The Paris Review Daily

Posts Tagged ‘E. B. White’

Author’s Best Friend: The Pets of Literary Greats

October 15, 2013 | by

 

Tim Taranto hails from Upstate New York, and attended Cornell. In addition to The Paris Review Daily, his work has appeared on the Rumpus and McSweeney’s Internet Tendency. Tim lives in Iowa City, where he is studying fiction at the Iowa Writers’ Workshop.

 

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Notes from a Bookshop: February, or the Folly of Love

February 12, 2013 | by

Hedder

Sitting alone in my tiny bookshop on a cold February morning, I have the sensation that I’ve conjured a dream into reality. The light is crisp and blue through the door. A flight of red paper swallows—a Valentine homage to Chaucer’s poem “The Parliament of Fowls”—hangs from the ceiling, fluttering quietly from the heat whooshing out of the floor grate. The room is small, just shy of two hundred fifty square feet, and an old pickled farm table sits squarely in the middle. The top of the table is covered with books, and the shelves lining two of the room’s walls also contain a patchwork of brightly colored spines.

Valentine-themed woodblock prints handmade by my husband line the farm table and a grid of nature-inspired prints hold a wall. We live on an old dairy farm up in northeast Pennsylvania, and instead of cows in our three-bay English barn, we have two etching presses. Mark carves the images into blocks of clear pine, inks them up, and sends them through the press, cranking the smooth silver wheel like a captain on a ship. This is our store together, a kind of celebration of works on paper. We live on Moody Road, and so we call the shop Moody Road Studios.

An artist and a writer, respectively, my husband and I had both been teaching and working in the city for more than a decade, until a little over a year ago. The idea of running a bookshop never entered our consciousness while in New York, mostly because it never could have happened. Space and funding were impossibilities—as one might guess, a writer and an artist in business together don’t quite make for a crack commerce force. But here, on Main Street in the small town of Honesdale, everything clicked into place. Read More »

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Writing: The Great Invention of the World

August 24, 2012 | by

  • “Take a pencil to write with on aeroplanes. Pens leak. But if the pencil breaks, you can’t sharpen it on the plane, because you can’t take knives with you. Therefore: take two pencils.” Margaret Atwood’s rules for writing fiction.
  • “I would like to write another book for children but I spend all my spare time just answering the letters I get from children about the books I have already written.” —E.B. White, 1961.
  • “Writing, the art of communicating thoughts to the mind, through the eye—is the great invention of the world.” Abraham Lincoln’s favorite poetry.
  • Perhaps inevitable but ill-advised: a 50 Shades of Grey book burning. Explains Clare Phillipson, head of the anti-domestic-violence organization Wearside Women in Need, “I do not think I can put into words how vile I think this book is and how dangerous I think the idea is that you get a sophisticated but naive young woman and a much richer, abusive older man who beats her up and does some dreadful things to her sexually.”
  • Just in time for the fiftieth anniversary of the death of Herman Hesse, a film of his time in Ticino.
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    Sacred Texts, Caravaggio, and Some Pigs

    July 12, 2012 | by

  • Yes, the Vatican is publishing e-books.
  • So is Judy Blume.
  • Amazon pulls a book allegedly containing a hundred previously undiscovered Caravaggios after scholars question its legitimacy.
  • Meanwhile, the Codex Calixtinus, a twelfth-century manuscript that disappeared last year, has been recovered.
  • Happy birthday, E. B. White. Here are some piglets.

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    Rap, Poetry, and Cats

    July 3, 2012 | by

  • The London Olympics may be a couple of weeks away, but the poetry Olympics have already begun.
  • Science-based art.
  • The Elements of Style, as rap video.
  • An appreciation of illustrator R.O. Blechman.
  • Bookstore cats across America.
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    Literary Paint Chips: Gallery 1

    April 26, 2012 | by

    Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue.

    City Fingers1 Delta Khaki2 Navy Rayon3 Limpopo4
    Mapp’s Silence5 Nightclub Lycra6 Alleline’s Pink Gin7 Lydia8
    Montdore Mink9 Rothko’s Forearm10 Moth11 Mrs. Jones Green12
    Elephant Hills13 Camel Cashmere14 Glimpse Gray15 Samsa Juice16
    Anne’s Shoes17 Mossy Trout18 Lipstick Smack19 Ocean Heart20
    Mediterranean Cock21 Rebecca’s Smalls22 Dock Green23 Fair Fuzz24
    Gosling25 Random Dandelion26 Violet Hour27 Golightly28

    Annotations

    1. “The clouds have their old color back, their old English color: the color of a soft-boiled egg, shelled by city fingers.” ‘London Fields,’ Martin Amis.
    2. “They hurried out of the room and returned in a minute or two, each pushing a kind of tall dumb-waiter laden, on all its four wire-netted shelves, with eight-month-old babies, all exactly alike (a Bokanovsky Group, it was evident) and all (since their caste was Delta) dressed in khaki.” ‘Brave New World,’ Aldous Huxley.
    3. “Instead, she’d burst into tears. Wetting the front of her navy-blue rayon housewife dress.” ‘Blonde,’ Joyce Carol Oates.
    4. “Then Kolokolo Bird said, with a mournful cry, ‘Go to the banks of the great gray-green, greasy Limpopo River, all set about with fever-trees, and find out.’ ” “The Elephant’s Child,” Rudyard Kipling.
    5. “Miss Mapp inclined her head. Silence was gold.” ‘Miss Mapp,’ E.F. Benson.
    6. “So Becca shows up at the last minute, right before post time. She’s already called about eighteen times just to let us know that she’s coming, finally she dances through the door in this micro lycra red dress— just a sheath really, perfect for that 3:00 a.m. nightclub appearance, but like even I wouldn’t be caught dead walking around in this thing in the middle of the day. But the boys love it and it gets so quiet for a minute you can hear the sound of tongues dropping and saliva splashing on the floor.” ‘Story of My Life,’ Jay McInerney.
    7. “Percy showed it to him last night—over a pink gin, was it, Percy, at the Travellers’?” ‘Tinker, Tailor, Soldier, Spy,’ John le Carré.
    8. “Lydia never looked clean; her skin was not pitted like Joe’s but it had a permanent grayness, the grayness of one reared on baked beans, jelly and bread and dripping.” ‘The Millstone,’ Margaret Drabble.
    9. “‘The important thing, dear,’ she said, ‘is to have a really good fur coat, I mean a proper, dark one.’ To Lady Montdore, fur meant mink.” ‘Love in a Cold Climate,’ Nancy Mitford.
    10. “He’s very close to being the shade of the walls, isn’t he, and the shade of the walls is exactly the color of the inside of Rothko’s forearm.” ‘Breaking and Entering,’ Joy Williams.
    11. “He will not open the screen and capture their pollened bodies. He did this once and the terrified thrash of the moth—a brown-pink creature who released col- ored dust on his fingers—scared them both.” ‘In the Skin of a Lion,’ Michael Ondaatje.
    12. “ ‘Now, darling,’ she said sailing past me into the kitchen. ‘I’ve brought you some nice soup, and some smart outfits of mine for Monday!’ She was wearing a lime green suit, black tights and high-heeled court shoes.” ‘Bridget Jones’s Diary,’ Helen Fielding.
    13. “‘Well, let’s try and have a fine time.’ ‘All right. I was trying. I said the mountains looked like white elephants. Wasn’t that bright?’ ” “Hills Like White Elephants,” Ernest Hemingway.
    14. “Cousin Bette, a victim, ever since her arrival in Paris, to a longing for cashmere shawls, was fascinated by the thought of possessing this particular yellow camel’s-hair, given by the baron to his wife in 1808, and according to the custom of certain families passed over to the daughter in 1830.” ‘Cousin Bette,’ Honoré de Balzac.
    15. “I saw large gray eyes in a bright, lively face, and suddenly this face began to quiver and laugh.” ‘First Love,’ Ivan Turgenev.
    16. “He seemed, unfortunately, to have no proper teeth—how was he, then, to grasp the key?—but the lack of teeth was, of course, made up for with a very strong jaw; using the jaw, he really was able to start the key turning, ignoring the fact that he must have been causing some kind of damage as a brown fluid came from his mouth, flowed over the key and dripped onto the floor.” ‘The Metamorphosis,’ Franz Kafka.
    17. “Everywhere I go, upstairs or down, they all cast admiring glances at my feet, which are adorned by a pair of exceptionally beautiful ( for times like these!) shoes. Miep managed to snap them up for 27.50 guilders. Burgundy-colored suede and leather with medium-sized high heels. I feel as if I’m on stilts, and look even taller than I already am.” ‘Diary of a Young Girl,’ Anne Frank.
    18. “He was the color of moss, that color green. It was as if he had been wrapped up in moss a long time, and the color had come off all over him.” “Nobody Said Anything,” Raymond Carver.
    19. “When I awoke, B. and the girl had gone, leaving in the wake of their coupling a great mountain of disheveled bedding, a brilliant stain of orange lipstick smack in the middle of the pillow, and on the exposed sheet the untidy evidence of their urgency.” ‘A Fan’s Notes,’ Frederick Exley.
    20. “Ah, brig, good-night / To crew and you; / The ocean’s heart too smooth, too blue, / To break for you.” “Shipwreck,” Emily Dickinson.
    21. “And then later that business down below, his thick cock that blue-brown of Mediterranean types and, he wonders if her hair there is as curly as the hair on her head, in and out, he can’t believe it will happen, while the rest of them sit here listening to the rain.” ‘Rabbit Is Rich,’ John Updike.
    22. “These are her underclothes, in this drawer. This pink set here she had never worn. She was wearing slacks of course and a shirt when she died.” ‘Rebecca,’ Daphne du Maurier.
    23. “‘If it wasn’t for the mist we could see your home across the bay,’ said Gatsby. ‘You always have a green light that burns all night at the end of your dock.’ ” ‘The Great Gatsby,’ F. Scott Fitzgerald.
    24. “In the black pubic hair, ladies and gentlemen, weighing one hundred and seventy pounds, at least half of which is still undigested halvah and hot pastrami, from Newark, NJ, The Shnoz, Alexander Portnoy! And his opponent, in the fair fuzz, with her elegant polished limbs and the gentle maidenly face of a Botticelli, that ever-popular purveyor of the social amenities here in the Garden, one hundred and fourteen pounds of Republican refinement, and the pertest pair of nipples in all New England, from New Canaan, Connecticut, Sarah Abbott Maulsby! ” ‘Portnoy’s Complaint,’ Philip Roth.
    25. “When the first gosling poked its gray-green head through the goose’s feathers and looked around, Charlotte spied it and made the announcement.” ‘Charlotte’s Web,’ E.B. White.
    26. “Not a dandelion in sight here, the lawns are picked clean. I long for one, just one, rubbishy and insolently random and hard to get rid of and perennially yellow as the sun.” ‘The Handmaid’s Tale,’ Margaret Atwood.
    27. “At the violet hour, when the eyes and back / Turn upward from the desk, when the human engine waits / Like a taxi throbbing waiting.” ‘The Waste Land,’ T. S. Eliot.
    28. “For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks.” ‘Breakfast at Tiffany’s,’ Truman Capote.

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