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Posts Tagged ‘drawings’

Cars Plunge and Lava Flows

June 1, 2016 | by

Ken Price, who died in 2012, is remembered as a sculptor, but he was also a talented illustrator—his ideal day, he once said, would be spent drawing while listening to jazz. More than forty of his drawings are on display through June 25 at Matthew Marks Gallery. “I’ve been drawing since I can remember,” Price said. “I think sculptors learn to draw so that they can see what they’ve been visualizing.”

Ken Price, Car Plunge, 1994, acrylic and ink on paper, 14" x 11 1/4".

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Italo Calvino, The Baron in the Trees

May 31, 2016 | by

Longtime readers of the Daily will remember Matteo Pericoli’s Windows on the World project, which featured his pen-and-ink drawings of the views from writers’ windows around the world. Matteo is also the founder of the Laboratory of Literary Architecture, an interdisciplinary project that looks at fiction through the lens of architecture, designing and building stories as architectural projects. In this new series, Matteo shares some of his designs and what they reveal about the stories they’re modeled on.

Calvino_axonometric-view

“Rebellion cannot be measured by yards … Even when a journey seems no distance at all, it can have no return.” This is Baron Arminio Piovasco di Rondò’s response to his son Cosimo, the protagonist of Italo Calvino’s novel The Baron in the Trees, when, having decided to escape his suffocating family life by climbing a tree near his house, Cosimo declares his intention never to come down again. Read More »

Baxter Week, Day Five

May 27, 2016 | by

All things must pass, and so today marks the end of Baxter Week. To celebrate Glen Baxter’s new book Almost Completely Baxter: New and Selected Blurtings, we’ve run two of his drawings every day this week. Almost Completely Baxter spans four decades of “Colonel” Baxter’s work, drawing from such books as The Billiard Table Murders and Blizzards of Tweed. “Baxter’s comic realm—the space between image and text, between perplexity and the mundane—is a locale where uncertainty emerges as weird and weirdness recedes into uncertainty,” Albert Mobilio wrote recently in Bookforum. “The funny arrives as a slow-motion detonation that seems to dissipate as quickly as it boomed.” Baxter’s short stories appeared in The Paris Review’s Winter 1972 issue; a portfolio, “It Was the Smallest Pizza They Had Ever Seen,” followed in Summer 1985.

Almost Completely Baxter txt revised final crx.indd Read More »

Baxter Week, Day Four

May 26, 2016 | by

By overwhelming demand, we’re back with more Baxter. To mark the release of his new book Almost Completely Baxter: New and Selected Blurtings, we’re running two of Glen’s drawings every day this week. Almost Completely Baxter spans four decades of “Colonel” Baxter’s work, drawing from such books as The Billiard Table Murders and Blizzards of Tweed. “Baxter’s comic realm—the space between image and text, between perplexity and the mundane—is a locale where uncertainty emerges as weird and weirdness recedes into uncertainty,” Albert Mobilio wrote recently in Bookforum. “The funny arrives as a slow-motion detonation that seems to dissipate as quickly as it boomed.” Baxter’s short stories appeared in The Paris Review’s Winter 1972 issue; a portfolio, “It Was the Smallest Pizza They Had Ever Seen,” followed in Summer 1985.

Almost Completely Baxter txt revised final crx.indd Read More »

Baxter Week, Day Three

May 25, 2016 | by

Our celebration of Glen Baxter proceeds apace. To mark the release of his new book Almost Completely Baxter: New and Selected Blurtings, we’re running two of his illustrations every day this week. Almost Completely Baxter spans four decades of “Colonel” Baxter’s work, drawing from such books as The Billiard Table Murders and Blizzards of Tweed. “Baxter’s comic realm—the space between image and text, between perplexity and the mundane—is a locale where uncertainty emerges as weird and weirdness recedes into uncertainty,” Albert Mobilio wrote recently in Bookforum. “The funny arrives as a slow-motion detonation that seems to dissipate as quickly as it boomed.” Baxter’s short stories appeared in The Paris Review’s Winter 1972 issue; a portfolio, “It Was the Smallest Pizza They Had Ever Seen,” followed in Summer 1985.

Almost Completely Baxter txt revised final crx.indd Read More »

Baxter Week, Day Two

May 24, 2016 | by

The saga continues. To celebrate the release of Glen Baxter’s Almost Completely Baxter: New and Selected Blurtings, we’re running two of his illustrations every day this week. Almost Completely Baxter spans four decades of “Colonel” Baxter’s work, drawing from such books as The Billiard Table Murders and Blizzards of Tweed. “Baxter’s comic realm—the space between image and text, between perplexity and the mundane—is a locale where uncertainty emerges as weird and weirdness recedes into uncertainty,” Albert Mobilio wrote recently in Bookforum. “The funny arrives as a slow-motion detonation that seems to dissipate as quickly as it boomed.” Baxter’s short stories appeared in The Paris Review’s Winter 1972 issue; a portfolio, “It Was the Smallest Pizza They Had Ever Seen,” followed in Summer 1985.
Almost Completely Baxter txt revised final crx.indd Read More »