The Daily

Posts Tagged ‘eighteenth century’

Medical Literature

June 13, 2014 | by

Frances_d'Arblay_('Fanny_Burney')_by_Edward_Francisco_Burney

A portrait of Frances d’Arblay (“Fanny Burney”) by Edward Francisco Burney, ca. 1785.

Today marks the birthday of the English novelist and playwright Fanny Burney, born in 1752, whose Evelina, Cecilia, Camilla, and The Wanderer were all major sensations in her day. Hers were satirical novels—often now called proto-Austenian—which were highly regarded by contemporary critics as well as readers.

Burney wrote one of the earliest accounts of a mastectomy—her own—which she was, horrifyingly, awake enough to observe. The operation was performed by “7 men in black, Dr. Larrey, M. Dubois, Dr. Moreau, Dr. Aumont, Dr. Ribe, & a pupil of Dr. Larrey, & another of M. Dubois”—the latter of whom was considered the number-one doctor in France. Warning: the account, taken from a letter to her sister, gets a little gory, so it’s not for the faint of heart. But Burney did survive, until 1840, at least. Of course, we can't be sure she really had cancer: she had pains in her breast, but in the absence of a biopsy, it’s hard to know.

I mounted, therefore, unbidden, the Bed stead—& M. Dubois placed me upon the Mattress, & spread a cambric handkerchief upon my face. It was transparent, however, & I saw, through it, that the Bed stead was instantly surrounded by the 7 men & my nurse. I refused to be held; but when, Bright through the cambric, I saw the glitter of polished Steel—I closed my Eyes. I would not trust to convulsive fear the sight of the terrible incision. Yet— when the dreadful steel was plunged into the breast—cutting through veins—arteries—flesh—nerves—I needed no injunctions not to restrain my cries. I began a scream that lasted unintermittingly during the whole time of the incision—& I almost marvel that it rings not in my Ears still, so excruciating was the agony. When the wound was made, & the instrument was withdrawn, the pain seemed undiminished, for the air that suddenly rushed into those delicate parts felt like a mass of minute but sharp & forked poniards, that were tearing the edges of the wound. I concluded the operation was over—Oh no! presently the terrible cutting was renewed—& worse than ever, to separate the bottom, the foundation of this dreadful gland from the parts to which it adhered—Again all description would be baffled—yet again all was not over,—Dr. Larry rested but his own hand, & — Oh heaven!—I then felt the knife (rack)ling against the breast bone—scraping it!

 

Comments Off

The Uncommon Birds of George Edwards

April 3, 2014 | by

Edwards American Kingfisher

The American Kingfisher

edwards the bearded vulture

The Bearded Vulture

Edwards The Toucan or Brazilian Pye

The Toucan or Brazilian Pye

edwards_golden_bird_of_paradise_1

The Golden Bird of Paradise

edwards_king_bird_of_paradise_1

The King Bird of Paradise

edwards_whooping_crane_1

The Whooping Crane

edwards-black-capped-lory_1

The Black-Capped Lory

edwards-green-parrot-west-indies_1

The Green Parrot of the West Indies

edwards-longest-tailed-humming-bird_1

The Longest-Tailed Hummingbird

edwards-ornate-lorikeet_1

The Ornate Lorikeet

edwards-penguin_1

The Penguin

edwards-red-african-gray-parrot_1

The Red African Gray Parrot

hawk-headed-parrot_1

The Hawk-Headed Parrot

The_Dodo_and_the_Guiney_pig

The Dodo and the Guinea Pig

The_Summer_Duck_Of_Catesby

The Summer Duck of Catesby

George Edwards, born today in 1694, is known as “the father of British ornithology”—as fine a paternal legacy as a guy can hope for. Today, his reputation as a naturalist endures in no small part because of his excellent drawings, which introduced English readers to scores of exotic creatures: first and foremost, birds. His greatest work is the four-volume Natural History of Uncommon Birds, whose full august title deserves to be seen in toto: A Natural History of Uncommon Birds: And of Some Other Rare and Undescribed Animals, Quadrupeds, Fishes, Reptiles, Insects, &c., Exhibited in Two Hundred and Ten Copper-plates, from Designs Copied Immediately from Nature, and Curiously Coloured After Life, with a Full and Accurate Description of Each Figure, to which is Added A Brief and General Idea of Drawing and Painting in Water-colours; with Instructions for Etching on Copper with Aqua Fortis; Likewise Some Thoughts on the Passage of Birds; and Additions to Many Subjects Described in this Work.

These drawings are taken from that work, which you can read here. Of particular note is his illustration of the dodo, which was, even then, extraordinarily rare and facing extinction.

As for the man: According to The Aurelian Legacy: British Butterflies and Their Collectors, a contemporary of Edwards’s “described him as of medium stature, inclined to plumpness and of a cheerful, kindly nature ‘associated with a charming diffidence.’”

 

1 COMMENT