The Daily

Posts Tagged ‘Halloween’

Dismembrance of the Thing’s Past

December 25, 2015 | by

We’re away until January 4, but we’re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!

Running dog-Thing.

Running dog-Thing.

The Thing scampers across the Antarctic tundra in a dog suit. A Norwegian helicopter gives chase with bad aim and incendiaries. It’s in humanity’s best interest to kill the dog before it transforms into a “pissed-off cabbage” made of twelve dog tongues lined with thorny dog teeth. (Taking over the world requires imagination, psychedelic detailing, and a little hustle.) The dog, referred to by Thingsplainers as “Running dog-Thing,” is smart; it will go on to perform incredible feats. Like helping oatmeal cowboy Wilford Brimley build a spaceship. Like sticking Kurt Russell inside a fifth of J&B. Like replicating the frailty of the human mind in conditions of paranoia and subzero isolation. All of these, unbearable likenesses. Running dog-Thing has earned its customized bass lurk, composed by Ennio Morricone, which, in fairness to your ears and mine, could be an expensive John Carpenter imitation.

This opening sequence for Carpenter’s The Thing prompted cheers at BAM last month, as part of a retrospective of the horror director’s work. I whooped for my own dread, maybe rooting for the thirteen-year-old version of me who saw The Thing with my dad in 1982, after my parents’ divorce. I relished those early quiet moments at U.S. National Science Institute Outpost 31, before the dog exploded and everyone started side-eyeing each other’s ratty long johns. Before, if you’ll forgive me, things got messy. Read More >>

Identity Crisis

December 10, 2015 | by

Lois Maxwell, the original Miss Moneypenny.

 

“Mr. Bond, they have a saying in Chicago: ‘Once is happenstance. Twice is coincidence. The third time it’s enemy action’.” ―Ian Fleming, Goldfinger

In kindergarten, no one but Michael L. had actually seen a James Bond film. (Michael L., as opposed to Michaels A. and T., was very sophisticated, and his parents let him watch lots of movies.) But thanks to Michael L., we knew all about them: James Bond was a spy who wore a suit. He had girlfriends called Octopussy and Pussy Galore, presumably because he liked cats. He often said “Bond. James Bond,” and sometimes “007: License to Kill.” Armed with this information, we played James Bond every day at recess. Michael L. was always James Bond. My best friend was one of the cats; it varied. I was Moneypenny. Read More »

Ringing the Changes

October 30, 2015 | by

There’s always the temptation, when recommending anything, to go only for the deep cuts. It’s true that Robert Aickman wrote several volumes’ worth of “strange stories,” many of them very good. It’s also true that “Ringing the Changes,” from 1964’s Dark Entries: Curious and Macabre Ghost Stories, is probably the best known, or the “most anthologized,” or however people like to subtly dismiss anything with a certain profile. Read More »

Spooky Staff Picks: Bat Bombs, Phoney Phootey

October 30, 2015 | by

Dorothea Tanning, Guardian Angels, 1946, oil on canvas, 48 1/8" x 35".

Last Halloween we recommended some things that scared us. But there are many such things—we’re easily frightened—so this year we’re doing it again. Stay spooky.

In college, I took a seminar about female Surrealist artists—Remedios Varo, Unica Zürn, Claude Cahun, and Dorothea Tanning, et al. Many of these women’s life stories were harrowing, and their artwork, which often mines frightening psychological territory, is dark, humorous, visionary, and uncanny. It still creeps me out. Dorothea Tanning’s paintings, for instance, are full of tattered clothing and deserted hallways. They’re haunted by somnambulant young girls and oddly sentient sunflowers. Her painting Guardian Angels scares me whenever I look at it: strange, ragged, winged creatures that look like vicious, plucked chickens swirl and tear at each other, rippling with some obscene energy. Later in life, Tanning made forays into sculpture, fashioning soft, upholstered structures that ooze across the boundary between furniture and human figure. My favorite work of Tanning’s is The Birthday, a self-portrait in which she has painted herself stepping through an open door into a corridor that’s full of other doorways. A monster—sort of like one of the flying monkeys from The Wizard of Oz—huddles, couchant, at her feet, and her expression is otherworldly. Is she letting this beast in or sending him across another threshold? —Hannah LeClair Read More »

Tuesday’s Child

October 29, 2015 | by

All art from Tuesday’s Child.

In early fall of 1989 my friends Craig, Mick, and I tried to summon a demon—Astaroth, the crowned prince of Hell, if I’m remembering right—to the driveway of Craig’s suburban home. Months earlier I’d found a book on summoning spells hidden in a box in my attic, underneath a bunch of Lovecraft anthologies and old Hanukkah decorations.

We’d planned the evening a few days before: once Craig’s parents left for dinner at the country club, I’d draw a magic circle beneath the basketball pole, Mick was on candle duty, and Craig would read, in Latin, the requisite incantations. The translated Latin was a series of threats and commands, invoking Jesus Christ and various angels, along with reminders that the magic circle was impenetrable, that as long as we were within its boundaries Astaroth held no sway. That we were all good Jewish boys didn’t seem to matter—we held Jesus in high regard, the way Pistons fans must have felt about Michael Jordan; even though he wasn’t one of ours, you still had to respect the guy’s game. Read More »

Seeking Soul Cakes

October 29, 2015 | by

Before there was trick-or-treating, there was souling. The UK version of the practice—in which beggars and children went door-to-door seeking alms and soul cakes in exchange for prayers—likely evolved from the pagan mumming rites of Samhain, the Gaelic festival marking the end of harvest season. The Celts believed that on this night—Hallowe’en—the souls of the dead walked the earth, and many of their rituals, such as those involving fire and ghost costumes, persisted in Christian form into the twentieth century. Sir James George Frazer’s The Golden Bough (1890) chronicles the regional variations in some detail, although even then the practice was archaic. When a folklorist transcribed the following traditional rhyme in 1891, it was in the knowledge that souling was headed for obsolescence. Read More »