Posts Tagged ‘Edith Wharton’
January 24, 2013 | by Jason Diamond
People who live in New York might agree that there is very little reason to find yourself between Fourteenth and Forty-Second Streets unless you absolutely have to. Go past Union Square, and you’re liable to bump into everything from confused tourists to people selling knockoff Louis Vuitton and Fendi bags worse than the ones you can purchase on Canal Street in Chinatown. The twenties into the thirties can look like a never-ending row of scaffolding at certain stretches, with C-grade delis and fast food chains hidden beneath, leading you finally to the terrifyingly bright lights of Times Square.
For the better part of the decade in which I’ve lived in New York, this experience is probably what has kept me from the middle of the city. But when I moved from Brooklyn into Manhattan, and started taking daily walks up the various avenues from the West Village to an office on Twenty-Eighth, I began to learn the history of certain buildings I passed along my way: admiring the townhouse at 28 E. Twentieth Street where President Theodore Roosevelt was born; the splendor and history of Gramercy Park; the row of buildings in the Flower District that seems unremarkable, until you realize that this block of Twenty-Eighth between Fifth and Sixth was once known as Tin Pan Alley, and filled the American Songbook. With each block, the twenties became more and more magical, especially on the days when I managed to avoid the crowds scuttling down the sidewalks—those less hectic New York days when I could look up and admire the various gargoyles and the golden dome of the Sohmer Piano Building. The architecture of the twenties distracted me from my daily grind, but it was on an evening trip to the grocery store that the area I once shunned suddenly took on an entirely new meaning. That night I noticed the red plaque on a doorway next to a Starbucks at 14 W. Twenty-Third Street that read, “This was the childhood home of Edith Jones Wharton, one of America’s most important authors.” Read More »
August 31, 2012 | by John Jeremiah Sullivan
This week, our Southern editor, John Jeremiah Sullivan, stepped in to address your queries.
Dear Paris Review,
I live in the deep south and was raised in a religious cult.
Still with me?
Okay. I’m attempting to throw off the shackles of my religious upbringing and become an intelligent well-informed adult. My primary source of rebellion thus far has been movies. I would watch a Fellini movie and then feel suddenly superior to my friends and family because they only watched movies in their native tongue (trust me I know how pathetic this is). My main question involves my reading selections. Obviously, I have stumbled upon your publication and am aware of its status as the primary literary periodical in English. Also, I have a brand-new subscription to the New York Review of Books, since it is apparently the intellectual center of the English-speaking universe. I am not in an M.F.A. program or living in Brooklyn working on the Great American Kindle Single, I’m just a working-class guy trying to take part in the conversation that all the smart people are having. This brings me to my question: What books should I read? There are so many books out there worth reading, that I literally don’t know where to start. To give you some background info: I was not raised as a reader and was not taught any literature in the Christian high school that I attended. What kinds of books do I like? My answer to that would be movies. I’m desperate to start some kind of grand reading plan that will educate me about the world but don’t know where to start. The classics? Which ones? Modern stuff? Should I alternate one classic with one recent book? How much should I read fiction? How much should I read nonfiction? I went to college but it was for nursing, so I have never been taught anything about reading by anybody.
I realize this stuff may be outside of your comfort zone, as most of the advice questions seem to be from aspiring writers or college-educated people. Please believe me when I say that I am out of touch with the modern world because of a very specific religious cult. I want to be an educated, well-read, cultured, critically thinking person but need some stuff to read. Before I end this letter, I’ll provide an example of just how out of touch I am: you know how "Ms." is the non-sexist way to refer to a woman, and that "Mrs." is sexist? Yeah, I just found out about that. I’m twenty-five.
August 14, 2012 | by Sadie Stein
August 1, 2012 | by Sadie Stein
July 17, 2012 | by Sadie Stein
May 14, 2012 | by Leanne Shapton and Ben Schott
Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue.
|Fox Stain1||Graham Greene2||Iteration Pudding3||Hood4|
|Fence5||Skipper’s Whiff6||Pizza7||Noise White8|
|Martyr’s Tongue9||League10||Funeral Suit11||Dead Sea12|
|Doze13||Dishwater Blonde14||Stupid Blue15||Dorsal16|
|Bible Black17||Lo’s Socks18||Poop Poop19||American Autumn20|
|Damned Spot21||Spit Black22||Georgie’s Pins23||Oatmeal Tweed24|
|Treasure Blue25||Nimbus Card26||Felon Yellow27||Wine-dark28|
- “The season’s ill— / we’ve lost our summer millionaire, / who seemed to leap from an L. L. Bean / catalogue. His nine-knot yawl / was auctioned off to lobstermen. / A red fox stain covers Blue Hill.” “Skunk Hour,” Robert Lowell.
- Graham Greene
- “But if you stir backward, the jam will not come together again. Indeed, the pudding does not notice and continues to turn pink just as before. Do you think this is odd?” ‘Arcadia,’ Tom Stoppard.
- “Her mother was excessively fond of her; and her grandmother doted on her still more. This good woman got made for her a little red riding hood.” “Little Red Riding Hood,” Charles Perrault.
- “Sighing, he dipped his brush and passed it along the topmost plank; repeated the operation; did it again; compared the insignificant whitewashed streak with the far-reaching continent of unwhitewashed fence, and sat down on a tree-box discouraged.” ‘The Adventures of Tom Sawyer,’ Mark Twain.
- “Wendell takes a whiff of Skipper, who is wearing what used to be a pair of pink flowered pajamas. A small bit of satin ribbon is still visible around her neck, but the rest, including her smiling face, is wet brown mud and something else. ‘Part of this is poop,’ Wendell hollers.” “Cousins,” Jo Ann Beard.
- “She noticed a piece of bright orange pizza stuck between his teeth, and it endeared him to her.” “A Romantic Weekend,” Mary Gaitskill.
- “I heard a noise, faint, monotonous, white.” ‘White Noise,’ Don DeLillo.
- “St. John Nepomucene was martyred in Prague in 1393 for refusing to reveal a secret of the confessional. His tongue has been entirely preserved. Experts examined it 332 years later in 1725, and testified that it was the shape, color, and length of the tongue of a living person, and that it was also soft and flexible.” ‘Beautiful Losers,’ Leonard Cohen.
- “Then, again, I have heard it is no use your applying if your hair is light red, or dark red, or anything but real bright, blazing, fiery red.” “The Red-Headed League,” Arthur Conan Doyle.
- “In the meantime I unpacked my bag, opened the wardrobe and hung up the dark gray suit I had taken along to Chur as my funeral suit, so to speak.” ‘The Loser,’ Thomas Bernhard.
- “I remember the maps of the Holy Land. Colored they were. Very pretty. The Dead Sea was pale blue. The very look of it made me thirsty. That’s where we’ll go, I used to say, that’s where we’ll go for our honeymoon. We’ll swim. We’ll be happy.” ‘Waiting for Godot,’ Samuel Beckett.
- “And then I went off into a blue doze, sitting there in the car next to William. I was thinking about Josephine who is also this very dear friend of mine.” ‘Novel on Yellow Paper,’ Stevie Smith.
- “... a jewelry box in which a strand of Mary’s dishwater-blonde hair lay bedded on cotton.” ‘The Virgin Suicides,’ Jeffrey Eugenides.
- “I had forgotten about his eyes. They were as blue as the sides of a certain type of box of matches. When you looked at them carefully you saw that they were perfectly honest, perfectly straightforward, perfectly, perfectly stupid.” ‘The Good Soldier,’ Ford Madox Ford.
- “It took Brody’s eyes a moment to adjust, but then he saw the fin—a ragged brownish-gray triangle that sliced through the water, followed by the scythed tail sweeping left and right with short, spasmodic thrusts.” ‘Jaws,’ Peter Benchley.
- “It is Spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and-rabbits’ wood limping invisible down to the sloeblack, slow, black, crow-black, fishingboat-bobbing sea.” ‘Under Milk Wood,’ Dylan Thomas.
- “Officer, officer there they go— / In the rain, where that lighted store is! / And her socks are white, and I love her so, / And her name is Haze, Dolores.” ‘Lolita,’ Vladimir Nabokov.
- “They reached the carriage-drive of Toad Hall to find, as the Badger had anticipated, a shiny new motor-car, of great size, painted a bright red (Toad’s favorite color), standing in front of the house.” ‘The Wind in the Willows,’ Kenneth Grahame.
- “The afternoon was perfect. A deeper stillness possessed the air, and the glitter of the American autumn was tempered by a haze which diffused the brightness without dulling it.” ‘The House of Mirth,’ Edith Wharton.
- “Out, damned spot! out, I say!” ‘The Tragedy of Macbeth,’ William Shakespeare.
- “The restaurant to which he took us was a theater people’s one, not very far away, and filled with gentlemen in fancy waistcoats just like himself, and with girls and boys like Kitty, with streaks of greasepaint on their cuffs and crumbs of spit-black in the corners of their eyes.” ‘Tipping the Velvet,’ Sarah Waters.
- “Then she hitched up her skirt and some layers of stiff white petticoat and began to draw on a pair of peacock-blue stockings which I had given her.” ‘A Severed Head,’ Iris Murdoch.
- “You wouldn’t be able to decorate out a table in afromosia teak veneer, an armchair in oatmeal tweed and a beech frame settee with a woven sea-grass seat? ” ‘The Caretaker,’ Harold Pinter.
- “He then explained to me that it was commonly believed that on a certain night of the year—last night, in fact, when all evil spirits are supposed to have unchecked sway—a blue flame is seen over any place where treasure has been concealed.” ‘Dracula,’ Bram Stoker.
- “Suddenly the restaurant seems far away, hushed, the noise distant, a meaningless hum, compared to this card, and we all hear Price’s words: ‘Raised lettering, pale nimbus white...’” ‘American Psycho,’ Bret Easton Ellis.
- “Conrad now surveyed the pod room with a horrible clarity. It was a foul gray chamber inhabited by grim organisms in yellow felony pajamas who arranged themselves in primitive territorial packs.” ‘A Man in Full,’ Tom Wolfe.
- “As far as a man seeth with his eyes into the haze of distance as he sitteth on a place of outlook and gazeth over the wine-dark sea, so far leap the loudly neighing horses of the gods.” ‘The Iliad,’ Homer.