The Daily

Posts Tagged ‘farting’

Home Is Where the TV Is, and Other News

March 11, 2015 | by


It’s okay—you belong!

  • The artist Tim Youd is retyping Lucky Jim, word by painstaking word, in public at the University of Leicester, on an Adler Universal typewriter—the same model Kingsley Amis used. “I’ve read everything before I retype it, so the suspense is gone. The appreciation happens on a deeper level. I get to examine the structure, the style in the course of the most active form of reading … At its heart, the performance is a devotional exercise. It is an extreme, perhaps slightly absurd dedication to the author’s words.”
  • Post-Internet poetry takes for granted that the Web, as a medium, can inspire and inform a poem—it doesn’t make a show, that is, of turning the poet into a kind of DJ, “weaving together samples of preexisting language into something unique. Of course, this is nothing new. The cento—snagging lines from other poems to make your own—has been around for nearly two millennia. But what’s new is [the] use of Google as an oracle, the results from which are strained through [one’s] own subjectivity, leading to poems that are at once organic and mechanical, personal and, in a sense, objective.”
  • “More than 300 million people live here, and they had descended over the course of a very few generations from a huge number of disparate cultures, with different histories, ways of behavior, worldviews, and experiential backgrounds. All of them, sooner or later, had been required to relinquish their old culture and enter the new one. That must be why the most striking thing about the United States was its sameness … And that must be why every American movie was made after the same template and why, in this sense, every movie expressed the same thing. And that must be why all these TVs were hanging on the walls, unwatched; they created an immediate sense of belonging, a feeling of home.” Knausgaard’s travels in America continue.
  • Kristin Dombek on Kim Gordon and Sonic Youth: “Sonic Youth turned the war of sound into a war on the reproducibility of music for consumption, and the failure to create the perfect rock product into music itself … Since guys liked Sonic Youth, learning to like them had seemed like a way to borrow a little male bonding, like wearing flannel, skipping class to drop acid, or fumbling my way through a hacky sack circle.”
  • Don’t pretend you don’t care about the sociology of flatulence. “Heterosexual men were the most likely to think it was funny and the most likely to engage in ‘intentional flatulence’ ... Heterosexual women felt like they were violating gender norms if their farts were stinky: ‘The worse it stinks,’ said one, ‘the nastier they think I am.’ ”

The Flatus of Yore, and Other News

January 24, 2014 | by


What a gas! Image via Beautiful Decay.

  • Japanese scrolls from the Edo period depict—yes—erumpent, competitive flatulence.
  • Back to more dignified fare. Guess the classic novel from its first sentence.
  • Fact: Kurt Vonnegut wrote a made-for-TV movie in 1972. It’s called Between Time and Timbuktu, or Prometheus-5: A Space Fantasy. Vonnegut later withdrew from the production: “I am not going to have anything more to do with film—for this reason: I don’t like film.” Well. As far as excuses go, that one’s airtight.
  • “I think empathy is a guy who punches you in the face at a bus station, and you’re somehow able to look at him and know enough about what situation he was in to know that he had to do that and not to hit back. That’s empathy, and nothing ever happens in writing that has that kind of moral heroism about it.” A new interview with John Jeremiah Sullivan.
  • As any reader of Empson’s Seven Types of Ambiguity knows, vagueness can be artful, but it’s especially so in Mandarin writing, where ambiguous sentences resemble optical illusions.