Posts Tagged ‘e-books’
August 29, 2016 | by Jonathon Sturgeon
- Whither the singularity? In a review of Anthony Gottlieb’s The Dream of Enlightenment, Adam Kirsch asks whether—in our era of perpetual “disruptions”—we’ve outgrown the questions posed by the radical philosophies of yesteryear. In short: we are not as modern as we think! Or, at least, we’re about as modern as we’ve been for a few hundred years: “But the seventeenth and eighteenth centuries were one of those rare periods when a lot of people cared, because their sense of the world was decomposing so dramatically ... If everything you thought you knew was wrong, how could you ever be confident that your knowledge was correct? Where does knowledge come from? What is matter made of? Is there a God, and, if so, what kind of being is he?”
October 6, 2014 | by Dan Piepenbring
- Wyatt Mason profiles Marilynne Robinson: “Somebody who had read Lila asked me, ‘Why do you write about the problem of loneliness?’ I said: ‘It’s not a problem. It’s a condition. It’s a passion of a kind. It’s not a problem. I think that people make it a problem by interpreting it that way.’ ”
- How do outlandish ideas in architecture become reality? “The cities we live in need not have been as they are. In fact, they aren’t as they are. There’s a strange desperate hope in realizing how much of life is fiction.”
- Lyudmila Ulitskaya’s novels—her latest, The Big Green Tent, appears in the U.S. next year—challenge the Russian state, taking on subjects that make many readers uncomfortable. “A book can be an inspiration or a murder weapon. Ulitskaya is fascinated by these transformations, but even more so by the peculiar trajectories that create fate—the travels of a person, a picture, a book. If there is a strange journey to be traced, she cannot resist the retelling.”
- The e-book is an unstable medium: in a given edition, publishers are always swapping out advertisements, modifying content, rescinding access, or upgrading technology. So how do libraries preserve e-books? “Everyone knows that if we don’t do something now, we’ll be in big trouble later.”
- Manufacturing stardom, then and now: “Trying to create a coherent image is always going to be the same, no matter if the star is from the 1930s or 2010s … Beyonce is producing an image using Tumblr and Instagram, which obviously stars in the thirties didn’t have, but she’s still trying to create a very specific understanding of the type of woman that she is. She’s trying to also make it seem like there isn’t a publicity campaign and that she’s not doing that, which was also done in the 1930s.”
September 15, 2014 | by Dan Piepenbring
- “When John Ashbery, the Pulitzer Prize–winning poet, first learned that the digital editions of his poetry looked nothing like the print version, he was stunned. There were no line breaks, and the stanzas had been jammed together into a block of text that looked like prose. The careful architecture of his poems had been leveled … That was three years ago, and digital publishing has evolved a lot since then. Publishers can now create e-books that better preserve a poet’s meticulous formatting.”
- Today in academic tiffs: One professor tried to publish a controversial essay avowing that Shakespeare’s works were written by Edward de Vere, Earl of Oxford. Another professor offered a stern rebuke: “I simply find your reasoning, and your evidence, as unconvincing as those of Holocaust deniers, and other conspiracy theorists.” Finger pointing and harrumphing ensued.
- Stop-and-frisk is more than just a widely reviled NYPD policy: it’s an opera!
- Has pop music bid adieu to the fade-out? “The fade-out—the technique of ending a song with a slow decrease in volume over its last few seconds—became common in the 1950s and ruled for three decades. Among the year-end top ten songs for 1985, there’s not one cold ending. But it’s been on the downturn since the nineties, and the past few years have been particularly unkind. The year-end top ten lists for 2011, 2012, and 2013 yield a total of one fade-out.”
- On the Metropolitan Museum of Art’s new Charles James retrospective: “The Met seems to be telling us—showing us—that we should view [dress and fashion] as high art. This is not a new argument, of course, but in spite of past scholarly and curatorial efforts, it has never decisively taken hold … James would seem the perfect antidote, and in many ways he is: a great designer who was never a celebrity (few outside the field of fashion have ever heard of him), an inveterate craftsman who was also a genuinely imaginative artist—a sculptor of satin and silk willing to sacrifice everything including profits for the perfect seam … ”
June 24, 2014 | by Dan Piepenbring
- George Saunders talks “about his family’s sense of humor, the connection between satire and compassion, his early comedy influences, and how he came to embrace the funny side of his writing.”
- Some words that men are likelier to know than women: claymore, scimitar, solenoid, dreadnaught. Some words that women are likelier to know than men: taffeta, flouncing, bodice, progesterone. The conclusions are yours to draw.
- “I Was a Digital Best Seller”—the horrifying true story!
- It sounds like a spinoff of DeLillo’s The Names: a journalist named Rose Eveleth becomes obsessed with a small town that shares her name: Eveleth, Minnesota. She visits it only using Google Street View.
- Spending time with Prince at a listening party for his new record: “When you arrive at Paisley Park, you switch to Prince time. After nearly an hour’s wait, I was ushered into Studio B [at] about one a.m. … My next two hours at Paisley Park would be filled with funk, frustration, and funny lines—all courtesy of Prince.”
April 7, 2014 | by Dan Piepenbring
- As obituaries and touching remembrances of Peter Matthiessen poured in this weekend, The New Yorker made some of his travel writing available to nonsubscribers—specifically “Matthiessen’s mesmerizing account of his journey, by ship, to the Amazon and throughout the wildernesses of South America.”
- Tales of Faulkner in Hollywood: “‘Abandon hope, all ye who enter here.’ The quotation from Dante is what Faulkner considered a fitting road sign for drivers to see as they crossed the border into California.”
- Before Americans loved baseball, we gathered to take in another grand national pastime: competitive walking. It was, if you can believe it, even stranger and blander than it sounds.
- The irredeemably cheery mascots on cereal boxes are staring directly into your child’s soul, experts say. “Researchers found that children’s cereals are typically placed on the bottom two shelves and the mascots deploy ‘a downward gaze at an angle of 9.67 degrees.’”
- For the origins of the e-book, look to the floppy disk. Specifically, look to Peter James’s Host, a novel published on two disks in 1993. It “has now become a historical artifact, accepted into the Science Museum's collection as a very early electronic novel.”
- Archipelago Books turns ten.
December 17, 2013 | by Dannie Zarate
Recently I took my iPad to a park across a lake, sat under a tree facing the water, and started reading the e-book version of Walden, Henry David Thoreau’s classic avowal of the possibility of, as well as the necessity for, simplicity amid modern life’s profusion and superfluity. Cognitive dissonance doesn’t get much more dissonant than this.
“Our inventions are wont to be pretty toys … improved means to an unimproved end,” wrote the handyman sage in the book’s first chapter, titled “Economy.” Few toys are prettier than the iPad, and its prettiness is by no means a feat of economy. Its minimalism, for one, belies the complexity of thought that went into its design, while its ease of use obscures the intricacy of the industry behind its manufacture. That there’s nothing new and improved about its ends should be evident from the resemblance between the categories of apps in the App Store and those of stores listed on the touchscreen directory at the entrance of shopping malls—that harried shopper’s guide to the nonvirtual versions of apps for games, books, sports, lifestyle, and even social networking. Or especially social networking, come to think of it, when you consider that the din from the food court or the theater lobby is nothing more than the noise from so many short messages being broadcast on an unmetered network with unlimited bandwidth.
But what does it matter if my iPad is merely a prettier means to pedestrian ends that are, in Thoreau’s words, “already but too easy to arrive at”? Does that make it one more toy to be transcended or tucked out of sight when meditating on sufficiency? I also own a paperback edition of Walden, its pages worn yellow with age and marred with the fervent notes of my much younger self. It has none of the iPad’s high-precision electronics; the letter m is smudged in several places, and yet it’s lost none of its functionality. And apart from enlightenment, it has only one other app, as a paperweight. Is this nonmultitasking relic the authentic medium for the all-in-one manifesto and proof-of-concept of the uncluttered life? Read More »