Posts Tagged ‘J. D. Salinger’
August 17, 2016 | by R. J. Hernández
Why I borrowed a name from Salinger.
Ask someone who Seymour Glass is and they’ll tell you he’s a Salinger character: the eldest of the precocious Glass family, a misanthrope who shoots himself on vacation in “A Perfect Day for Bananafish.” But if that someone works in the New York fashion industry—specifically, in the editorial departments of select glossies—their response might be, Didn’t he used to work here?
That’s me they’re thinking of. Read More »
June 17, 2015 | by Sadie Stein
The other night, as part of their Sterling Hayden festival, Turner Classic Movies aired the 1953 film So Big, an adaptation of Edna Ferber’s Pulitzer-winning epic of the same name. The movie, like its source, chronicles the struggles of a determined Illinois farm woman (played by Jane Wyman) and her more worldly son. The title is an innocuous reference to the little boy’s childhood nickname—but initially Warner Bros. publicists decided to sex things up a bit. Posters displayed a hunky illustrated Hayden look-alike in a passionate clinch with a smaller woman and the tagline, “He stood there so big … she was ready to forget she’d ever been a lady.”
It’s no secret that the fifties were a good time for playing fast-and-loose with the classics. In The Seven Year Itch, famously, filmmakers had plenty of fun with the idea. We see Tom Ewell’s pulp book publisher examining a cover in his office; it’s a paperback edition of Louisa May Alcott’s Little Women featuring four busty, well-endowed twentieth-century dames and the tagline “SECRETS OF A GIRLS DORMITORY!” Ewell scrutinizes the cover art, produces a pen, and decisively lowers each neckline by three inches. Read More »
June 16, 2015 | by Sadie Stein
One morning, I stopped by a Greenwich Village kiosk to buy a newspaper for my commute. When I would’ve walked away, the vendor’s voice stopped me, and I looked up to meet merry, twinkling eyes. “You,” he said roguishly, “are the most beautiful customer I have had all day!”
This seemed unlikely. True, the day was young. But I was looking particularly awful: the night before I’d attempted an “extraction” on a pore that, in a magnifying mirror, I had deemed clogged, and now it looked like I was suffering from either a bad allergic reaction or from some kind of strange bug bite. I hadn’t bothered with makeup. I was also wearing a cavernous sweater of my boyfriend’s. But what did I know? Maybe this guy’s other customers were a real bunch of dogs.
“Uh, thanks,” I said, not wanting to be ungracious in the face of such gallantry. Read More »
August 20, 2014 | by Dan Piepenbring
The literary real-estate market is booming. In May, Ray Bradbury’s house was for sale (Los Angeles, California; 2,500 square feet; $1.495 million). Then, in July, John Cheever’s house was for sale (Ossining, New York; 2,688 square feet; $525,000). At the time, you may have kicked yourself for failing to act on those—maybe you couldn’t scrape together the funds in time, or maybe you thought, Well, surely some other Dead Author’s Home will come along soon enough, and that will be the Dead Author’s Home for me.
You’re in luck: as reported by the Los Angeles Times, the Guardian, Page Six, and others, J. D. Salinger’s house is for sale, and it’s the most capacious authorial domicile yet (Cornish, New Hampshire; 2,900 square feet; $679,000).
The home’s current owner, Joan Littlefield, told the Valley News, a New Hampshire paper, that “she had been considering advertising the house, which she bought in the 1980s, in The New Yorker, in the hopes of attracting literary types.” To go by the coverage the property’s received, she has the right idea. But what does it mean to want to live in a dead writer’s house? When does fandom devolve into idolatry?
You might suppose that an ardent admirer of Salinger’s would have much to gain by inhabiting his private space—writerly inspiration, maybe, or a deeper connection to the work, or even just a constant, salubrious mental patter. (It’s another fine morning in J. D.’s kitchen, the satisfied homeowner thought.) Read More »
May 28, 2014 | by Dan Piepenbring
- Around 1892, the world of books greeted perhaps the most salient advance since the invention of the printing press: the Holloway Reading Stand and Dictionary Holder. “For invalids and those accustomed to read themselves asleep it is invaluable … The tired man or woman may read while resting.”
- Working for J. D. Salinger’s agent: “One of Ms. Rakoff’s tasks was to respond to the steady stream of fan mail for the legendarily reclusive author … The letters, many of them handwritten, were personal and passionate. There were old men who had served with the author in the war and young people discovering the hypocrisy of the real world for the first time. Ms. Rakoff went off script and began to write back, giving the fans her own advice and opinions.”
- What explains the spate of novels about famous novelists’ wives? “Vera Nabokov, as far as I know, has not yet been transformed into the heroine of a novel. But it's only a matter of time. The demand for fiction cast in the template of ‘the creative person’s wife’ shows little sign of abating.”
- Remembering Bernard Natan, “a Romanian Jew who immigrated to Paris in 1905 and went on to become a titan of French film, a man whose brand name, for a time, rivaled that of Gaumont and Pathé, founding fathers of le cinéma français. At once media visionary and rapacious entrepreneur, he burned bright over the City of Lights until an arrest for fraud sent him crashing to earth.”
- “An emergency gives reading a practical urgency, but practical urgency and literature have little business mixing. This is exactly why reading, at its best, is good for you: there’s almost never an immediate, practical reason to do it. It cuts against the grain of the everyday—of the jobs we have to work, the bills we have to pay, the conversations and fashions we’ve been convinced we need to keep up with, the stock language and thought that float in our cultural ether, clogging our vision.”
December 2, 2013 | by Sadie Stein