- In South Korea, there’s a book so sagacious—so steeped in commonsense know-how and philosophical intrigue—that it’s whispered about at every level of society. It’s the Talmud, whose unlikely role in South Korean culture reads like something out of a counterfactual history: “Each Korean family has at least one copy of the Talmud. Korean mothers want to know how so many Jewish people became geniuses … Twenty-three per cent of Nobel Prize winners are Jewish people. Korean women want to know the secret. They found the secret in this book.”
- Fact: book publishers don’t fact-check. According to your average book contract, fact-checking is the author’s problem, and the author’s financial burden, so good luck. But “the status quo might shift a notch this fall, at least for a lucky few. In September, Tim Duggan Books, the editor’s eponymous new imprint under the Crown Publishing Group, will be the first ever to offer fact-checking as a service paid for by the publisher.”
- So you’re cruising west on Interstate 10, shedding the trappings of your old life for a new, free beginning in the American West—congratulations! You’ve undertaken a journey so iconic, and perhaps so hackneyed, that 100 billboards now speckle the highway to commemorate it. The “Manifest Destiny Billboard Project,” which stretches from sea to shining sea, examines “the way we think about aspiration and ambition, achievement and taking. It ties to everything from the capitalist impulse to notions of exploration, and to the desire to know.”
- In the late nineteenth century, Nietzsche’s philosophy found an unexpected (if ambivalent) advocate in George Bernard Shaw: “People read Nietzsche for his philosophy; they go to Shaw’s plays for their comedy … In the absence of God, both were seeking a purpose. There was Nietzsche’s belief in struggle which Shaw acknowledged as necessary for essential improvement; there was also his attack on traditional moral values that acted as a brake on necessary change. He was clever and imaginative and sometimes original. But Shaw was not one of Nietzsche’s ‘brethren’ who is urged to see ‘the rainbow and the bridges of the Superman.’”
- If you were raised Catholic, your writing may well be forever inflected with Catholicism—even if you leave the Church. Don’t worry. It’s not bad … necessarily. “When we tag a writer ‘a Catholic novelist,’ we attribute to him the agenda of the Catholic, and not the aim of the novelist … Blake’s “mind-forged manacles” become faith-forged manacles when the purely imaginative and linguistic motive of the novelist is sullied by the believer’s allegiance to Catholicism. That’s the pinch: Catholics already have the truth, whereas novelists write novels in part because they don’t.”
I didn’t grow up reading The Paris Review. My earliest encounter with the magazine—I’m somewhat ashamed to admit—came in graduate school, when I stumbled upon an interview with Milan Kundera. (I was writing a paper on translation, and the quote I pulled didn’t even make it into a footnote.) Had you asked me, a year or so later, when I found myself applying for an internship, what the magazine meant to me, I wouldn’t have given you an honest answer. It didn’t mean much of anything to me. I wanted a foot in the door in New York, and The Paris Review’s seemed as good a door as any.
The latest issue, 191, had closed just before I started, so my first few weeks were quiet. I read submissions, delivered packages, distributed the mail. Then came my first real assignment: We were running an interview with Ray Bradbury, and it needed fact-checking. I volunteered.