Posts Tagged ‘exclamation points’
April 16, 2015 | by Dan Piepenbring
- 92Y has released recordings of Tomas Tranströmer reading his poem “Reply to a Letter” in 1989 and Seamus Heaney reading in 1971. “Heaney is in his early thirties on this 1971 recording,” Pura López-Colomé writes in a breathless commentary, “already in full command of his capacities—a Beethoven, more than a Bach … he poet-visionary’s vibrant voice, about to be swallowed by dichotomy, banishes all evil through a salutary tension coil.”
- Adam Thirlwell on Ulysses and the scandal that continues to surround it: “Joyce happened on a whole new way of writing novels. And the first, most intoxicating invention was the discovery of how comprehensive it was really possible to be. Even sexual fantasies, to choose an extreme example, could suddenly find their form … If transgender fisting occurs earlier in the history of the novel, I would be surprised.”
- A visual history of the gamine, with her boyish charm, reminds us that she is “more than just a haircut.”
- On the increasingly gendered use of the exclamation point: “For many women, they are the most common, or neutral, way of ending sentences. Leaving them out indicates negative intentions, while including them simply shows an expected level of enthusiasm.”
- “My father once split an infinitive, and I did not attend his funeral.” “I got a tattoo of a comma splice and then had it removed.” “I disregard ransom notes if their punctuation is incorrect.” The bona fides of true grammar nerds.
June 3, 2014 | by Sadie Stein
In a recent Science of Us post, Melissa Dahl investigates the evolution of the exclamation mark. As one grammarian tells her, “Exclamation points are becoming the standard after salutations and happy or eager statements such as ‘I’m looking forward to seeing you’ ... It almost seems mandatory in e-mail.”
While few can deny that an unexclamated text reads as terse today, the overuse of the exclamation mark dates to far before the dawn of Seinfeld, let alone the proliferation of electronic communiques. Most recently, I was struck by George du Maurier’s promiscuous use of punctuation in his 1894 novel, Trilby.
To the extent that anyone talks about Trilby today, it is usually because the book was the genesis of the term svengali; because said Svengali is an egregiously anti-Semitic caricature; or just because the author was the grandfather of Daphne. A century ago, it was known for its depiction of bohemian Paris and the portrait of its title character, a sexually liberated but pure-hearted Englishwoman who falls prey to the sinister machinations of Svengali.
Svengali—who does indeed practice mesmerism, as well as speaking a really-hard-to-read German-accented French that is written out phonetically—spends a lot of the novel monologuing in a villainous manner: Read More »