The Daily

Posts Tagged ‘Gustave Flaubert’

Blue Eyes in Watertown

March 14, 2013 | by

61lxyA2cN6L._SY300_No one under the age of fifty really listens to Frank Sinatra anymore. Like anything else, there may be exceptions to this fact, but overall it’s true. Frank Sinatra is a legendary artist whose work will always be enjoyed and referred to. However, his era of direct relevancy is obviously long gone, and his era of anecdotal relevancy is starting to fade.

We associate Frank Sinatra with a bygone era of America, a time of guys and dolls, a time when people would swing and dance and when the lounge singer was king. Sinatra’s unique talent was maintaining this vision even as it eroded away over time—to make you feel old-fashioned feelings in a modern era. Sinatra’s heyday was from the late forties to the late fifties, yet he recorded “New York, New York” in 1977.  And “My Way” makes you feel like a proud man looking over the skyline of post–World War II Manhattan, even in 2013.

Still, Sinatra’s most overlooked achievement is perhaps the one album he made that did not feel as though it was evoking the era he loved or knew the most. In 1969, the same year that Frank Sinatra recorded “My Way,” he released an album called Watertown. Chances are, even some of the biggest Sinatra fans—like my grandparents and great aunts and uncles—have forgotten about Watertown. But Watertown is Frank Sinatra’s best album and his most enduring contribution to American culture. Read More »


Bovary and the City

February 4, 2013 | by

The controversial new Faber cover of The Bell Jar has inspired the Internet to update other classics! This is one of our favorites.



On Cataloguing Flaubert

August 27, 2012 | by

Joanna Neborsky is a book lover’s illustrator. She may be as passionate and romantic about books and bookmaking as anyone I’ve met. She also draws the kind of pictures I’ve always wanted to make. They are deceptively simple due to the naive charm of each wobbly line, and they owe a great deal to the inspiration of mid-twentieth-century illustration—an obsession she and I both share. A few years ago Joanna and I collaborated on the cover of John Bowe’s Americans Talk About Love. A recent art school grad, she was willing to endlessly modify caricatures of the people interviewed for the book. The final package made for a witty and accessible take on social history. I always urge the artists I work with to keep me apprised of new projects, and so a few weeks ago I was tickled to discover a jpeg of Joanna’s poster “A Partial Inventory of Gustave Flaubert’s Personal Effects, As Catalogued by M. Lemoel on May 20, 1880, Twelve Days after the Writer’s Death” in my inbox. We had to share it with readers of The Paris Review, and now I wanted to share a little about how it came to be.

Read More »


Browning at 200, Publishers at 83

May 10, 2012 | by

  • Salman Rushdie and Jonathan Lethem are among the seven hundred writers and cultural marchers who signed a letter protesting the planned revamp of the New York Public Library.
  • Dickens isn’t the only one turning two hundred! Wishing a happy bicentenary to Robert Browning.
  • Madame Bovary, the pie chart.
  • The James Joyce papers go digital.
  • Maurice Sendak’s books thrilled children and terrified adults.
  • And speaking of Sendak, more memories and tributes.
  • Rock 27 is publishing eighty-three.

    On the Shelf

    September 21, 2011 | by

    Gustave Flaubert. Photograph by Nadar.

    A cultural news roundup.

  • Michel Houellebecq has been found.
  • So has a James M. Cain manuscript.
  • Neil Young is writing an autobiography.
  • So is Jermaine Jackson.
  • So is Julian Assange. But without his consent.
  • “If I say ‘David Bellos has to be one of the smartest people now on the planet,’ what language am I using? English of a kind; but scarcely the Queen’s, which—to judge from her public utterances—retains a careful insularity; mid-Atlantic schtick is not Her Majesty’s bag.”
  • Nor Shakespeare’s.
  • The Sondheim-crossword mother lode.
  • Shakeups at DC Comics ...
  • But peace at the Poetry Society.
  • “The general editorial posture of the magazine leaned away from the conventions of the establishment and toward the eccentricities of bohemians everywhere.”
  • Salman Rushdie joins Twitter.
  • Flaubert once bet some friends that he could make love to a woman, smoke a cigar, and write a letter at the same time. He won, as they looked on in admiration.”
  • These are beautiful, if we do say so ourselves.

    Chad Harbach on ‘The Art of Fielding’

    September 20, 2011 | by

    Chad Harbach. Photo by Beowulf Sheehan.

    The Art of Fielding, Chad Harbach’s first novel, is a book about baseball in the way that Moby-Dick is a book about whaling—it is and it isn’t. The shortstop at the center of the novel is Henry Skrimshander, an idiot savant in the field, who is recruited to play for the Harpooners of Westish College, a small school on the shores of Lake Michigan. Harbach was kind enough to answer a few questions by e-mail from his home in Brooklyn.

    What was your position?

    Over the course of my twelve-year baseball career (which ended when I was seventeen), I played the middle infield—short and second both.

    Did you have any hopes of playing in college?

    Not really. I was Henry-like (though with hardly a shred of his talent) in the sense that I was a good athlete who was too small and slight. I blame my parents for starting me in school early and making me forever the youngest guy on the team. Read More »