Posts Tagged ‘Jane Austen’
November 13, 2014 | by Dan Piepenbring
Margaret Sullivan’s new book, Jane Austen Cover to Cover, collects dozens of the covers that publishers around the world have concocted for her six major novels; it’s “two hundred years of publication, interpretation, marketing, and misapprehensions.” These six examples of Emma indicate Austen’s singular place in the canon: the covers range from the lurid to the leather bound—highbrow, lowbrow, middlebrow, every brow—with Emma Woodhouse taking on a new look and mien to suit every era. The art provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.
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November 13, 2014 | by Dan Piepenbring
- Everyone’s going nuts for Serial, an impeccably reported (and very self-aware) true-crime podcast spun off from This American Life. But Janet Malcolm was up to something similar many decades ago, wasn’t she?
- Then again, this should come as no surprise. “Hasn’t it all been done before? Perhaps better than anyone today could ever do it?” Why should any of us bother with the new when so much of the old is out there waiting for us?
- Actually, why should any of us leave our houses at all? We’re just going to encounter the absurd—a bunch of loony scholars, for instance, tooling around town with a life-size statue of Jane Austen in tow …
- And even the best literature offers no respite from the absurd and the terrifying. Quite the opposite. “In August a man in the Bronx tied a chain to a pole, wrapped it around his neck, got behind the wheel of his Honda and stepped on the accelerator. The chain severed his head from his body, which crashed through the windscreen and landed on the street when the Honda slammed into a parked car … It put me in mind of a passage early in Donald Antrim’s first novel, Elect Mr. Robinson for a Better World.”
- But it’s all right. As the world grows more confused and tempestuous, we’ll at least find ourselves with more righteous, awesome, angry gods. A new study finds that “belief in moralizing high gods is ‘more prevalent among societies that inhabit poorer environments and are more prone to ecological distress’ … In societies that exist in places with violent monsoon seasons or periods of extreme drought, cooperation is more important than it is in temperate areas … And what better way to promote cooperation and fair play than the idea of an all-seeing god who demands it?”
September 17, 2014 | by Dan Piepenbring
- “Madame Bovary, c’est moi” is all well and good as a witty rejoinder—but in all honesty, which of the women in Flaubert’s life was the real Madame Bovary?
- At a Jane Austen festival in Bath, 550 people claimed the world record for “the largest gathering of people dressed in Regency costume.”
- On “reading insecurity,” the newest existential disease: “the subjective experience of thinking that you’re not getting as much from reading as you used to. It is setting aside an hour for that new book … and spending it instead on Facebook.”
- Among Stephen King’s “most hated expressions”: many people, some people say, and YOLO. (I agree with the first two, but I’ll go to the mat for YOLO any day of the week.)
- What’s it like to translate a compendium of Alain Robbe-Grillet’s sadistic fantasies? Haunting, but, you know, in a good way: “As translator, I am a filter for material: it travels through me. As such, there’s a residue, but it is difficult to qualify. At best, you might compare the book’s effect on me to its effect on any reader: certain images—many, in fact—remain in you, and surge forth unbidden, superimposing themselves in your mind’s eye on perfectly anodyne and serene scenes of everyday life.”
August 25, 2014 | by Eric Jarosinski and Jason Novak
The first in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.
August 22, 2014 | by Dan Piepenbring
- At the Morgan Library and in England, Jane Austen miscellanea abounds: recent years have seen the discovery, exhibition, and/or sale of Austen’s turquoise ring, Austen’s nephew’s memoirs (with her handwriting somewhere among the pages), Austen’s teenage notebooks, fragments of her unfinished novel, a stone shield excavated from a house near her birthplace …
- “Once a sci-fi plot conceit, time travel has become among the most popular structural devices in contemporary fiction. Today ‘time machine fiction’ reigns supreme.”
- Before Moby-Dick there was Mocha Dick—not a coffee-chocolate phallus but “a real-life whale … who fought off whalers for decades before being killed by harpoon.” It was a magazine story about Mocha that inspired Melville to write his novel; now, in a new illustrated book, Mocha Dick: The Legend and the Fury, the original whale gets his due.
- The history of nine terms of endearment, including such perennials as sweetheart (1290) and sugar (1930), but also some deep cuts: mopsy (1582), bawcock (1601), and prawn (1895), the last of which ought to come into vogue again any minute now.
- A manual for the first computer game—“The Ferranti Nimrod Digital Computer,” dubbed “Faster than Thought”—has sold for $4,200. The computer was designed specifically to play “a match-stick game called Nim that was played in the French movie L’Année Dernière à Marienbad.”
July 10, 2014 | by Tara Isabella Burton
Mansfield Park at two hundred.
Poor Fanny Price. The unabashedly mousy, pathologically virtuous protagonist of Mansfield Park—which turns two hundred this year—is Jane Austen’s least popular heroine. She spends most of the novel creeping around the periphery of the titular park, taciturn and swallowing tears; she tires after the briefest of physical exertions; she looks down on her wealthier cousins for engaging in flirtatious amateur theatrics; and for most of the book’s five hundred pages, she refuses to voice her long-held love for her cousin Edmund.
Austen’s own mother reportedly found Fanny “insipid”; the critic Reginald Farrer described her as “repulsive in her cast-iron self-righteousness and steely rigidity of prejudice.” Even C. S. Lewis—in the voice of his demon Screwtape in The Screwtape Letters—let loose a vitriolic rant about Austen’s most priggish heroine, calling her “not only a Christian, but such a Christian—a vile, sneaking, simpering, demure, monosyllabic, mouselike, watery, insignificant, virginal, bread-and-butter miss … A two-faced little cheat (I know the sort) who looks as if she’d faint at the sight of blood, and then dies with a smile … Filthy, insipid little prude!” Even if we are to separate Lewis from Screwtape, it’s difficult to see Fanny as anything but, to quote Nietzsche’s famous description, “a moralistic little female à la [George] Eliot.”
And indeed, those who defend Fanny tend to see her as a Christian heroine in the mold of a Dorothea Brooke. As the Austen biographer Claire Tomalin puts it, “it is in rejecting obedience in favor of the higher dictate of remaining true to her own conscience that Fanny rises to her moment of heroism.” But to read Mansfield Park as a kind of Middlemarch is to miss the far more complicated story Austen has told. Fanny Price’s story is less about her individual virtue, or her richer relatives’ lack thereof, but about class, about privilege in its most insidious form—before the term ever cropped up in contemporary social justice discourse. Fanny isn’t moral or upright because she wants to be, but because the role—along with a whole host of so-called middle-class values—is forced upon her. For all we know, she may well wish to be as carefree, as filled with dynamic sprezzatura, as Woodhouse or Elizabeth Bennet, Austen’s more fortunate heroines, but the social dynamic, and the circumstances of her birth, deny her the security necessary for such frivolity. Fanny has too much at stake to be easygoing. Read More »