Posts Tagged ‘Italy’
June 25, 2014 | by Jonathan Wilson
When Zinedine Zidane head-butted Marco Materazzi during the 2006 World Cup final between France and Italy, he more or less blew any chance France had of winning the game. Materazzi is believed to have made some provocative suggestions about Zidane’s sister, and what’s winning the World Cup next to defending one’s sister’s reputation?
Luis Suárez’s action yesterday—he left an impression of his teeth in Giorgio Chiellini’s left shoulder—will, after his inevitable ban, have the same effect of terminally harming his country’s chances of victory. But unfortunately for him, Suárez doesn’t have a chivalric excuse.
Human beings frequently act against their own self-interest. Think of the highly successful British pop group KLF, two of whose members, self-described as the K Foundation, withdrew a million pounds of their own money from the bank back in 1994 and ceremonially burned it. It seemed like a good guerrilla art–type idea at the time, and then later it didn’t. But, like Zidane, K Foundation had a reason for acting as they did, more obscure but no less real. Read More »
June 20, 2014 | by Jonathan Wilson
Italy puckers up; unhinged American exuberance; infamous teeth.
Italy’s Mario Balotelli, he of the “why always me?” undershirt, wants a kiss from the “the UK queen”—yes, that one—if he secures a victory against Costa Rica. The domino effect of that result would go like this: Italy will go on to beat Uruguay while England crushes Costa Rica by some outlandish score and, miracle of miracles, England qualifies for the next round on goal difference. From my brooding vantage—looking out at the low dark clouds gathered over the sceptred isle this morning—a little royal peck on the cheek doesn’t seem too much to ask for Mario’s compliance. He should go for more—but maybe not from the queen.
All sports aficionados are historiographers. Fans of, say, the Chicago Cubs or the Boston Red Sox before 2004 “remember” failures and disappointments that occurred decades before they were born. Sports talk and commentary worldwide is a litany of reference and record: great names from the past, statistics, moments of triumph and disaster. No game is an island.
Does this explain why the USA’s supporters in Brazil seem to have reached a level of euphoria unmatched by the fans of any other country? I mean, they’re really going bonkers over there, and there’s something entirely unhinged about it. What the crowd is unhinged from, of course, is the past, the dead Wrigley Field weight of history that tells you, “Don’t even think about it.” Read More »
June 16, 2014 | by Rowan Ricardo Phillips & Jonathan Wilson
Rowan Ricardo Phillips, from New York:
Thursday has turned to Monday. The World Cup has blossomed. The opening game seemed intent on mocking any potential pleasure or faith you may have had in this tournament—but now it’s become so good, so quickly, that some people are already calling it the best World Cup they’ve ever seen. Eleven games thus far and not a single draw; the matches have been, for the most part, tightly contested. The Swiss threw in a last-gasp winner against an extremely naïve Ecuador; teams have sought to be positive, to attack, sometimes without thinking before rushing forward. But enough of that, Jonathan will no doubt be writing about England; his memoir is called Kick and Run, after all.
Almost all the big players have played up to their lofty status. Almost.
Spain, as you likely know by now, was atomized by the Netherlands to the tune of 5-1. The score flattered Spain: Holland could have, and really should have, scored a few more. To put into proper context, remember: Spain is the two-time defending European Champion and allowed a total of two goals (two!) in the last World Cup, which they also won, beating a Holland team so intimidated that instead of playing the osmotic football for which they’re famed, they played like the Steven Segal All-Stars, bastardizing themselves among the long line of great and balletic Dutch teams.
Four years later, the main actors were the same (including these two), but Holland was deadly and Spain soporific. What changed? Read More »
May 12, 2014 | by Alexander Aciman
Having read the incandescent poetry of cantos 26-28, it’s difficult not to feel as though Dante really phoned it in with canto 29. In fact, canto 28 is so hard to shake that Dante dwells on it for the first thirty or so lines of canto 29, weeping at the thought of the mangled sinners he’d met. Virgil rebukes him for his compassion, as always, and emphasizes the importance of moving on: he tells Dante they’re running out of time to complete their quest, which must have been Dante’s way of upping the stakes. Will our heroes beat the clock?
Virgil also points out that this is the first time Dante has wept for sinners in such a way. Dante has an explanation—he isn’t weeping for all the sinners, but for his cousin, Geri del Bello, who was among those undergoing tortured back in canto 28. Geri was killed but never avenged, and for this Dante weeps. Virgil, ever quick with the quips, suggests that Dante doesn’t really care all that much about his cousin—instead of talking to him when he had the chance, Dante instead decided to chat with Bertran de Born.
As Dante and Virgil proceed over the last bridge of this circle, Dante describes the foul smell of the following ditch—rotting limbs, putrid skin, and all the stench of dead patients in plague-stricken hospitals. It is a powerful image, especially since one can imagine that by now, Dante is very familiar with the smell of rotting body parts. What Dante smells are the falsifiers, the corpse-like shades under punishment for forgery. Dante will speak with the alchemists, who are afflicted with a sort of super-leprosy.Read More »
April 7, 2014 | by Alexander Aciman
Let’s begin by addressing the fact that these similes are getting out of hand. In the early parts of his poem, Dante’s similes were often only three lines long. Now—just as he did in the beginning of canto 22, when he describes battlefield scenes while traveling with the demons—he presents us with a long, roving simile about a peasant who sees the snow melt and knows it is time to herd his sheep again.
At the end of canto 23, Virgil realized there was no longer a way to pass from the realm of the lead-cloaked sinners to the next ditch—the bridge is out. This is one of the few indications (like the sinner crucified to the ground in 23) that the geography of hell changes over time. But soon, seeing that Dante is anxious and scared, Virgil devises a plan to get them over to the next area by scaling a few boulders. Dante, daunted and exhausted, admits that “were it not that on this side of the dike the slope were shorter—I cannot speak for him—I would have given up.” This is the sort of phrase that translators and scholars will laugh at, because it’s an example of Dante’s subtle, ironic sense of humor: he announces that he cannot speak for Virgil, and yet has done so for the entire length of the poem so far. Read More »
December 26, 2013 | by Justin Alvarez
All this week, we are bringing you some of your favorite posts from 2013. Happy holidays!
I had only been in Europe for two weeks when I started to feel homesick.
I’d decided to study in Florence on a whim, after having vaguely planned my entire sophomore year on traveling to Prague to study film at the famed FAMU. But while for FAMU there was a separate application I would have had to fill out, Florence was a simple checkbox on the registration website. And student housing in Florence was even cheaper than at my university in New York.
The general idea was to get a handful of my general education requirements out of the way and maybe even try to pick up some Italian while I was at it. I flew over to Italy with my mother, who was looking for a few days away from Chicago to take in, as she called it, la dolce vita. “I want a gondolier to sing to me, like in the movies,” she said. The gondolier spoke on his cell phone the entire time.
We arrived at the Florence Airport mid-morning. On the cab ride into the city, the driver informed us that one of the city’s time-honored traditions was complaining about the tourists, and, even worse than the general run of tourists, the hordes of visiting college students. I soon found myself in a large apartment off via Guelfa introducing my mother to ten other college students and an Italian RA. My mother quickly pulled me aside. “Please don’t get into any trouble. You know what the driver said.”