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Posts Tagged ‘Edgar Allan Poe’

Nevermore

October 3, 2014 | by

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The frontispiece from Edgar Allan Poe: A Centenary Tribute, 1910.

On October 3, 1849, a delirious Edgar Allan Poe was found in a Baltimore ditch dressed in clothes that were, reportedly, not his own. He died four days later at Washington Medical College. There are numerous theories, but the exact cause of death remains a mystery, as does his presence in the ditch.

If Poe interests you, you wish to commemorate him, and you happen to be in New York, be sure to go to the Grolier Club and catch the public exhibition “Evermore: The Persistence of Poe,” which consists of the extensive Edgar Allan Poe Collection of Susan Jaffe Tane. In addition to manuscripts, first editions, personal effects, and letters belonging to the writer, the show has a section devoted to Poe’s portrayals in pop culture, which include everything from John Cusack’s unfortunate turn in 2012’s The Raven to the Unemployed Philosophers Guild’s ubiquitous Poe doll. Particularly arresting is a poster for 1944’s The Loves of Edgar Allan Poe, a film that was unknown to me. But I rushed home to remedy that at once, and, luckily for all of us, the whole thing’s available on YouTube: Read More »

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No Hours But (Sort of) Sunny Ones

September 19, 2014 | by

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From Lewis Carroll’s Alice in Wonderland: a mad tea party.

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From Edgar Allan Poe’s “The Pit and the Pendulum”

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From Edgar Allan Poe’s “The Fall of the House of Usher”

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From Lewis Carroll’s Alice in Wonderland: “Off with her head!”

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From Galligantus

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From Peter Pan: away he flew.

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From Jack and the Beanstalk Giant

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From Wagner’s The Rhinegold and the Valkyries

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From Wagner’s Siegfried and the Twilight of the Gods

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From The Three Bears

You could spend hours marveling at Arthur Rackham’s work. The legendary illustrator, born on September 19, 1867, was incredibly prolific, and his interpretations of Peter Pan, The Wind in the Willows, Grimm’s Fairy Tales, A Midsummer Night’s Dream, and Rip Van Winkle (to name but a few) have helped create our collective idea of those stories.

Rackham is perhaps the most famous of the group of artists who defined the Golden Age of Illustration, the early twentieth-century period in which technical innovations allowed for better printing and people still had the money to spend on fancy editions. Although Rackham had to spend the early years of his career doing what he called “much distasteful hack work,” he was famous—and even collected—in his own time. He married the artist Edith Starkie in 1900, and she apparently helped him develop his signature watercolor technique. From the publication of his Rip Van Winkle in 1905, his talents were always in high demand. Read More »

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Poe in Bronze, and Other News

April 14, 2014 | by

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The clay model of Stefanie Rocknak’s proposed Edgar Allan Poe statue. Photo via My Modern Met

  • This fall, Boston plans to erect an impressive new statue of Edgar Allan Poe: a raven at his side, a veiny heart tumbling from his “trunk full of ideas,” his coat billowing in the wind.
  • Against the word relatable: “It presumes that the speaker’s experiences and tastes are common and normative … It’s shorthand that masquerades as description. Without knowing why you find something ‘relatable,’ I know nothing about either you or it.”
  • Futurologists are almost always wrong … The future has become a land-grab for Wall Street and for the more dubious hot gospellers who have plagued America since its inception and who are now preaching to the world.”
  • Why are so many young-adult novels set in dystopias? “The complete collapse of the narrative of what a secure future looks like for today’s young people … [has] fostered a generational anxiety about how to cope with overmighty state power.”
  • In case you missed it—last week, “a German fisherman pulled a 101-year-old message in a bottle out of the Baltic Sea.” (It was not, thankfully, an SOS to the world.)
  • “In the recent history of American music, there’s no figure parallel to Tom Lehrer in his effortless ascent to fame, his trajectory into the heart of the culture—and then his quiet, amiable, inexplicable departure.”

 

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From the Margins

January 23, 2014 | by

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A rainbow-colored beast from the margins of a fifteenth-century text. Image via the Public Domain Review.

In college, I was excited to discover a student-produced, fly-by-night zine called “From the Margins.” I don’t know what’s more embarrassing: that I assumed it was devoted to marginalia or that I was seriously juiced about the idea. When I opened its creased, xeroxed pages, though, I found it was devoted not to literal margins but to my school’s “disenfranchised peoples,” most of whom struck me as too well-heeled to feel put out.

In any case, this month has granted my wish: it’s seen some great attention paid to margins, the kind on paper. Open Culture featured Dostoevsky’s manuscript doodles, which demonstrate not just his remarkable penmanship but also an affinity for faces and architecture. (The former, to no one’s surprise, are deeply melancholy.) The Public Domain Review resurfaced some rainbow-colored beasts “found in a book of hours attributed to an artist of the Ghent-Bruges school and dating from the late fifteenth century,” and Brain Pickings resurfaced a piece about Edgar Allan Poe, “history’s greatest champion of marginalia.” Poe is indeed unreserved in his praise; he also suggests, “If you wish to forget anything upon the spot, make a note that this thing is to be remembered.”

Oh, that Poe! He’s a regular Mark Twain.

Last, Sam Anderson and David Rees have defaced, or, uh, annotated, a copy of Dan Brown’s Inferno, much to its benefit. There’s a lot of comfort in seeing—next to such atrocious lines of dialogue as “Don’t let her beauty fool you, she is a dangerous foe”—the red, hateful tendrils of a handwritten EAT SHIT.

It’s exactly the sort of thing I’d hoped to find in “From the Margins.”

 

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A Mountain of Sable Plumes

January 22, 2014 | by

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Strawberry Hill, Walpole’s Gothic revivalist manor, in Twickenham.

Earlier this week, to commemorate Edgar Allan Poe’s birthday, Flavorpill found ten Gothic short stories for our delectation, and I must say, they’re really hitting the spot. January is especially well suited to the tint of the Gothic mindset—nothing helps you settle into the winter doldrums like an unceasing parade of bloodied knives, thousand-yard stares, disemboweled corpses, creaking doors, and shrieking virgins. It’s enough to make you want to sunder a frilled shirt and drink rancid port from a tarnished silver chalice, muttering all the while about the gloaming, the gloaming, the gloaming

And let’s not forget the funereal knell of church bells. You’ll want those, too.

If you really want to whip yourself into a Gothic froth, I recommend The Castle of Otranto, Horace Walpole’s 1764 novel, widely regarded as the forebear of the Gothic proper. It’s not “good,” exactly—you won’t find independent booksellers foisting it on you as a forgotten classic—but it packs a lot of senseless murk into a slim volume, and it features one of my favorite opening scenes in all of literature: a homely young man is crushed to death by a giant helmet, which seems to have fallen from the sky. Read More »

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One Man’s Trash, and Other News

November 7, 2013 | by

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  • Discarded books from the Birmingham Public Library become the basis for a series of pieces by local artists.
  • P. D. James claims to have solved a 1931 cold case in the course of researching a mystery. In 1841, Edgar Allan Poe’s literary gumshoeing was less successful.
  • The rise of Denglisch—and the introduction of words like shitstorm and cashcow into the German lexicon—is understandably controversial.
  • Here are some bookish wedding cakes. We feel like that last one is really the cake of a match made in heaven. Mazel tov!
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