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Posts Tagged ‘ghosts’

Haunting Houses: An Interview with Angela Flournoy

June 4, 2015 | by

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Photo © LaToya T. Duncan

In Detroit, the Turners have lived on Yarrow Street for generations, and now their home is worth a mere tenth of its mortgage. Oh, and it’s haunted—it’s been that way for fifty years, since Cha-Cha, the oldest son of Francis and Viola Turner, was attacked by a haint one summer night. Angela Flournoy’s debut novel, The Turner House, set primarily in 2008, tells the Turner clan’s story as they tend to the elderly Viola and decide what to do with the family home.

Flournoy hangs the family’s personal struggles on the political history of Detroit, tracing their move from Arkansas to the bright industrial promise of midcentury Motor City, the electric environment of the 1967 riots, and the city’s long decline. “Lelah,” an excerpt from the novel in the Spring 2015 issue of The Paris Review, focuses on the youngest Turner child, whose gambling addiction takes her to Motor City, where she loses the last of her money on a game of roulette.

I met Flournoy near the Review’s offices in north Chelsea. I was late, and Flournoy, elegantly dressed and having just arrived from Detroit, had already enjoyed most of her coffee and was patiently talking on her cell phone. We discussed ghosts, gambling, and the blend of personal and political in her novel.

Your novel is full of Detroit history. Did you hear stories about it from your family?

I did a lot of research. One thing I remember hearing of the ’67 riot is that nobody knew what it was while it happened. Nobody knows that today is going to be the day a riot starts. A lot of people in Detroit actually called it an uprising. So I would apply the facts I learned in my research to a character’s life. Imagine you’re getting off work, or you’re at work, and things just feel weird. Then you hear that something’s happening across town, but no one knows what to call this thing, because no one knows how big it is. It’s more difficult for the individual to frame what’s going on as a whole, what’s happening outside of the details in the personal life. Read More »

Impressions

March 16, 2015 | by

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From Photographs of British Algae

Some claim that Anna Atkins—born on this day in 1799, in Kent—was the first woman to take a photograph. Others that hers were the first photos ever printed in book form.

Atkins was a botanist, an artist, and an accomplished nature photographer. Her father was a scientist, and he encouraged his daughter’s early interest in botany. Both her father and her eventual husband, John Pelly Atkins, were friendly with the pioneering photographer and inventor William Henry Fox Talbot; it was probably Talbot who introduced her to the techniques she would come to use in her art.

In her books on British algae and her later work on plants and ferns, Atkins worked by contact-printing cyanotype photograms, and by “photogenic drawing,” the process by which light-sensitive paper is exposed to the sun. Read More »

Ghosts on the Nog

December 19, 2014 | by

The great English tradition of Christmas ghost stories.

One of John Leech’s illustrations for A Christmas Carol, 1842.

I’ve long thought of Christmastime as a season of mostly pleasant intrusions: thirty or so days of remembering to tend, checklist style, to the latest pressing bit of Yuletide business that comes racing back to you. The well wishes. The trip to the Home Depot. The seasonal ales.

This is the Fezziwig side of Christmas, that portion that makes you look up the word wassail when you encounter it and think, Ah, that would be fun. But what of the darker elements of Christmas—and what of Christmas for those people who enjoy making merry most years but may have hit upon a bit of a tricky patch? What succor of the season might they find at the proverbial inn?

Having experienced both sides of Christmas, there is but one constant I am aware of that serves you well both in the merriest of times and in the darkest: the classic English Christmas ghost story. You’d think Halloween would be the holiday that elicits the best macabre stories, but you’re going to want to check that opinion and get more on the Snow Miser side of the equation. Time was the English loved to scare you out of your mind come December, but in a fun way that resulted in stories well afield of your typical ghost story outing. Read More »

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Marvels and Mysteries

December 3, 2014 | by

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A caricature of Conrad by David Low, 1928.

INTERVIEWER

How would you define fantastic, then?

BORGES

I wonder if you can define it. I think it’s rather an intention in a writer. I remember a very deep remark of Joseph Conrad—he is one of my favorite authors—I think it is in the foreword to something like The Dark Line, but it’s not that …

INTERVIEWER

The Shadow Line?

BORGES

The Shadow Line. In that foreword he said that some people have thought that the story was a fantastic story because of the captain’s ghost stopping the ship. He wrote—and that struck me because I write fantastic stories myself—that to deliberately write a fantastic story was not to feel that the whole universe is fantastic and mysterious; nor that it meant a lack of sensibility for a person to sit down and write something deliberately fantastic. Conrad thought that when one wrote, even in a realistic way, about the world, one was writing a fantastic story because the world itself is fantastic and unfathomable and mysterious.

INTERVIEWER

You share this belief?

BORGES

Yes. I found that he was right. I talked to Bioy Casares, who also writes fantastic stories—very, very fine stories—and he said, “I think Conrad is right. Really, nobody knows whether the world is realistic or fantastic, that is to say, whether the world is a natural process or whether it is a kind of dream, a dream that we may or may not share with others.”

—Jorge Luis Borges, The Art of Fiction No. 39, 1967

Since it’s Joseph Conrad’s birthday, I went in search of his foreword to The Shadow Line—it was an author’s note, actually, appended to the novel’s second edition in 1920. And Borges’s memories of it are largely accurate: Conrad uses it to mount a defense of “the world of the living,” which “contains enough marvels and mysteries as it is … I am too firm in my consciousness of the marvellous to be ever fascinated by the mere supernatural.”

The Shadow Line, which is now in the public domain, was first published in 1916, when it appeared over the course of two months in Metropolitan Magazine. It tells the story of a young man who assumes the captaincy of a ship in “the Orient.” The ghost of the ship’s previous captain, Mr. Burns, lurks: “His face in the full light of day appeared very pale, meagre, even haggard. Somehow I had a delicacy as to looking too often at him; his eyes, on the contrary, remained fairly glued on my face. They were greenish and had an expectant expression.”

Here’s the author’s note Borges mentions: Read More »

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The New Frontier for Art and Commerce, and Other News

October 31, 2014 | by

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Live and create here! Photo: Muhammad Mahdi Karim

  • If you’re like me, your otherwise successful ghost-hunting expeditions are often thwarted by matters of taxonomy: Was that a wraith you just saw or simply a type-two apparition? Wonder no more. (N. B., the type-two apparition “leaves behind appalling ectoplasm stains on wallpaper and soft furnishings.”)
  • Today in zingers and put-downs, we bring you Edmund Wilson on H. P. Lovecraft, 1945: “The only real horror in most of these fictions is the horror of bad taste and bad art.”
  • Whither the artist residency? Say you’re a serious, industrious, diligent artist whose working life requires “solitude, beauty, the natural sublime, and global travel … extended stretches of time, free of any interruption, in order to create new work. All of this can be found on a container ship.” A new residency called Container gives artists the chance to work on just such a ship. (“Artists won’t have to live in a container,” the program hastens to add.)
  • And while we’re hithering and thithering: Whither Ethan Hawke, who seems finally to have escaped the long shadow of the nineties? “Ethan Hawke was once the mascot we did not ask for. He has become the one we deserve.”
  • To raise money for Freedom from Torture, seventeen authors—including Margaret Atwood, Julian Barnes, Ken Follett, Hanif Kureishi, Will Self, Alan Hollinghurst, and Zadie Smith—are offering the rights to name characters in their new novels. (They call this an “Immortality Auction,” which implies that all the authors involved expect to have healthy readerships in the coming eons.)

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The Not-So-Ghastly Ghosts of Arthur B. Frost

October 30, 2014 | by

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These are a few of Arthur B. Frost’s illustrations for Lewis Carroll’s “Phantasmagoria,” as collected in Rhyme? And Reason? in 1884. Frost was part of the Golden Age of American Illustration; he illustrated more than ninety books, including a few by Carroll. Read More »

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