances that we thought you, our dear readers, might like to attend:
Saturday, May 7: FUNraiser for J&L BOOKS
Leanne Shapton and Jason Fulford will host a fundraiser for their imprint, J&L books, which dedicates itself to publishing well-designed books of previously unpublished or rarely seen work by contemporary artists. A $10 ticket will get you a letterpressed Mother’s Day card and a raffle ticket, as well as access to a sale of vintage clothes, and original art by J&L artists. Later that evening, J&L will celebrate the launch of Another Ventriloquist by Adam Gilders. Click here for more information.
Monday, May 9: David Bezmozgis and Francine Prose
The New York Public Library’s Cullman Center will host a conversation between David Bezmozgis and Francine Prose, who are the authors of The Free World and My New American Life, respectively. Tickets are free but must be reserved. Click here for more information.
Tuesday, May 10: Geoff Dyer Talks with Lorin Stein
At Greenlight Books, Geoff Dyer and Lorin Stein will discuss Dyer’s latest book, a collection of essays called Otherwise Known as the Human Condition at Greenlight Books. Click here for more information.
Wednesday, May 11: Pop-Up Magazine + ESPN Magazine
What happens when you make a magazine for just one night? Nothing is published, nothing goes online—it’s a live magazine. Join contributors to The New Yorker, This American Life, The New York Times Magazine, Harper’s Magazine, and others as they share stories, films, interviews, photography, and much more live on stage. Tickets are $25, click here for more information.
And keep up by checking out our events calendar!