Posts Tagged ‘Downton Abbey’
February 19, 2013 | by Claire Cottrell
7:00 A.M. Wake up to dog barking and strong skunk smell in house. Fear that door to garden was left open and skunk is loose in house. Get out of bed to confirm. Garden door is not open and skunk is not loose. Go back to bed for thirty minutes.
7:30 A.M. Get out of bed. Wash face. Gather belongings, including black cocoon coat purchased for an imminent trip to Paris found for sixteen dollars the day before at a second-hand store. Head home to Mount Washington.
8:00 A.M. Arrive at home. Make tea. Take daily vitamins. Make new favorite quick morning oatmeal: half cup of oats, two heaping tablespoons of maple syrup, cinnamon, chopped apple, fresh dates, walnuts, boiling water. Settle in to enjoy oatmeal and tea. Realize that laptop, aka lifeline, is in Amos’s car. Freak out. Cancel all morning obligations, citing laptop debacle. Text Amos.
8:05 A.M. Amos drops off laptop.
8:10 A.M. Finish oatmeal. Finish tea. Resume all morning obligations. Including: reviewing reactions to Sybil’s sad demise on last night’s Downton Abbey, looking at Atelier Bow-Wow’s pet architecture—otherwise known as teeny tiny buildings on teeny tiny sliver of land—for an article, researching Bruno Munari’s useless machines for a contribution to the new arts journal, synonym.
9:15 A.M. Tackle e-mail. Respond to e-mails from three weeks ago. Debate including ‘apologies for the delayed response.’ Decide against it thinking, No need to always apologize. For all they know I answer e-mail every few weeks because I live in a cabin removed from civilization and spend most of my time in nature. Read More »
February 5, 2013 | by Carlene Baeur
Tonight I went to my first Spanish class at Idlewild on Nineteenth Street. 7:30 to 9 P.M.. When I signed up for this class in November, shortly after I came back from spending a few weeks in Barcelona, I was flush with the joy of recent travel, and intent on injecting some novelty, intellectual and otherwise, into my life. I had an idea that I might try to make it back to Spain at the end of this year, and if that happened, I'd like to be able to do more than buy a few peaches without tripping over my tongue, or wanting to revert to French, the only other foreign language I know. And if that never happened, I would at least be doing something to forestall dementia. But as the intervening weeks, growing colder and darker, put more and more distance between me and that trip—I dreamed that, didn’t I?—I started to wonder why I’d done such a thing. It seemed as unnecessary and out of character as signing up for ten colonics through Groupon. But when, after the fifteen of us had gathered in a circle in the back of the store, and the teacher welcomed us in Spanish, something in me quickened in response to hearing the language. Maybe it was just sound as souvenir, but some sleeping dog in me perked up. Something similar had happened back in Barcelona, while standing in the La Central bookstore, looking at all the books I wanted to read but could not, feeling a strange urgency to get the key that would unlock what lay between those covers, a strange feeling that this was a language I needed to know deeper. Read More »
February 22, 2012 | by Meredith Blake
Let it be known that Lady Fiona Herbert, the eighth Countess of Carnarvon, occasionally answers her own phone. When I call the Countess’s office to discuss her new book, Lady Almina and the Real Downton Abbey, I am unusually anxious; it’s not every day I speak to a member of the British aristocracy. “Hello?” answers a startled-sounding voice. I nervously ask if Lady Carnarvon is available. “This is Lady Carnarvon,” the voice replies, erupting into hearty laughter—which, happily, is not directed at me. The Countess had been reaching for the phone just as it rang and was caught off guard. “I’m completely useless as a receptionist,” she says.
For a woman who lives at Highclere Castle, one of Britain’s most impressive “family piles,” as well as the primary setting of the spectacularly popular PBS costume drama Downton Abbey, Lady Carnarvon is surprisingly warm and unpretentious.
She projects an image of slightly disheveled glamour: her household is not a well-oiled machine, but something more akin to a living archaeological site, where one might just discover a decades-old scrapbook while foraging through an out-of-use desk drawer. “We found a staircase recently. That was quite exciting,” she tells me.
Downton Abbey isn’t Highclere’s first brush with fame—parts of Eyes Wide Shut were filmed there, and British tabloid curiosity Jordan celebrated her 2005 wedding at the castle, arriving via a pumpkin-shaped carriage—but the phenomenal success of the series has thrust the Carnarvon family’s ancestral home into the spotlight like never before. It’s also spawned a cottage industry of Downton Abbey tie-in books, including two competing biographies about Almina, the colorful and controversial fifth Countess of Carnarvon. Read More »
February 3, 2012 | by Lorin Stein
The Downton Abbey craze has led to a plethora of recommendations for books on the World War I era of Britain. I’m interested in this era for the States. What good novels are out there about this time frame, preferably set in New England?
A few near misses: Ethan Frome (1911) begins in 1910 in rural Massachusetts, but the main action occurs in the 1890s. Main Street (1921) describes a small town during the war years, but it's set in Minnesota. Sadie’s favorite Dorothy Canfield Fisher, Understood Betsy (1916) is set in Vermont—but it’s for children. Our Town is of course a play. Spoon River Anthology is set in Illinois and is, of course, a book of poems ... but if you want New England life in the early twentieth century, I can’t help recommending the Tilbury poems of Edwin Arlington Robinson, e.g., Children of the Night (1921), which includes the sonnet “Rueben Bright”:
Because he was a butcher and thereby
Did earn an honest living (and did right),
I would not have you think that Reuben Bright
Was any more a brute than you or I;
For when they told him that his wife must die,
He stared at them, and shook with grief and fright,
And cried like a great baby half that night,
And made the women cry to see him cry.
And after she was dead, and he had paid
The singers and the sexton and the rest,
He packed a lot of things that she had made
Most mournfully away in an old chest
Of hers, and put some chopped-up cedar boughs
In with them, and tore down the slaughter-house.
Closer to the bull’s-eye: The Late George Apley (1938) or Point of No Return (1949), both by John P. Marquand. The former traces the decline of a Boston Brahmin family between the Civil War and the Depression. The latter concerns a Don Draper–ish New York banker, Charles Gray, who has tried to bury his humble beginnings in Clyde, Massachusetts. The past—i.e., the twenties—catches up with Charles in the person of Malcolm Bryant, a sociologist who published a study of Clyde. Point of No Return may be set a little late, but it’s funny and evocative and pure pleasure to read.
Previous advice columns have addressed the question of good movie adaptations of novels. What I’m wondering is, what books have you wished would be translated into film?
Sadie writes: I feel a certain kind of nerd (and I’m describing myself) devotes an undue amount of time to pondering these questions. I have never understood, for instance, why Georgette Heyer novels (specifically The Grand Sophy) have never gotten the miniseries treatment—I mean, Netflix tells me that there are dozens of lurid Catherine Cookson adaptations, but the infinitely more clever, subtle, and (I daresay) historically accurate Heyer has generated nary a one? (Okay, that’s an exaggeration—a vigilant fan site tells me that there has been a spoof of The Reluctant Widow and a German adaptation of Arabella.)
It is a favored pastime among Barbara Pym fans to ponder wholly inappropriate casting choices for adaptations of Excellent Women. I am not exempt from this practice.
Others I’d personally like to see: The Secret History; the entire Betsy-Tacy canon (also, by necessity, a miniseries. Very high-budget); The Little Stranger; The True Deceiver (in my fantasy world, Bergman adapts this); The Sea, The Sea (I see Ian McKellan in the lead); The Secret Life of the Lonely Doll; The Art of Fielding. Some of these, obviously, are more likely than others. Read More »
February 1, 2012 | by Sadie Stein
January 18, 2012 | by Sadie Stein
A cultural news roundup.