Posts Tagged ‘Jack Kerouac’
December 31, 2013 | by Robert Moor
In honor of the new year, we are bringing you some of your favorite posts from 2013. Happy holidays!
When I first started working at Kings County Distillery, in the summer of 2010, I was delighted to find the job provided ample time to read. Whiskey making has its own peculiar rhythm. Each batch begins in a flurry, as one juggles a series of tasks like a line cook, but ends in a hush, with little to do but watch the languorous drip of the stills.
This was in the wobbly-legged days of the company’s infancy, before we moved into the grand old brick paymaster building in the Brooklyn Navy Yards. Back then we were based out of a studio space on Meadow Street with wooden floors and five-gallon steel pot stills that had to be emptied, scaldingly, by hand. (This, as our former downstairs neighbors can attest, would prove an unfortunate combination of circumstances.) During that first summer, we worked singly, in nine-hour shifts, so there was a lot of alone time. So, unless one wanted to lose one’s goddamn mind in that little room, one read. Read More »
December 6, 2013 | by David L. Ulin
There’s nothing to writing. All you do is sit down at a typewriter and open a vein. —Red Smith
I wrote my first first book over the course of three months, from July 23 to October 23, 1979. Four weeks in, I turned eighteen. This was a novel, and not the first I’d attempted; in fifth grade, I had written forty pages of a saga called Gangwar in Chicago, inspired by The Godfather and taking place in a city where I’d never been. Setting the story in Chicago meant scouring the map in World Book for locations: Canal Street, I recall, was one. I chose it because I knew Canal Street in New York, and it seemed the sort of landscape in which a gang war could take place. To this day, I have never seen Chicago’s Canal Street, despite the twenty years I spent visiting my wife’s family in a suburb on the North Shore.
The other novel, the one I finished, was motivated almost entirely by a specific case of envy—of my friend Fred, who had spent the same summer working on a novel of his own. Fred and I were high school writing buddies, confiding to each other, as we wandered the grounds of our New England boarding school, that we both wanted to win the Nobel Prize. Now, he’d written a campus novel, tracing his difficulties as a one-year senior, parsing the school’s social hierarchy in a way that seemed enlightening and true. Fred was more serious, more focused; he not only knew what symbolism was but also how to use it. It made sense that he would write a novel, and that it would be good. A year later, he would write another one, and then we lost track of each other, until six or seven years later, when his short stories started to appear in magazines. Read More »
October 2, 2013 | by Jill Talbot
I am driving west on Highway 51. It’s Tuesday, the day before Indie’s ninth birthday, and as I pass the city limits of Stillwater on my way to Oklahoma City, I switch from the Sinatra station, the one playing “I’ll Be Seeing You,” to the seventies station, the one playing Marshall Tucker Band’s “Heard It in a Love Song.” I’m gonna be leavin’ at the break of dawn. I rarely listen to the song now, though sometimes when Indie is in the car, I’ll let it play, even sing along, assume the next time she asks me why he left, I can say, “You know that song, the one about the guy who never had a damn thing but what he had, he had to leave it behind?” She’ll know the song. So many times, when she’s singing along to Ambrosia or Bread, Jackson Browne, especially America, in the car, I ask her how she knows all the words to those long-ago songs, and she always has the same answer, “You sing all the time.” He used to tell me that, too. I change the station to NPR.
I recognize a familiar voice:
The American family has changed. The nuclear family in the house across the street is still there, but different kinds of families live on the block, too: unmarried parents, gay parents, people who choose not to have children at all and, of course, single parents.
A new Pew Research poll asked Americans about these trends and found almost 70 percent believe that single women raising children on their own is bad for society.
Of course, there is a wide array of single mothers. Some women choose to raise children by themselves. Others find themselves without a partner through divorce or abandonment. But when seven in ten believe this is bad for society, it makes you wonder.
So we want to hear from single mothers today. How do people treat you? Tell us your story. 800-989-8255 is the phone number. Email us, firstname.lastname@example.org. You can also join the conversation on our website. Go to npr.org. Click on TALK OF THE NATION.
I grip the steering wheel and glance at my cell phone in the cup holder. I keep my eyes out for a rest stop. Read More »
August 26, 2013 | by Sadie Stein
Paul Rogers has made “an illustrated scroll” in which he illustrates a line from every page of On the Road.
August 22, 2013 | by Sadie Stein
- Beatrice Kozera, the real-life inspiration for “Terry, the Mexican girl” in On the Road, has died, at ninety-two. Apparently she only learned of her involvement a few years ago.
- Monica Ali is one of the new faces of Marks and Spencer.
- “In a sign of the times, aspiring astronauts were asked to write a Twitter post, a limerick or a haiku as part of their NASA applications.” A good sign?
- Reports of the Nook’s death were greatly exaggerated.
- Is Edward Snowden really Thomas Pynchon?
July 30, 2013 | by Vanessa Blakeslee
“Yesterday, in 4 hours, I typed up the 12,000 word Diamond Sutra on a long 12-foot scroll, beautiful, with my final transliteration, one of the most precious religious documents in the world, even you’ll like it when you read it,” Jack Kerouac writes to Joyce Johnson in November 1957. A little more than two months have passed since the publication of On the Road and Gilbert Millstein’s glowing review in the New York Times. Kerouac and Johnson, a budding literary talent in her early twenties, have been romantically involved since January, their sporadic visits in New York interspersed by a lively correspondence. Kerouac had gone to Mexico City in the summer of ’57, but left after falling ill. He landed in Orlando, Florida, where his mother was renting a 1920s bungalow. From August to April 1958, he would make several trips to New York and celebrate his newfound literary acclaim. No one at the time, including Jack himself, could have realized how this small, sleepy house would figure in his life: becoming not only his refuge as On the Road climbed the bestseller lists, but the site of his last, prolific outpouring, resulting in a novel that many consider to be his greatest work, The Dharma Bums. Read More »