Posts Tagged ‘illustrations’
September 3, 2014 | by Sarah Moroz
Quentin Blake at the House of Illustration.
Located somewhat improbably behind King’s Cross St. Pancras, the thrumming London tube and train stations, is the cheery House of Illustration, which opened in early July. The path leading to it is lined with illustrated panels, a showcase of the visual treasures to come: advertisements and poster art, medical and botanical sketches, children’s books and fashion illustrations. The center’s present exhibition, “Inside Stories,” features original work by the beloved illustrator Quentin Blake, one of the House’s trustees and now an octogenarian, whose drawings have enchanted young readers for nearly half a century.
Blake is perhaps best known for his work with Roald Dahl, but no matter who he’s collaborating with, his illustrations retain a buoyant, often impish air. His first drawings were published in the magazine Punch when he was still in high school. He began illustrating children's books in 1960, and taught for more than twenty years at the Royal College of Art. Since the nineties, he’s worked as exhibition curator, and has more recently created larger-scale works for health care wards and communal spaces.
Claudia Zeff, a publishing industry art director who has spent twenty years designing book jackets, curated “Inside Stories.” Zeff’s collaborative process with Blake was already comfortable—the two have worked together for more than a decade. The ideas for the exhibition “evolved quite gradually,” Zeff said. “Quentin came up with the idea of using the story behind the books as the theme … and expressed the different approaches/techniques he uses to illustrate to different types of narrative.” Read More »
August 29, 2014 | by Eric Jarosinski and Jason Novak
August 28, 2014 | by Eric Jarosinski and Jason Novak
August 27, 2014 | by Eric Jarosinski and Jason Novak
August 26, 2014 | by Eric Jarosinski and Jason Novak
August 25, 2014 | by Robert Pranzatelli
Given the recent centennial of the beginning of the Great War (as it was then known), I’ve found myself thinking again of Lucien Métivet, the French artist I wrote about here last year, best known for his works from the 1890s. The advent of the war brought an abrupt halt to the publication of Le Rire (Laughter), the weekly journal of humor to which Métivet was a regular contributor, but its publisher, Félix Juven, soon relaunched it with a small but significant change of title: now it was Le Rire Rouge (The Red Laugh), presumably in recognition of the blood of France’s soldiers and the dark nature of the times.
It had become customary for Le Rire to start each issue with Métivet’s drawings up front, and in the journal’s first new issue, of November 21, 1914, his was the opening image: an energetic, optimistic young conscript. The picture’s cheerleading join-the-war-effort ambience is given a discreetly poignant touch by a telling detail just outside the frame: to the upper right we see the typeset words “Au conscrit Maurice Juven”—a dedication to a young conscript whose surname suggests a close relationship to the magazine’s publisher, a longtime friend of the artist. Clearly this dedicatee was, like all soldiers, carrying with him into danger the hearts of those who loved him. With this single, seemingly exuberant image, the very personal stakes for the creators of Le Rire Rouge, and indeed for all of France, were acknowledged. Read More »