Posts Tagged ‘Fonts’
October 1, 2014 | by Dan Piepenbring
There’s a post over at Print Magazine about Frank Romano’s new book, History of the Linotype Company, which chronicles the rise and decline of the Linotype, a “glorious contraption” that was not so very long ago the industry standard for printing newspapers, magazines, catalogs, you name it. I’d be lying if I said I knew how it worked—to look at it is to imagine it taking your hand off—but fortunately there’s Wikipedia, which explains:
The linotype machine operator enters text on a ninety-character keyboard. The machine assembles matrices, which are molds for the letter forms, in a line. The assembled line is then cast as a single piece, called a slug, of type metal in a process known as “hot metal” typesetting. The matrices are then returned to the type magazine from which they came, to be reused later. This allows much faster typesetting and composition than original hand composition in which operators place down one pre-cast metal letter, punctuation mark or space at a time.
The machine was invented by Ottmar Mergenthaler, a German immigrant who set up shop in Brooklyn. At the height of its powers, it was used in eighty-six countries and in 850 languages. And the public domain is teeming with miscellany from the Mergenthaler Company, which produced an endless succession of handbooks, manuals, brochures, and pamphlets, among them Linotype’s Shining Lines, a sort of trade magazine with impeccably designed cover art:
July 11, 2014 | by Dan Piepenbring
- Allan Ahlberg, a British author who’s written more than 150 children’s books, declined a lifetime-achievement award (and a nice cash prize) because Amazon sponsors it.
- In the silent-film era, a movie’s typeface was a crucial part of its identity. Now, a type designer in Minneapolis has tried to re-create the font from The Good Bad Man, a Douglas Fairbanks vehicle from 1916. “In 1916 the titles would have been painted or drawn on a smooth surface and then photographed with the motion-picture camera. There were no optical printers in those days, so the titles would literally have been shot by someone hand cranking a motion-picture camera.”
- In Athens, the Caryatid statues (five maidens “among the great divas of ancient Greece”) have emerged from a three-year cleaning with “their original ivory glow.”
- “Movies, if they’re very good, aren’t a conversation; they’re an exaltation, a shuddering of one’s being, something deeply personal yet awesomely vast. That’s what criticism exists to capture. And it’s exactly what’s hard to talk about, what’s embarrassingly rhapsodic, what runs the risk of seeming odd, pretentious, or gaseous at a time of exacting intellectual discourse.”
- A friendly reminder: your brain is on the brink of chaos.
April 10, 2014 | by Dan Piepenbring
- Gabriel García Márquez was in the hospital last week, but now he’s out and on the mend, albeit in “delicate” condition. We wish him a speedy recovery.
- Poor Comic Sans, the common man’s font, the bane of designers and typographers everywhere, has gotten a facelift: say hello to Comic Neue.
- A news station in Texas has, with its “reporting,” stoked the flames of the legend of the chupacabra. “Jackie and Bubba believed they’d stumbled upon a Latin American vampire beast that guzzles the blood of livestock. They decided to take it as a pet.”
- Are English departments in jeopardy? Some professors think so. “Literary studies is being ‘devalued and dismissed’ as a result of English departments’ being ‘reconceived as being primarily in the business of teaching expository writing.’ Furthermore, he wrote, there’s an insidious rush ‘to make literary studies an outpost of “digital scholarship.”’”
- A new photo exhibit by John Goodman (no, not that John Goodman): “Together at last. Boxers and ballerinas. Those two great seemingly Yin-Yang forces of the physical—the soft, fluid Terpsichore and the aggressive Herakles …”
July 26, 2012 | by Sadie Stein