Posts Tagged ‘Fairy Tale’
July 21, 2016 | by Zelda Fitzgerald
In our Fall 1983 issue, The Paris Review published twenty years’ worth of Zelda Fitzgerald’s letters to her husband, Scott. This selection comprises her correspondence between the spring of 1919 and Easter Sunday, 1920, the day Zelda and Scott married. Zelda Fitzgerald was born this month in 1900. Note: Zelda was known for her quirks in punctuation (she was a particularly fond of the em dash), and these are retained in the text. As in the original printing, asterisks denote substantial editorial deletions and ellipses are used to indicate minor omissions. Each letter is addressed to Scott Fitzgerald. —C.L.
Mrs. Francesca—who never heard of you—got a message from Ouija for me. Nobody’s hands were on it—but hers—and it told us to be married—that we were soul-mates. Theosophists think that two souls are incarnated together—not necessarily at the same time, but are mated—since the time when people were bisexual; so you see “soul-mate” isn’t exactly snappy-stylish; after all: I can’t get messages but it really worked for me last night—only it couldn’t say anything, but “dead,”—so, of course I got scared and quit. It’s really most remarkable, even if you do scoff. I wish you wouldn’t, it’s so easy, and believing is much more intelligent. Read More »
March 14, 2012 | by Sadie Stein
A cultural news roundup.
- RIP, Encyclopedia Britannica.
- A Delhi conference was too small for both Salman Rushdie and Pakistani cricketer-turned-politician Imran Khan.
- Southampton’s venerable “Hobbit Pub” is being sued by the upcoming film; Stephen Fry leaps to its defense.
- Das Rheingold? There’s an app for that.
- I’ll be dipped! A dictionary of regional American English.
- Gilgamesh! The Urban Dictionary lit guide.
- What we talk about when we talk about fan fic.
- Good Books, indeed.
- Hemingway’s keeper shelf.
- Build your own Murakami!
- Discovered: five hundred forgotten fairy tales.
- Madeline’s mixtape.
- Hitchens reports on the afterlife.
December 16, 2010 | by David Wallace-Wells
The winter issue of The Paris Review opens with debut fiction by Alexandra Kleeman, a young writer, part Taiwanese, who was raised in Japan and Colorado. She recently left behind her graduate studies in rhetoric at the University of California at Berkeley, where she planned a dissertation on cognitive science and experimental poetics. She lives now on the west side of Manhattan and is pursuing an M.F.A. at Columbia University.
“Fairy Tale” is your first story to be published. Is it your best story?
It’s probably my favorite story. I was trying to be funny and I’m naturally very serious. I hope it’s kind of funny.
What makes it a fairy tale?
My original title was “Knives,” which seems very different, but the logic of the piece always had that sort of fairy-tale element to it: There’s a sense in which the world depicted is, on one hand, very tight and claustrophobic, but on the other hand extremely open, like anything could appear in it anytime. It would be a completely irrelevant question, in that setting, whether something was believable or not. Instead, you’re actively learning the rules along with the character. That’s the way the later part feels, to me, anyway, but really the first part is strongly amnesic.