Posts Tagged ‘galleries’
August 26, 2016 | by Dan Piepenbring
This month, Swiss Institute becomes Swiss In Situ, moving temporarily to a massive space at 102 Franklin Street in Tribeca. Their first exhibition, up through September 2, features a collection of artist-made zines from the independent Swiss publishing houses Nieves and Innen. Some of our favorites are below.
August 9, 2016 | by Dan Piepenbring
Peyton Freiman’s exhibition “Long Gone and Missing” opens Wednesday, August 10, at Shin Gallery, in New York. Freiman, based in Brooklyn, uses his work to explore “feelings of disillusionment with institutional systems,” with a special fondness for “jejune colloquialisms.” His show is up through September 10.
July 25, 2016 | by Dan Piepenbring
July 15, 2016 | by Dan Piepenbring
In his new exhibition at White Cube, “Self Portraits,” the painter Raqib Shaw insinuates himself into classics by the Old Masters. You’ll find him in the canvases below—carefully modeled after work by Antonello da Messina and Hendrick van Steenwyck the Younger, among others—posing as a joker, a mime, and a ghost lying in his own coffin. Shaw, born in Calcutta, was raised in Kashmir and moved to London in 1998. In his paintings, the critic Norman Rosenthal has written, “Color achieves an almost blinding intensity and precision that exists in both a horrific, and beautiful universe derived from personal experience based on self-knowledge and dream psychology … mixed with a profound love and understanding of the history of visual and poetic culture of both East and West.”
Raqib Shaw’s self-portraits are at White Cube through September 11.
May 18, 2016 | by Dan Piepenbring
Ben Vida’s recent exhibition at Lisa Cooley Gallery, “[Smile on.] … [Pause.] … [Smile off.],” included a series of what the author calls Speech Acts, inspired by concrete poetry. Intended to be recited in a duo vocal performance, the speech acts capture all the pauses, false starts, stammers, and disfluencies of conversation: all the spoken detritus usually omitted in transcripts. Inspired by Beckett and other dramatists who foreground the emptiness of speech patterns, Vida and a partner read each piece aloud at the gallery. “Aurally it’s kind of a short distance from ‘eh, itz tah’ to ‘ah, um oh’ to ‘well, okay so,’ ” he told the Creators Project, “but within this distance the function of the language changes and so the compositional logic begins to change as well. It becomes a completely different engagement in terms of what is being communicated.”
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May 11, 2016 | by Dan Piepenbring
Miao Xiaochun’s new exhibition, “Echo,” is at Galerie Paris-Beijing from May 12 through June 18. A Chinese digital artist, Xiaochun specializes in what he’s called “algorithmic painting,” recasting work from a religious European tradition—famous canvases from the likes of Bosch or Brueghel—as vibrant, science-fictional virtual worlds. These dreamscapes are “populated,” as the gallery puts it, “by strange cybernetic beings, with no clothes, character, or expression.” See more of his work on Art Radar.
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