Posts Tagged ‘fiction’
April 29, 2016 | by Robert Cohen
Richard Fariña’s Been Down So Long It Looks Like Up to Me turns fifty.
I am gazing, as I write, at a black-and-white photograph of Richard Fariña with his wife, Mimi (née Baez) Fariña, taken backstage at the Newport Folk Festival nine months before his death—fifty years ago this week—at the age of twenty-nine. To call the photo romantic would be an understatement. Mimi, her face a dark flower offered to an invisible sun, appears to be literally bursting out of her flip-flops as she executes some twirling, Isadora Duncan-y ballet step; while Richard, swarthy and black-haired, his eyes fondly delta’d (the Ray-Bans in his hand having apparently proven useless against all this brightness), looks like he can’t quite believe his luck, to have aligned his future with this lovely, exuberant sprite, a princess in folk’s royal family. He’s having a pretty good run of it for a guy who plays the dulcimer. And technically he doesn’t even play it that well. Read More »
April 27, 2016 | by Dan Piepenbring
- Deaccessioning: it’s one of the cruel realities of our time. But how do libraries determine which books turn to pulp and which remain to yellow on shelves? According to Mary Kelly and Holly Hibner, who’ve created a blog called Awful Library Books, it’s easier than you think: “Kelly and Hibner created the site in 2009. Each week, they highlight books that seem to them so self-evidently ridiculous that weeding is the only possible recourse. They often feature books with outlandish titles, like Little Corpuscle, a children’s book starring a dancing red blood cell; Enlarging Is Thrilling, a how-to about—you guessed it—film photography; and God, the Rod, and Your Child’s Bod: The Art of Loving Correction for Christian Parents … ‘I pull one or two books a week. Nobody’s going to even question that,’ Hibner said. She also keeps a bag of her favorite weeded books under her desk—Vans: The Personality Vehicle, Be Bold with Bananas—in case any inquisitive patrons want examples.”
- It’s not always easy to muster one’s enthusiasm for railways—even train buffs get the blues. But James Meek has been reading The Railways: Nation, Network and People, and so can offer a vital refresher for a world suffering from rail fatigue: “The shock of the speed of the first trains, three times faster than a stagecoach, wasn’t only physical, embodied in the sensations of acceleration and travel, but conceptual: the old measures of distance, how far town X was from town Y, were rendered irrelevant, leading to what commentators as early as 1833 were calling ‘the annihilation of space by time’, twenty-five years before Karl Marx used the phrase in the Grundrisse. Along with the speed of the trains was the shock of the speed with which the railways spread, gouging cuttings out of hills, flinging embankments across bowls of land, boring and blasting tunnels through solid rock, hurling viaducts over valleys and gorges … Writing in the 1960s, Michael Robbins said: ‘The Victorians who created the railway look like a race imbued with some demonic energy.’ ”
- David Means discusses his new novel, Hystopia, and the way he manipulates time in his fiction: “For me, grace lies in a paradox: the moment you are fully in existence while also fully aware of the vastness of time itself; so you’re sitting there in a hospital hallway holding a baby and the baby is looking up at you and you’re in the moment but also aware of the hugeness of the moment, the inexplicable forgiveness in the tactile feeling of this newborn life in your hands and the absolute innocent need inside the baby’s gaze. The writer’s job is to be as true as possible, not only in the drafting but the revision process, to the words and the reality that they are representing and creating. That requires an attempt at humility before the material, somehow. Humor and grace, for me, are entwined.”
- It’s great that Harriet Tubman will soon grace our twenties, but isn’t it time to spice up the ol’ government oil-portrait collection, too? “Looking through the House and Senate portrait collections, you’ll find a wealth of white legislators in ill-fitting suits posing awkwardly among symbolic objects: dogs, children, clocks, gavels, and flags—lots of flags … But if you’re not a white man, gay or straight, good luck getting a portrait painted before you die. The first Asian American in Congress, Dalip Singh Saund (D-CA), served as a representative for four years until a stroke ended his political career in 1962 … Saund died in 1973, but his portrait wasn’t commissioned until 2007, over forty years later, and it shows him standing in the Capitol rotunda, bordered by the places and people that influenced his career: India, California, Gandhi, and Lincoln.”
- Today in new exhibitions: “Olsen Twins Hiding From the Paparazzi.” “Ever wish that visiting a museum was more like watching reality TV and simultaneously browsing TMZ, all while a few wine coolers deep? You’re in luck … [the artist Laura Collins] had a series of paintings depicting the Olsen twins hiding from the paparazzi … Collins’s artwork lines the hallway, which is operating under a ‘jungle’ theme, complete with large green-paper leaves. Mary-Kate and Ashley are not identified in each painting, which Collins says is intentional. ‘I have no idea who’s who. I wanted it to be like, they’re kinda interchangeable. We almost don’t care who’s who.’ ”
April 8, 2016 | by Dan Piepenbring
At 92Y’s Unterberg Poetry Center, The Paris Review has copresented an occasional series of live conversations with writers—many of which have formed the foundations of interviews in the quarterly. Recently, 92Y and The Paris Review have made recordings of these interviews available at 92Y’s Poetry Center Online and here at The Paris Review. Consider them deleted scenes from our Writers at Work interviews, or directors’ cuts, or surprisingly lifelike radio adaptations.
This week we’ve debuted four new recordings from the series. Today, the last of the bunch: Pat Barker, author of the Regeneration Trilogy, who spoke with Michael Gorra on April 16, 2001. This interview was never adapted for the Review’s Writers at Work series, so what you hear has been essentially buried for the past fifteen years. From the start, Barker discusses why she disdains being considered a “gritty, working-class” writer because of her hailing from Northern England, and how fiction can help readers face “the past that’s not even past”: Read More »
April 5, 2016 | by Roman Muradov
Our Spring Revel is tonight. In anticipation of the event, the Daily is featuring a series of posts celebrating Lydia Davis, who is being honored this year with The Paris Review’s Hadada Award. Here, the illustrator Roman Muradov has adapted into comics Davis’s story “In a House Besieged,” which was originally published in the collection Break It Down (1986).
April 1, 2016 | by The Paris Review
We’re thrilled to announce a new chapter for The Paris Review’s subscribers—an exciting opportunity to meet your fellow readers, enhance your writing skills, and relax in the sun while you support your favorite literary magazine. This August, join us aboard the SS Plimpton for four days of fun, food, and fiction as we set sail for scenic Rehoboth Beach, Delaware! For only $375*, you can make memories and friendships you’ll treasure for the rest of your life.
Want to learn more? Read on! Read More »
March 31, 2016 | by Hallie Bateman
Our Spring Revel is April 5. In anticipation of the event, the Daily is featuring a series of posts celebrating Lydia Davis, who is being honored this year with The Paris Review’s Hadada Award. Here, the cartoonist Hallie Bateman has adapted into comics Davis’s story “Odd Behavior,” which was originally published in the collection Almost No Memory (1997).
Hallie Bateman is a writer and cartoonist based in Los Angeles.