Posts Tagged ‘Flannery O’Connor’
March 27, 2014 | by Dan Piepenbring
- Before there was MFA vs. NYC, there was Flannery O’Connor, discussing the merits of an MFA program: “It can put [a writer] in the way of experienced writers and literary critics, people who are usually able to tell him after not too long a time whether he should go on writing or enroll immediately in the school of Dentistry.”
- The love letters of a young Ian Fleming reveal him to be a jealous, sadistic romantic: “I would have to whip you and you would cry and I don’t want that. I only want for you to be happy. But I would also like to hurt you because you have earned it and in order to tame you like a little wild animal. So be careful, you.”
- Beware intemperance! Exhumed from the Library of Congress: a 1908 map depicting “the negative consequences of drinking and ungodliness, using an imaginary set of railroad lines, states, towns, and landmarks.” Highlights: Selfishburg, Hypocrisy Heights, Lewd Castle, Whiskeyton, Gossip Center, Presumptionville, Treasondale, and Embezzle City.
- John Coltrane’s tenor saxophone will join the collection of the American History Museum. (This year also marks the fiftieth anniversary of his seminal album A Love Supreme.)
- On CNN’s coverage of Flight 370: “This willingness to fixate on one big story and sensationalize it reflects CNN’s growing embrace of the phenomenology of news. It’s an approach that emphasizes the viewer’s experience of singular news events as much, if not more than, the news itself.”
March 25, 2014 | by Dan Piepenbring
Flannery O’Connor was born today in 1925.
Flannery O’Connor was probably the biggest influence in my mature writing life. I didn’t discover her until I was at Arkansas, and I didn’t read her until I was around twenty-five, twenty-six. She was so powerful, she just knocked me down. I still read Flannery and teach her.
What was it that got you? Was there something specific?
“A Good Man Is Hard to Find” and then I read everything.
I thought the author was a guy. I thought it was a guy for three years until someone clued me in very quietly at Arkansas. “It’s a woman, Barry.” Her work is so mean. The women are treated so harshly. The misogyny and religion. It was so foreign and Southern to me. She certainly was amazing.
—Barry Hannah, the Art of Fiction No. 184, 2004
November 12, 2013 | by Katherine Faw Morris
Flannery O’Connor was a believer. It was at the end of every story: the appearance of holy ghosts, fiery furnaces, judgment day. It was in the twist of her knife. The way she would jam it in a character’s gut, turn it, then rip it up. To make sure she got all the vital organs. The end of “A Good Man is Hard to Find”—“‘Shut up, Bobby Lee,’ The Misfit said. ‘It’s no real pleasure in life’”—is the most Catholic thing ever.
While she was writing what would become Wise Blood, she was also writing A Prayer Journal. Literally, journal entries written during her time at the Iowa Writers’ Workshop, addressed to the Lord and asking for his help getting published. “Please let Christian principles permeate my writing and please let there be enough of my writing (published) for Christian principles to permeate,” she wrote. Also she kind of thought of God as a crazy lover. From November 23, 1947: “Dear Lord, please make me want You. It would be the greatest bliss. Not just to want You when I think about You but to want You all the time, to have the want driving in me, to have it like a cancer in me. It would kill me like a cancer and that would be the Fulfillment.” I am also from the South. I am also a writer. God was never anyone special. No one in my family took religion seriously. Read More »
October 15, 2013 | by Timothy Leo Taranto
September 10, 2013 | by Sadie Stein
August 28, 2013 | by Kelly McMasters
Of one order are the mysteries of light
and of another are those of fantasy
Rider Tarot Deck instructions
—Brenda Shaughnessy, Our Andromeda
A good friend came to visit this spring, and a few times during her stay, she pulled a book off the shelves, either from Moody Road Studios or at my home, shuffled the pages under her thumb, and stuck a finger on a line like an arrow hitting a bull’s-eye. Then she’d read the single line aloud, a kind of party trick.
This would typically happen when we’d be in the middle of a conversation, talking about some big questions that we were swirling at the time, the should-I-or-shouldn’t-I, will-this-work-or-not, should-I-take-this-chance kind of conversations that tend to occur after some Southern Comfort on a patio. She used whatever book was in her hand as a literary tarot, and believed the line would tell us all we needed to know. Usually, bizarrely, it worked.
I tried this on my own, but it fell flat. After the house was asleep, I would pose a question in my head and stalk a book, pull it from the stack before it could resist, flip open its pages and point hungrily at it, waiting for its answer. Each time, the result was tinny, hard-pressed, wanting. It reminded me of late nights with my Ouija board as a kid, waiting desperately for something to speak to me when I was really just waiting for my own voice.
People ask a lot of their books. They want them to be amazing, they want them to be cheap, they want them the moment they walk through my door. I often feel like a kind of carnival showman, flashing bright colors in front of the customer, hoping something catches their eye. People’s personal restrictions always amaze me. “I don’t read books with dogs in them.” “I don’t like to have to think too hard.” “I can’t buy books with white covers.” Really? Read More »