Posts Tagged ‘Gertrude Stein’
October 11, 2013 | by J. Mae Barizo
Twenty-five years ago, Mark Morris created L’Allegro, il Penseroso ed il Moderato, a vibrant, enthralling choreography inspired by the music of George Frederic Handel and the poems of John Milton. The New York Times hailed L’Allegro as “a glorious outpouring of dance invention and humanistic imagery,” and Joan Acocella stated that it is “widely considered one of the great dance works of the twentieth century.” Morris may indeed be the most talked-about modern dance choreographer of his generation, and he has a personality to match his renown. He didn’t so much appear for our interview as arrive, bursting into the room in red socks and his trademark scarf, thrown insouciantly over his shoulder.
A natural performer, Morris communicates with enthusiasm and urgency; his hands sliced through the air dramatically as he spoke. Our conversation was punctuated by his impish laugh and his opinions on everything from Lydia Davis, country western music, his figurine collection, and his choice of vodka. Morris is a voracious reader, and during the course of the interview in his New York apartment, he repeatedly pulled books from his shelves.
What’s the last great book you read?
You know what’s not great but fabulous is this book of love notes between Gertrude Stein and Alice B. Toklas. It’s called Baby Precious Always Shines. And I just read this Mary Renault–style gay potboiler called The Song of Achilles, by Madeline Miller. I have to say I was so thrilled that Lydia Davis won the Man Booker International Prize, because I was plugging her book to everyone I met. When I read her Collected Stories, I lost my mind. Those two-sentence stories really fucked me up. I think she’s a genius.
Is there any type of literature you steer clear of?
Boringness! Actually no, I have a tolerance for boringness. If it’s John Grisham I’m not going to read it. I’m not a big best-seller type, but I did read all of those terrifying, evangelical Christian books, the Left Behind series. Read More »
June 27, 2013 | by Sadie Stein
Behold what is either the best or worst rejection letter we have ever seen (depending on your capacity for cruelty), sent to Gertrude Stein in 1912 by publisher Arthur C. Fifield. Given that the manuscript in question became Three Lives (among other things) we suppose she had the last laugh. And as an editor, you can’t help thinking: Just how much time did this guy have on his hands?
Thanks, Electric Lit!
June 20, 2013 | by Sadie Stein
May 14, 2013 | by Yevgeniya Traps
“Civilization,” Gertrude Stein says, “begins with a rose.” And also: “It continues with blooming and it fastens clearly upon excellent examples.”
You understand what she means when you stand before Jay DeFeo’s massive painting The Rose, a two-ton, twelve-feet-tall canvas sculpted in oil, wood, and mica, a bold burst of grisaille. At the Whitney Museum of Art, where the work is part of the permanent collection, it hangs like an altarpiece, the focal point of a retrospective of DeFeo’s art. Read More »
January 23, 2013 | by Sadie Stein