Posts Tagged ‘Gertrude Stein’
January 23, 2013 | by Sadie Stein
January 1, 2013 | by Jessie Gaynor
We’re out this week, but we’re re-posting some of our favorite pieces from 2012 while we’re away. We hope you enjoy—and have a happy New Year!
October 26, 2012 | by Sadie Stein
- Hemingway sent this postcard to Gertrude Stein from Spain in 1924.
- A new version of “A Visit from Saint Nicholas” has removed all references to Santa’s pipe.
- Just when you think you are too jaded to enjoy any more book arts and crafts … this.
- Happy Saint Crispin’s Day.
- Jonathan Franzen’s essay “House for Sale” has been adapted into a play and opened off-Broadway this week.
- Marilyn Monroe’s bookshelf.
October 3, 2012 | by Katherine Bernard
September 14, 2012 | by The Paris Review
Even if you’ve never read a book about the Civil War, the Personal Memoirs of U.S. Grant will grip your imagination. Dictated by Grant on his deathbed, championed and published by Mark Twain, celebrated by Matthew Arnold and Edmund Wilson (who compared it to Walden and Leaves of Grass), the Memoirs were cited by Gertrude Stein as a main influence on her own prose. However you may write, you'll find their power is contagious. Every page is a lesson in force, clarity, and grace under pressure. To read Grant’s description of a military problem, then to read the orders he gave, is, among other things, to see a great modern writer at work. —Lorin Stein
Have you ever imagined a music video as you listen to a song? Sigur Ros asked a dozen filmmakers to do just that with songs from their new album. The results are pretty great, but my favorite—and I’m hardly impartial—is Dash Shaw’s animated (I mean that literally) take on “Valtari.” Penned with Shortbus and Hedwig writer John Cameron Mitchell, the video features backgrounds by Frank Santoro, whose colors are, as ever, divine. —Nicole Rudick
If you’re in agreement with a friend of mine who considers most recent American covers of Cormac McCarthy’s novels “oversaturated Windows wallpapers” (why yes, Cormac, that horse is very pretty), then perhaps you will be both pleased and envious to know that the British ones now look like this, and apparently have for some time. Thanks to the now-defunct Aesthetic Book Blog for this gritty eye candy. And check out The Millions’ annualish comparison of American and British book covers for further contemplation. —Samuel Fox
July 19, 2012 | by Stephanie LaCava
“Damned good-looking” is how Ernest Hemingway—or, rather, his antihero Jake Barnes in The Sun Also Rises—describes Lady Brett Ashley when she appears at a Parisian club with a mob of pretty boys. “Damned good-looking” is better than pretty. It’s better than the colloquial “hot,” better than beautiful, even.
Damned good-looking, it is.
Imagine Hemingway, the great economist of words, deciding just how he would introduce perhaps his most enduring siren. Original drafts of the novel open with the character Ashley (better known as Brett), though she would eventually come to play a smaller role. Hemingway was bewitched, at the time of writing, by the self-possession of the real-life Lady Duff Twysden, and she—rather than his wife, Hadley—would serve as the partial inspiration for The Sun Also Rises’s heroine. (Indeed, he would dedicate later editions of the novel to her.)