Posts Tagged ‘fathers’
October 13, 2016 | by Catherine Bowman
September 22, 2016 | by Barry Yourgrau
September 7, 2016 | by Vanessa Davis
July 26, 2016 | by Vanessa Davis
March 3, 2016 | by Homero Aridjis
“As I let the shotgun drop the butt hit the bricks and the second shell fired into me...”
An excerpt from The Child Poet.
One Saturday toward noon in January 1951, three friends and I made our way home after playing soccer. The milky rays of a nearly white sun ploughed the damp earth, and our shadows moved neatly beneath our soles each time we lifted a foot to take a step. When we reached my house I waved goodbye to my friends. Without replying they continued on their way.
My solitary steps echoed along the sunlit corridor; my parents were at the store. And then I went into my brother’s room, although I hadn’t meant to go in … A shotgun someone had lent him was propped against the wall. As if moving by their own accord, my hands reached for it. I walked to the backyard and climbed onto a pile of bricks that were being used to build the new kitchen. There was no one around; the bricklayer and the peon were having lunch in the old dining room.
Standing on the bricks, I saw some birds alight on the sapodilla tree next door, to be momentarily covered by the branches … Until they returned to the air, over my head, high in the blue above … And without wanting to, I aimed the shotgun at them and fired, not intending to kill a single one.
I watched with relief as they all flew on until they were lost in the distance. But as I let the shotgun drop the butt hit the bricks and the second shell fired into me. Such was the blow I felt from the shots that I thought infinity had entered my belly. Read More »
September 18, 2015 | by Dan Piepenbring
- In 1965, an elderly Buster Keaton starred in film, a little experiment in cinema by one Samuel Beckett—an unlikely collaboration, but an inspired one. The movie was almost entirely silent, and shot largely in the first person; Beckett regarded it as an interesting failure. Now there’s notfilm, a documentary about film. “Beckett’s twenty-two-minute film dealt in striking ways with many aspects of motion-picture history, and more generally, the nature of spectacle, of perception, and of being perceived by self and others … the film was shot over eleven days, with the camera chase, then a five-minute scene on some stairs, followed by a seventeen-minute sequence in a room.”
- In which Kafka gets real, very real, maybe too real, in a letter to his father: “You asked me recently why I maintain that I am afraid of you … we were so different and in our difference so dangerous to each other that if anyone had tried to calculate in advance how I, the slowly developing child, and you, the full-grown man, would behave toward one another, he could have assumed that you would simply trample me underfoot so that nothing was left of me. Well, that did not happen. Nothing alive can be calculated.”
- Today in provisional libraries: at the Calais migrant camp, a British volunteer has set up “a book-filled haven of peace.” “The shed is filled floor-to-ceiling with books: chick lit, thrillers and a neat set of Agatha Christies line the shelves, alongside a large atlas, a few dictionaries and grammars, and the thin green spines of children’s learning-to-read books. More books spill out of boxes stacked in the corner, and pens, notepads, bags of clothes, a globe, a guitar and a game of Battleship … I am taken aback when a man who has been flicking through various novels for at least half an hour, including classics like Steinbeck’s Of Mice and Men, settles on a thin picture book about kittens. When I ask him if he really likes cats, he shrugs, mumbles a thank you, and leaves.”
- And while we’re on libraries, here are some items you can now check out at various centers of knowledge around the country: cake pans, snow shoes, ukuleles, American Girl dolls, mobile hot-spot devices, sewing machines. “Services like the Library of Things and the ‘Stuff-brary’ in Mesa, outside Phoenix, are part of a broad cultural shift in which libraries increasingly view themselves as hands-on creative hubs, places where people can learn new crafts and experiment with technology like 3-D printers.” Rent-A-Center must be shaking in its corporate boots.
- Where does porcelain come from? Edmund de Waal endeavors to find its origins: “Trace the origin of any physical object, from the Mona Lisa to an iPhone, and there will be a mass of human labor and human stories lurking behind it, no matter how purely a product of the solitary artist or glossy factory it might seem to be. What is striking about porcelain, however, is that while it appears to be the acme of artistry, it is, by and large, the result of relentlessly standardized piecemeal work.”