Posts Tagged ‘Huntington Library’
September 23, 2011 | by The Paris Review
A gregarious talker, novelist, activist, hippie, druggie, filmmaker, and original hipster, Harold L. “Doc” Humes was the kind of man who inspired followings. (Even Wikipedia can’t help but gush, describing him as “a contemporary Don Quixote.”) He was also, of course, a founding editor of The Paris Review. His daughter’s documentary about his rollicking life, DOC, is screening at the Anthology Film Archives on October 1st and 2nd. —Deirdre Foley-Mendelssohn
Paul LaFarge’s strange, experimental, oddly moving Luminous Airplanes is worth reading for its own considerable merits. But for the full, interactive experience, you have to immerse yourself in the Web site, too. And that’s all I’ll say. —Sadie Stein
I have been rereading John Cheever’s stories and am happy and surprised to discover they are all fairy tales—not just the openly magical ones like “The Swimmer” or the European stories, with their nobles and castles, but even a country-club story like “Just Tell Me Who It Was,” in which a jealous husband goes looking for a tell-tale golden slipper. How had I never noticed this before? —Lorin Stein
I recently found a copy of the Huntington Library’s facsimile edition of William Blake’s Songs of Innocence and Experience, issued together with extended commentary. I’m a sucker for facsimile editions, and this a gorgeous, visionary book—Blake’s diaphanous, pliant figures; wilting, overgrown plant life; organic page designs; and stained coloration. Every Blake fan should have this in his or her library. —Nicole Rudick
Rob Delaney writes in Vice this week about why we need to save St. Mark’s Books. —Natalie Jacoby
Woody Allen would be baffled. But who doesn’t like a tribute to Manhattan? In any case, it got me to rewatch the opening sequence—and I defy any New Yorker not to get goosebumps when the fireworks go off over the river. (Philadelphians, even!) —S. S.
And while we’re talking Woody Allen? This is when Twitter justifies its existence. —S. S.
Riot Grrrl revival! —N.R.
October 20, 2010 | by Carolyn Kellogg
6:15 A.M. After the heat wave of late September, Los Angeles is experiencing a cold and rainy snap. I’m discovering that my new apartment, which is big enough for lots of books, is also drafty and uninsulated in the special way of LA buildings from the 1920s. So when I wake up, staying in bed seems like a very good idea; I read about eighty pages of Antonya Nelson’s Bound before forcing myself up, into the day. I wasn’t sure about the book at first—it’s a little slow to start—but I was very sorry to have to put it down. I leave it on my bedside table.
9:00 A.M. I’m up and blogging about a poetry festival I won’t go to, because it’s tomorrow, and three thousand miles away.
11:00 A.M. I get an invitation to moderate a conversation between Dennis Lehane and Tom Franklin. Hell, yes! I’ve moderated panels and done some onstage interviews—Richard Russo, James Ellroy, John Waters—and what I love is the possibility for serendipity and detour, the moment that could only have evolved from that particular strand of conversation. I saw Lehane at the Brooklyn Book Festival; he’s smart and funny onstage, fast. And I liked the beginning of Tom Franklin’s book, Crooked Letter, Crooked Letter, which I stopped reading because someone else was reviewing it. My first thought is all the reading I’ll get to do to prep for the discussion. My second thought is, What will I wear? Because scooting into a high director’s chair in a dress can be tricky.
6:00 P.M. After several hours at the office, I head to Book Soup to see Ben Greenman read from Celebrity Chekhov. Book Soup is one of LA’s major independent bookstores, right on the Sunset Strip, with bookshelves crammed under high ceilings and a robust selection of literary fiction and art/film books; they don't waste much room on pap. It also has a strange, L-shaped reading area. The author stands in a corner, with ten chairs in front of him, in five rows of two; off to his right, a similar setup. Ben does fine; no celebrities have shown up to protest the Chekhovian inner lives he’s given them. Afterward I try to prove to him that LA is not weird and drag him to Musso & Frank for a drink. In the spirit of his book, we riff on rock-star corollaries of contemporary writers: William T. Vollmann = Sonic Youth, David Foster Wallace = Kurt Cobain. Ben isn’t satisfied with my Bono counterpart, Dave Eggers. Suggestions are welcome. Read More »