The Daily

Posts Tagged ‘galleries’

West Ridge

October 18, 2016 | by

Claire Sherman’s exhibition, “West Ridge,” is at DC Moore Gallery in New York through November 5. Sherman’s latest paintings focus on what she calls “unraveling environments,” depicting archetypes of forests and islands in varying states of agitation. She paints quickly, refusing to spend more than a day in the studio working on a single piece. “The physical quality of paint is something I find very seductive,” she told Hyperallergic in 2014. “Paint has the ability to describe, fall apart, be chaotic, rigid, uncontrollable, fluid, and surprising all at once.”

Claire Sherman, Sea Cave, 2016, oil on canvas, 78" x 96".

Read More »

In the Pines

October 10, 2016 | by

In the Pines,” an exhibition of paintings, ceramics, and works on paper by Rebecca Morgan, is at Asya Geisberg Gallery through October 29. Morgan grew up in the mountains of Central Pennsylvania; her work plays with stereotypes and caricatures of hillbillies and country people. The woods suggest a coarse and hedonistic culture: it is the scene of bonfires, hunting, sex, drunken revelry, camaraderie, fights, and perversion. Morgan said in an interview with TOH Magazine. “I navigate my reverence and aversion to the place that has rejected yet charmed me. I operate in modes of frustration, cynicism, and reclamation.”

Rebecca Morgan, Family Reunion, 2016, oil and graphite on panel, 24" x 30".

 Read More »

Woman Power

October 3, 2016 | by

The Austrian painter Maria Lassnig moved to New York in 1968, leaving behind a thriving career to explore what she called “the land of strong women.” She lived in the city virtually unknown for twelve years, keeping a low profile and producing a protean body of paintings, drawings, watercolors, silkscreens, and animations. “Woman Power: Maria Lassnig in New York 1968–1980,” at Petzel Gallery through October 29, exhibits her work from this period. Lassnig, who died in 2014, is remembered for her self-portraiture and “body-awareness paintings”: her effort to translate physical sensations to the canvas. “The only true reality is my feelings,” she said, “played out within the confines of my body.”

Maria Lassnig, Woman Power, 1979, oil on canvas, 71.65" x 49.61". © Maria Lassnig Foundation / The Essl Collection, Klosterneuburg / Vienna.

 Read More »


September 20, 2016 | by

Dan Walsh’s exhibition “Prints and Multiples” is at Pace Prints, in New York, through October 22. “I always regarded the space in a painting as the soul of a painting,” he told the Daily in 2011. “I’m working to find a space I can interact with on a day-to-day basis, something neutral and malleable: one of the goals of minimalism was to experience qualities of materials, forms, colors and remove psychological space.”

Dan Walsh, Axis, 2016, reduction woodcut, 22" x 22".

 Read More »

Time Speeds Up

September 12, 2016 | by

Amy Bennett’s exhibition “Time Speeds Up” is showing in New York at Ameringer McEnery Yohe through October 8. Bennett, who works in Beacon, New York, paints her landscapes after dioramas she’s painstakingly constructed at a 1/500 scale. She carves valleys and rivers into Styrofoam and freckles the map with wooden houses and wiry trees; over time, she adds farmland, grocery stores, and schools. “The creation and gradual alterations of these models allow Bennett to indulge a novelistic sensibility,” Eleanor Heartney writes in an essay to accompany the exhibition. “The settings she selects are precisely those in which the American ideals of freedom and security clash.”

Amy Bennett, Lowlands, 2016, oil on canvas, 40" x 56".

 Read More »

Just Skating and Gettin’ High

August 26, 2016 | by

This month, Swiss Institute becomes Swiss In Situ, moving temporarily to a massive space at 102 Franklin Street in Tribeca. Their first exhibition, up through September 2, features a collection of artist-made zines from the independent Swiss publishing houses Nieves and Innen. Some of our favorites are below.

Lawrence Weiner, Posters November 1965–April 1986, 2011.

Read More »