Posts Tagged ‘Eudora Welty’
February 22, 2013 | by The Paris Review
Though the book doesn’t come out until the middle of next month, I can’t wait until then to say how much I liked Scott McClanahan’s Crapalachia. It’s about his youth in rural West Virginia, where he spent his formative years under the influence of his Grandma Ruby and Uncle Nathan, who suffered from cerebral palsy. The book is subtitled “a biography of a place,” but it’s more a biography of a handful of people, and Ruby and Nathan are easily its star characters: beguiling in their weirdness and utterly charming in their deep affection for each other and for Scott. His voice is wholly unaffected, and his account manages to be both comic and unpretentiously sentimental. —Nicole Rudick
My worst reading habit is not reading too fast, or too slow, or stopping books in the middle, or right before the end (though I do all of those things). It’s my persistent impulse to read books that reflect my mood—an impulse that, if indulged often, reduces my reading list to a positively uncatholic range of authors and subjects. But one recent evening, my initial, “safe” pick (James’s The Golden Bowl) was thwarted by Geneviève Castrée’s Susceptible, which, when spotted in a pile of neglected books, looked too intriguing to let alone. An autobiographical comic, the work is less like an illustrated diary and more like a scrapbook; it shows rather than tells, pasting together a series of vignettes to build a narrative of the author’s troubled early life. Castrée’s beautifully toned black-and-white drawings even read more like vintage photographs than they do sketches. The book’s pervasive melancholy is still lingering with me, a reminder of why we really read: to feel things besides our own emotions. —Clare Fentress Read More »
February 20, 2012 | by Margaret Eby
There are certain towns that are forever linked with the authors who lived there. Oxford, Mississippi, is Faulkner land, parts of New Orleans’s Toulouse Street belong irrevocably to Tennessee Williams, and Monroeville, Alabama, is Harper Lee’s territory as surely as if it had been marked on the state map. If Jackson, Mississippi, had a patron saint, it would be Eudora Welty.
Miss Eudora, as native Jacksonites affectionately call her, was a fixture in the capital city of Mississippi from her childhood until her death in 2001. Her presence is still inescapable. Visit the Mayflower Café, off Capitol Street, and you’ll hear about Miss Eudora’s fondness for plate lunches of fried catfish and butter beans. Dig through the waist-high volumes at Choctaw Books and, with luck, you can come across a volume signed in Welty’s bunched and looping hand. Ask an alumnus of Belhaven University about Welty, and they’ll tell you how she used to keep the window of her bedroom open to listen to the music department practice, her head just visible in the top floor window as she sat at her typewriter
Author’s homes on public display tend to have a stuffy quality, all velvet ropes and militantly made beds. The assiduousness of the preservation drains the life from them, makes them seem impossibly antique. Welty’s house, a Tudor-style revival tucked into a thicket of pines, is almost unbearably welcoming. Visiting feels like an intrusion on her privacy. Read More »
November 4, 2011 | by Lorin Stein
Just this morning—at five o’clock, to be exact—I was staring at the ceiling, thinking about Krapp’s Last Tape and how shocked my favorite college professor would be if he knew I still haven’t seen or read it. At least I hope he’d be shocked. I have never got through any of Beckett’s novels (and have seen almost none of his plays, or anybody else’s). I have never got through Henry Green’s Living or Concluding, though neither one is a long book, and I have sometimes heard myself call Green my “favorite” postwar English novelist, as if I had read enough to have one. I have never got through Jane Eyre or Giovanni’s Room or Journey to the End of the Night or Zeno’s Conscience or Pierre—I have never got through chapter one of Pierre. I have never read The Life of Henry Brulard and am not sure it’s even a novel. I have never read Memoirs of an Anti-Semite (but have said I have). I will never reread Dostoevsky as an adult, which in my case is more or less the same as not having read him. I couldn’t finish The Recognitions: I stopped 150 pages from the end, when the words just stopped tracking, and have never managed five pages of JR. I can’t remember which Barbara Pym novels I read, it was so long ago, and there are so many I haven’t. I have never made it to the cash register with a novel by Ronald Firbank. Thomas Hardy defeats me. So does D. H. Lawrence: you can love a writer and never actually feel like reading any more of his novels. I have never read Lady Chatterley’s Lover. I never got to the end of Invisible Man. I have never read Stoner or Gormenghast or Blood Meridian or Wide Sargasso Sea (see Jane Eyre, above). Or any Faulkner novel all the way through besides The Sound and the Fury. I have never enjoyed a novel by Eudora Welty enough to keep going. I think I got to the end of V., which may be even worse than having put it down, and know for a certainty I never got far in Gravity’s Rainbow. I have never read U.S.A. or Tom Jones or Tristram Shandy or Pamela or any novels by Irwin Shaw, James Jones, Mavis Gallant, or Dashiell Hammet. Or Raymond Chandler. I have never read Tender Is the Night, but just the other night someone used it as an example of something, and I nodded. Read More »
October 18, 2011 | by Jonathan Gharraie
Though The Cloud Messenger is Aamer Hussein’s first novel, it comes after five collections of stories and a novella, Another Gulmohar Tree. Born in Karachi, Pakistan, but a long-time resident of London, Hussein has dramatized the sorts of encounters between and within cultures that reflect his own facility in seven languages. He writes with intelligent restraint about the experience of displacement, but also the indelible richness of wherever we like to think of as home. The Cloud Messenger draws on his own unsentimental education as a student of Farsi to create a romance about language and the unexpected life that reading and translating can take. Last year, we met to discuss the Granta anthology of writing from and about Pakistan at his home in West London.
Could you begin by explaining your background?
I’m from Karachi, third-generation in almost an accidental way, because both my grandfather and father were born there, even though they hadn’t lived there very much until after partition because of certain historical … mishaps, you might say. My mother is from Northern India and from a much more traditional family, although her father was an academic.Read More »
August 17, 2011 | by Sadie Stein