Posts Tagged ‘Interview Series’
March 24, 2014 | by Dan Piepenbring
What do Paul Theroux, Ryszard Kapuściński, Peter Matthiessen, and Jan Morris have in common? All four have advanced the art of travel writing, or writing that foregrounds a sense of place. And over the years, all four have been interviewed at 92Y’s Unterberg Poetry Center, where The Paris Review has copresented an occasional series of live conversations with writers—many of which have formed the foundations of interviews in the quarterly. Now, 92Y and The Paris Review are making recordings of these interviews available at 92Y’s Poetry Center Online and here at The Paris Review.
As yet another cold front shunts frigid air in our direction, it’s especially nice to hear smart people talk of exotic climes and faraway places. So you can listen to Paul Theroux, who spoke to our beloved founder, George Plimpton, in December 1989:
I came from, not a small town, but basically not a very interesting place. I felt that the world was elsewhere and that nothing was every going to happen to me, or that I wouldn’t actually see anything, feel anything, any sense of romance or action, or that my imagination wouldn’t catch fire until I left home. So it was very important for me not to rebel but simply to get away, to go away …
Or a conversation with Jan Morris, who appeared at 92Y that October:
I resist the idea that travel writing has got to be factual. I believe in its imaginative qualities and its potential as art and literature. I must say that my campaign, which I’ve been waging for ages now, has borne some fruit because intelligent bookshops nowadays do have a stack called something like travel literature. But what word does one use? … I think of myself more as a belletrist, an old-fashioned word. Essayist would do; people understand that more or less. But the thing is, my subject has been mostly concerned with place.
Or Peter Matthiessen, another cofounder of The Paris Review, from 1997:
It’s broad daylight, good visibility, yet mountains move. You perceive that the so-called permanence of the mountains is illusory, and that all phenomena are mere wisps of the cosmos, ever changing. It is its very evanescence that makes life beautiful, isn’t that true? If we were doomed to live forever, we would scarcely be aware of the beauty around us …
Or Ryszard Kapuściński, from 1991:
If we write about human beings, in the most humanly way we are able to, I think everybody will understand us. I find humanity as one family. People really are very much the same in their reactions, in their feelings. I know the whole world. I can’t find much difference in the way men react to others’ unhappiness, disasters, tragedies, happiness. Writing for one man, you write for everybody.
These recordings are the next best thing to a vacation. Their release is made possible by a generous gift in memory of Christopher Lightfoot Walker, who worked in the art department at The Paris Review and volunteered as an archivist at 92Y’s Poetry Center.
December 10, 2013 | by Sadie Stein
This is exciting, and something we’ve had in the works for a long time.
Since 1985, 92Y’s Unterberg Poetry Center and The Paris Review have copresented an occasional series of live conversations with writers—many of which became the foundation of a Writers-at-Work interview. As of today, 92Y and The Paris Review are making these recordings available at 92Y’s Poetry Center Online and here at The Paris Review. The release of these recordings is made possible by a generous gift in memory of Christopher Lightfoot Walker, who worked in the art department at The Paris Review and volunteered as an archivist at 92Y’s Poetry Center.
The online series kicks off with audio of Garrison Keillor on the secrets of humor writing; Iris Murdoch on what makes a great book; and William Styron on the future of the written word. The series also happily features George Plimpton, the late, great founder of The Paris Review, conducting many of the interviews.
Stand by in the coming months for audio of John le Carré, Arthur Miller, Norman Mailer, Octavio Paz, Günter Grass, Paul Auster, Tony Kushner, Czeslaw Milosz, Maya Angelou, Jamaica Kincaid, and Allen Ginsberg, among others.