The Paris Review Daily

Posts Tagged ‘Issue 203’

A Bigger, Brighter Screen

April 17, 2013 | by

  Andy Warhol, Screen Test: Virginia Tusi, 1965, still from a silent black-and-white film in 16mm, 4 minutes at 16 frames per second.


Andy Warhol, Screen Test: Virginia Tusi, 1965, still from a silent black-and-white film in 16mm, 4 minutes at 16 frames per second.

Readers of The Paris Review will remember a portfolio and a novel excerpt by Rachel Kushner in our Winter issue. Now that book—The Flamethrowers—is out and earning raves (“It unfolds on a bigger, brighter screen than nearly any recent American novel I can remember,” says today’s New York Times). Click here to read our excerpt and here to see (and read about) the artworks that inspired the novel.

 

NO COMMENTS

Story Time!

March 1, 2013 | by

Man-Megaphone-3We are delighted to report that our contributors are racking up all kinds of well-deserved honors!

First, David Means’s story “The Chair” (issue 200) has been chosen for this year’s Best American Short Stories anthology.

We also have seven nominees for this year’s Pushcart Prize:

  • Sarah Frisch, “Housebreaking,” issue 203

  • David Gordon, “Man-Boob Summer,” issue 202

  • Lorrie Moore, “Wings,” issue 200

  • Davy Rothbart, “Human Snowball,” issue 201

  • Sam Savage, “The Meininger Nude,” issue 202

  • David Searcy, “El Camino Doloroso,” issue 200

  • John Jeremiah Sullivan, “The Princes: A Reconstruction,” issue 200

    Congratulations, everyone!

     

  • NO COMMENTS