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Posts Tagged ‘French Open’

It Never Gets Old

June 6, 2011 | by

Photograph by Alex Livesey.

When an athlete grows old, when she slips and starts making errors, you say that her body betrays her. What you mean is that she betrays you. A superhuman should not age. So you punish her with your attention, with your nostalgia and condescension, and also with your neglect. You turn your gaze to the young.

For the first two weeks of this year’s French Open, that’s what happened. Sure, younger players had earned the spotlight. Novak Djokovic was in the middle of one of the longest win streaks in the history of tennis. If he made the French Open final, he would become number one. For his part, Rafa Nadal was looking to equal Björn Borg’s record of six French Open titles. No one expected much of Roger Federer. Even Anna Wintour, who sat in Federer’s box in Paris, had more or less conceded Djokovic’s dominance, featuring the Serb in tiny swimming briefs in the pages of Vogue, where once Roger had been king. Federer is twenty-nine years old.

On the women’s side, the favorite was a beautiful blonde Dane, Caroline Wozniacki, twenty years old. She had never won a major, but never mind. The defending champion, Francesca Schiavone, who has hollow cheeks and a habit of kissing the dirt, wasn’t given a chance. Some thought her win last year—she had been seeded seventeenth—was a fluke, and besides she is ancient, nearly thirty-one. But Wozniacki lost in the third round, and when the finals arrived Schiavone was there again, and this time playing the twenty-nine-year-old Li Na, best known for being Asian and having a tattoo.

“With a combined age of sixty years seventy-nine days, Li and Schiavone make up the oldest French Open final pairing since 1986,” said The New York Times. Li and Schiavone were pressed to explain their advanced ages. “Is like the wine,” Schiavone said. “Stay in the bottle more is much, much better.”

“I’m not old,” Li Na insisted. “Why do you think I’m old?”

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A Week in Culture: Reagan Arthur, Part 2

June 24, 2010 | by

This is the second installment of Arthur’s culture diary. Click here to read part 1.

DAY FOUR

6:10 A.M. The New York Times. More about Israel and the Gaza attacks. A surprising waste of space devoted to a co-op spat on the Upper East Side. I love reading about real estate and rich people behaving badly, but this feels small: boring fight and boring story. Bob Herbert on the oil spill. Henin and Ginepri are out of the French Open.

7:00 A.M. Managed to miss the train. On the bus instead, where my usual carsickness subsides enough to let me continue Operation Franzen.

8:15 A.M. E-mail includes news of a rave review by Julie Orringer in the Washington Post of Frederick Reiken’s Day For Night. I already loved Julie Orringer, but now I think she can do no wrong.

8:20 A.M. Great interview on the Huffington Post with Cal Morgan, editor at Harper Perennial and one of my earliest publishing pals when we were both at St. Martin’s Press. Cal is publishing some terrific fiction, in a really interesting way.

8:36 A.M. My morning spin around the blogs. Maud Newton, Betsy Lerner, Elegant Variation, Galley Cat, Sarah Weinman. With BEA last week I’m a little behind on these, and I see that Maud has been, as always, sharp and smart—this time about Garrison Keillor’s recent prediction that publishing is on its deathbed. Betsy Lerner writes about writing, publishing, and being an agent, and it’s beyond me how she manages to post a smart and witty new entry every day, but her blog has become a welcome daily habit.

12:23 P.M. Publishers Weekly, with round-up of last week’s BEA at Javits. Photo of Jon Stewart, who hosted the sold-out author breakfast, and provided the quote of the fair when he followed Condoleeza Rice’s apparently great speech with: “Don’t MAKE me like you.” I perform the editorial review scan: race through the review section for my own books, as well as books I saw, bid on, or passed on. These can bring pain or pleasure but today I’m spared both. Nice review for Don Winslow’s upcoming Savages. He’s the first writer I ever signed up, and a great guy to boot.

1:00 P.M. Glamorous publishing lunch: falafel at my desk. Twitter brings news that the Gores are divorcing: wow. And Twitter sends me to a deeply satisfying, hilarious review of Sex and the City 2 by Lindy West in The Stranger, which I promptly bookmark so I can read her more often.

1:10 P.M. Newsweek Tumblr in response to David Carr’s piece about their sale.

3:10 P.M. Break from work to check the Times online and dammit, Federer’s been knocked out of the French Open by the unpleasant Swede. I must Tweet my dismay.

4:45 P.M. Bookforum. Lovely Michael Greenberg essay about his near-death and his dying mother. Mary Gaitskill’s rigorous and convincing review of Marlene van Neikerk’s Agaat. Mark Stevens on the new Leo Castelli biography. Paul La Farge and Keith Gessen on utopia and dystopia. Reader, I skimmed. James Gibbons on Rick Moody’s The Four Fingers of Death, which my colleague Pat Strachan edited—a “comic tour de force”! Hooray.

6:00 P.M. Franzen on the bus. The manuscript pile is growing. Must. Finish. Galley.

8:30 P.M. Manuscripts.

10:30 P.M. New Yorker. I love the Jeffrey Eugenides story set at Brown, which makes me nostalgic for my early New York City days when I was surrounded by Brown graduates who quickly cured me of saying “girl” instead of “woman” and other late-eighties infractions. Joan Acocella on “Cirque du Soleil,” which I just dragged my family to last week out on Randall’s Island. I could happily read Joan Acocella all day. The only thing that could make this New Yorker issue any better would be a Nancy Franklin review.
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