Posts Tagged ‘high school’
April 21, 2014 | by Ruth Curry
On a Tuesday in late August, on my way to the ferry landing at Thirty-Fourth Street, I saw a huge, white, rusted-out Chevy Caprice make an illegal turn off FDR Drive, nearly skidding onto just two wheels. The Caprice barreled up Thirty-Fourth Street. When it blew by me I got a quick look at its occupants: three old ladies, all elaborately coiffed: the driver, another riding shotgun, and the third leaning forward in the backseat to better converse with the other two. I imagined they had just come from a group outing to the beauty parlor. Each of them probably had a rain bonnet tucked away in their purses, in case it rained later. The driver was wearing Gloria Vanderbilt–style sunglasses and a smashing shade of coral lipstick that was probably really popular in the seventies. I was quite taken with her. When I’m an old lady I want to drive around with my girl gang in a huge rusted-out white Caprice Classic and piss off cab drivers everywhere, I thought.
The image of the three ladies stayed with me well into the next day, which was also, randomly, Tori Amos’s fiftieth birthday. In observation, a pop-culture site compiled and ranked her 100 best songs. I dumped the top fifteen or so into a playlist and listened to it for most of the day. I felt sad but not depressed, an odd combination for me. One of the reasons I don’t listen to Tori anymore is that I am old. The other is that listening to Tori Amos reminds me of Tracy, my best friend from high school. Emma Straub wrote a piece for the Daily a few years ago called “My Rayannes,” which, in reference to Rayanne Graff from the nineties TV drama My So-Called Life, posits that all teenage girls are half lesbian. Less outrageously, it outlines an adolescent phenomenon in which one seeks a darker, more daring, more risk-taking counterpart—an accomplice in DIY piercings, home dye jobs, and, in Straub’s words, “tempestuous, obsessive friendship.” Read More »
January 16, 2014 | by Dan Piepenbring
- Great news: we’re living in the most peaceful era* in human history!
- “To hell with Gatsby’s green light!” Why we should stop teaching novels to high school students.
- Shelley Jackson is, “weather permitting,” inscribing a story entirely in snow.
- One way to save a failing bookshop: beg people on Facebook to come spend money there.
- Forget Paris. Nantes, a city “situated in the estuary of the Loire,” is where it’s at.
*persistent, intractable religious hostilities notwithstanding
November 18, 2013 | by Adam Wilson
Instead of attending my ten-year high school reunion I went to a psychic healer. This was the Boston suburbs, on the eve of Thanksgiving. Annually, on the night in question, prodigal Massholes in the eighteen-to-thirty-five demographic flock to the bars in Allston, Brighton, and downtown Boston for both informal and official reunions. Said reunions are marked by blackout binge drinking, vomit-flooded gutters, vomit-mouthed makeout sessions, and less-than-sober car rides back to the suburbs in mom-borrowed minivans. Boston radio DJ’s have euphemistically dubbed it “Amateur Night.”
If this sounds appealing, then we may have been friends in high school—at least in a superficial, pass the blunt kind of way—but no longer have much, if anything, in common. I don’t mean that to sound snobbishly pejorative. I grew up just outside of Boston, in Newton, Massachusetts, a wealthy white enclave famous for Fig Newtons, a high concentration of psychiatrists, and its recent reign as CQ Press’s safest city in America. It is a place filled with driven parents and overachieving children; of the roughly 350 students in my graduating class, nearly a dozen went to Harvard, not to mention all those who attended safety schools like Princeton, Brown, and Cornell. Many of my former classmates have gone on to great success. But high achievement and Frat Boy idiocy are not mutually exclusive. Like Clark Kent, my former classmates slip easily from business attire to superhero casual, removing stiff shirts at happy hour to reveal Red Sox logos. By day they are lawyers, doctors, and titans of industry. By night they drop their ‘r’s and instigate fisticuffs with tough-talking townies. In part, this performance reeks of rich kid guilt—it’s a certain kind of slumming—but more so, I think it speaks to something particularly Bostonian, a product of drinking too much dirty water, or years spent sitting in obscured view seats at Fenway, or a Kennedy-inherited Irish McLiberalism, in which money is disconnected from decorum.
I know all of this—the styles and habits of my former classmates—through Facebook, of course. I have followed these classmates for years online, sharing in their triumphs and tragedies, comparing my sex partners to theirs. In a sense, social media has rendered reunions obsolete; it has killed our curiosity. No longer does one attend a reunion wondering whatever happened to so-and-so, or shocked that the band geek has blossomed into a beauty. And though romantic comedies have emphasized the important role reunions can play in the healing of one’s high-school psychic wounds, the truth, these days, is that life’s winners have already etched their humble brags into our collective conscience online.
But maybe I was just bitter and embarrassed. It’s not that I was in such bad shape ten years on—I’d managed to kick a drug habit (Tylenol PM), move out of my parents’ basement, and trick a wonderful woman into dating me—but that in a group of high achievers, I was definitively unimpressive. After a long period of unemployment, I had moved to New York and become the cliché of a struggling writer, working part-time in a bookstore, publishing occasional TV recaps online, and squeezing into the skinniest jeans I could manage. I’d received a number of rejections on my autobiographical novel about a twenty-something stoner who can’t get over high school. Read More »
June 25, 2013 | by Mark Chiusano
The visiting team is already waiting at the fence when Murry Bergtraum High School coach Nick Pizza arrives on Cherry Street to open the gates to his field, which are kept locked. His players haven’t arrived yet, though the visiting team, Beacon High School, has already dressed on the sidewalk, a cluster of parents standing a few feet away, averting their eyes. No metal cleats are allowed in the complex, because the turf and dirt are that nice. The backstop opens up toward the Manhattan Bridge, and right field ends at the FDR Drive. The Brooklyn Bridge unspools to the south. The field is well dragged, and a custodian walks around its edges, using a leafblower to blow stray baseball dirt off the surrounding track. Back in October, the field looked different: after Hurricane Sandy, for almost a week, it was under three feet of water.
By the time Coach Pizza (“Brooklyn born and raised”) has changed into his uniform, his players are beginning to arrive, some of them on rollerblades, from Murry Bergtraum proper, a jail-like facility wedged between the Brooklyn Bridge and City Hall. “I got a good bunch of kids,” Coach Pizza says. “Gotta find that balance, get the classroom stuff out of the way.” Bergtraum, with a record of 3-10, is a perennial underachiever in Manhattan A West, while Beacon, 10-3, has won the division the past two years. One problem for Pizza’s team: eligibility. Too many players have failed too many classes to play. Hurricane Sandy didn’t help—early games had to be rescheduled, and Bergtraum didn’t have use of their field until mid-April, well into the season: after trucks of clay were redeposited over the infield, the locker rooms dug free of sand by the custodians.
Bergtraum High School, a once-proud jewel of the city education system that prepared students for practical careers in business, is now perhaps more famous for hallway riots and the fact that it’s one of the few large schools that the DOE hasn’t broken up (more positively, too, for its phenomenal girls’ basketball team). The student body, predominantly black and Hispanic, comes from all the far reaches of the boroughs, along the stretch of the J, M, Z, and L lines, necessitating commutes of over an hour in some cases. Read More »
August 16, 2012 | by Josh Lieberman
Going through my childhood desk recently I cleaned out years of weird detritus (novelty bar mitzvah magnets, Nickelodeon magazines, packets of incense cones) and came upon a copy of The Highland Fling, my high school newspaper. I opened the paper and scanned the newsworthy items of a typical suburban high school, circa spring 2001: various sports victories, a pointless Q&A with a sophomore, the possibility of a new town pool. Then I came to the reason I’d saved this particular paper: in its pages I had reviewed the Dave Matthews Band album Everyday.
That’s exciting, I thought. Let’s read what is sure to be some wonderful and delightfully precocious writing.
Or the other possibility.
Reading the review I cringed. There was light to moderate trembling. Maybe even perspiration.
February 16, 2012 | by Vanessa Blakeslee
The slim novel came my way quite by accident. I had stumbled across a review of the film The Lover and ordered a VHS copy through my movie-of-the-month club. The first Saturday I could secure a house free of hovering parents, my fellow honors English friends and I, as sex obsessed as we were lit geeks, watched, enraptured, Marguerite Duras’s autobiographical depiction of an adolescent girl in French Indochina who embarks on an affair with a wealthy Chinese man. The girl’s family is crass and impoverished, but she is a good student and wants to be a writer. Soon after, I got my hands on a paperback with a cinema-still cover and was not disappointed.
“I’m fifteen and a half,” the unnamed narrator repeats early in the book. “There are no seasons in that part of the world, we have just the one season, hot, monotonous, we’re in the long hot girdle of the earth, with no spring, no renewal.” Nothing suggested sex as much as sensual lyricism, warm, distant places, and anything French.
I was also fifteen and a half, a virgin consumed with the mysteries of sex, of forbidden encounters. I was also going to be a writer. I read the book and watched the film again and again. Just what was The Lover’s appeal? By then I had discovered Lady Chatterly’s Lover and Lolita, but Duras’s novel resonated more acutely, an exotic Lolita tale but told from the woman’s (if she could be called that) point of view.
My favorite section was where the narrator describes herself on the ferry, wearing gold lamé high heels and a man’s fedora: “Going to school in evening shoes decorated with little diamanté flowers. I insist on wearing them. I don’t like myself in any others, and to this day I still like myself in them.” It is the day she is about to meet the “Chinaman” for the first time. She is fixated on this particular, outlandish ensemble, as stubborn as a child playing dress up. But the faint hint of pedophilia, of prostitution, fell so far into the background that it became practically invisible to me then, obscured by the striking imagery and strange, lush atmosphere of colonial Saigon. Read More »