Posts Tagged ‘Emily Dickinson’
October 31, 2013 | by Timothy Leo Taranto
October 30, 2013 | by Casey N. Cep
Emily Dickinson published only ten poems. Printed in various newspapers, her verses all appeared anonymously. It was not some failure of contemporary taste but her own decision that kept the rest of her poetry private. Dickinson wrote in one poem that “Publication—is the Auction / Of the Mind of Man—” and indeed she seems to have felt there was something crass, even violative about fixing one’s words in a particular arrangement of type, surrendering them for a price.
And yet, I am grateful to have been able to pay small sums of money for her poetry. A few complete editions, two selected volumes, and one pocket collection: new and used, hardback and paperback, her poetry has always been something for which I was willing to pay. I dreamed of sitting by the fire with my Emily Dickinson while someone I loved sat reading Robert Frost. I collected all these copies of her poetry so that no matter where I went, I would be ready for those dangling conversations.
But the books I gathered have gotten to rest these last few days as I’ve spent hours clicking away in the Emily Dickinson Archive. For the first time since her death, almost all of her poetry, published and unpublished, finished and unfinished, appears together in high-resolution scans, just waiting for readers and scholars to page through it electronically.
The first poem I ever received by e-mail was one by Emily Dickinson. Ten years ago, on what would be one of my last true snow days, when school was cancelled and all the world was covered in possibility, a teacher sent me an e-mail: “Don’t forget to put down the books and enjoy some of this winter wonderland,” she wrote, and then beneath her signature included the text of Emily Dickinson’s “It sifts from Leaden Sieves.” Read More »
October 24, 2013 | by Sadie Stein
October 11, 2013 | by The Paris Review
I’ve been marveling over The Gorgeous Nothings, a coffee table–size book with (gorgeous) color facsimiles of Emily Dickinson’s “envelope writings”—fifty-two poems and fragments written to fit on the backs and flaps of carefully folded envelopes. Marta Werner and Jen Bervin, who edited the book, also provide transcriptions that reflect the actual position of the poems on the page (many are written diagonally, or in columns, or upside down). In her informative afterword, Werner suggests the fragments belong to Dickinson’s “late ecstatic writings.” And there is something inaccessible yet buoyant about these pieces of poetry, written on scraps that often look like the wings of paper birds. —Robyn Creswell
This past weekend, I visited a three-year-old friend (and her parents). I brought her one of my favorite children’s books, Barbara Cooney’s Miss Rumphius. The 1983 National Book Award winner is beautiful, certainly, but just as striking is its story, about an independent woman dedicated to bringing beauty to the world. It’s a classic, for sure, but more importantly, a total delight. —Sadie SteinRead More »
September 23, 2013 | by Adam Leith Gollner
What have we not done to live forever? Adam Leith Gollner’s research into the endless ways we’ve tried to avoid the unavoidable is out now as The Book of Immortality: The Science, Belief, and Magic Behind Living Forever. Over the past six weeks, this chronological crash course has examined the ways humankind has striven for, grappled with, and dreamed about immortality in different eras throughout history. This week explores the nineteenth century. The final installment will run next Monday.
The only secret people keep
—Emily Dickinson, poem number 1748
Last week, Google launched Calico, a new company dedicated to fighting “aging and associated diseases.” The idea of aging as a curable disease (rather than a fact of life) can be traced back to the work of Charles Édouard Brown-Séquard (1817–94), the first medical scientist to make the idea of comprehending—if not controlling—aging a respectable aim.
Not much remembered today, Brown-Séquard was the chair of physiology at the Collége de France, one of the most prestigious appointments in nineteenth-century medicine. He is still known for successfully describing Brown-Séquard syndrome, a paralysis caused by severed spinal cords. His late-period research, however, occupies one of the more bizarre footnotes in medical history: toward the end of a distinguished career, he stunned the scientific community by announcing that he’d found a glandular elixir of eternal youth.
His speech on June 1, 1889, at the assembly of Paris’s Société de Biologie, is widely considered to mark the commencement of gerontology. (Gerontology, from geron, meaning “old man” in Greek, is the systematic study of aging.) Most members of the society were in their seventies, as was the swarthy, six-foot-four, bushy-bearded gentleman onstage. In unscheduled introductory remarks, Brown-Séquard confessed that his natural vigor had declined considerably over the last decade.
At that time, many scientists felt that old age was not a natural phenomenon, so a murmur of commiseration rippled through the room. Those graying authorities knew full well what it meant to grow elderly and infirm, nodding as Brown-Séquard lamented his own chronic pain—the lassitude, the insomnia, and, most delicate of all, the decline of his manliness. He had a pretty young wife, he was rich, successful, accomplished—et quand même. Read More »
September 10, 2013 | by Sabina Murray
One recent evening, my father and I were sharing a bottle of wine when our conversation turned, as if often does, to his father. We like to call my paternal grandfather “the Judge,” and we use this moniker in a spirit of camaraderie. My grandfather, who died eighteen years ago, was a forceful sort of person. The discipline that he exercised on my father, his eldest son, bordered on tyranny, but in my life, this seasoned toughness was inspiring, fun, and a recognizable expression of love. My grandfather, Frank J. Murray, was a self-made man. Born in 1904, he grew up in the rough Dorchester neighborhood of Boston and played football at Commerce High, a school for clever, working-class kids. A field goal in the final game of his high-school career caught the attention of a Dartmouth College scout, but he was saved from the Protestants—at his mother’s insistence—by a priest, who secured a place for him at the Catholic Georgetown University. At Georgetown, he was quarterback, although he had no depth perception, due to a childhood accident that had left him blind in one eye. He went on to Georgetown Law, during which period he himself scouted for the Georgetown football team, and—in a series of successes—became a well-respected Boston lawyer, married my grandmother (who came from better circumstances), had three sons, bought a house in the solidly middle-class West Roxbury, sent his kids to the prestigious Roxbury Latin for high school, ascended to the Bench—Massachusetts Superior Court—and, some time in there, was appointed a federal district judge. When my father and I talk about this man, there certainly is a lot to cover, but on this particular evening, we were thinking of the Judge’s love of poetry.
My grandfather did not have an innate sense of good taste, but he could recognize it, and, as one might assume from his career successes, he was a quick study. As an adult, he wore nothing but Brooks Brothers suits, playing it safe; his one fashion adventure, a salmon-colored sports coat, also came from Brooks Brothers. He had a learned poise, and even his accent, which was an acceptable Back Bay Boston, was an acquired thing—the Dorchester snarl packaged away, placed securely in the past. This need to acquire the accoutrements of privilege gave my grandfather the passion of a convert. He wanted you to appreciate the fine wine, the prime rib, the Royal Brougham—but more than all of that, he wanted you to appreciate the great gift of his education, which was not law, but poetry.
As a law student at Georgetown, he had taught both poetry and math to the freshman. For the math, as is part of the legend, he cowrote his own textbook, but for the poetry, he used the standard reference of the time, The Golden English Treasury, edited by Francis T. Palgrave, commonly referred to as Palgrave’s. I remember the Judge—at this point reluctantly retired—bringing this book out on evenings, when I stayed at his house in Cohasset, on Boston’s south shore. Mostly, when I visited him, it was just two of us. We would go out for lobster, then return for tea, and if the Celtics, Red Sox, or Patriots weren’t playing, we’d continue to sit at the dining room table, each with a glass of Gewürztraminer, and he’d read me poems. Read More »