Posts Tagged ‘Doris Lessing’
November 19, 2013 | by Sadie Stein
- The Oxford Word of the Year is … selfie.
- Here is a series of cowboy poets, looking very authentically cowboy-ish indeed.
- Well, swell. Right-wing extremists destroyed a statue of the poet Radnóti Miklós, who died during the Holocaust, and are burning his books.
- “Wonderful Doris Lessing has died. You never expect such rock-solid features of the literary landscape to simply vanish. It’s a shock.” Margaret Atwood salutes the late laureate.
November 18, 2013 | by Sadie Stein
November 5, 2013 | by John Freeman
Seven years ago I was walking up Fifth Avenue with David Foster Wallace. He wanted to know what I thought of The Names. That one’s the key, he said, speaking of Don DeLillo’s work like it was a safe which contained its own code. It was hat-and-glove weather. Wallace wore a purple sweatshirt. Where did I get my coat? he asked. That’s a great coat, he said. It was like something James Bond would wear. Had I been to this restaurant before?
We had just walked into Japonica, a sushi restaurant on University Place. Our interview was underway, and Wallace was already several questions ahead of nearly every writer I had ever profiled. Most writers, even the most curious one, don’t ask questions of a journalist. Nor should they, necessarily. They are the ones being interviewed, after all.
Wallace, however, seemed to think in the interrogative mode. He was tall and slightly sweaty, looking like he had just come from a run. But he seemed determined not to intimidate. He was like a big cat pulling out his claws, one question at a time. See, look, I’m not going to be difficult.
Once we got going, though—and there was a propulsive, caffeinated momentum to the way he talked—he returned, constantly, to questions. Had I ever written about my life? It’s hard, right? Are celebrities even the same species as us? Is it possible to show what someone was really like in a profile?
“These nonfiction pieces feel to me like the very hardest thing that I do,” he said, talking about Consider the Lobster, the book he had just published, “because reality is infinite.” And then. “God only knows what you are jotting.”
I’ve been thinking a lot about this encounter lately. For the past fifteen years, I have interviewed a lot of writers. A few hundred—perhaps too many, but why not say yes? Shortly out of college a friend gave me a vintage set of The Paris Review Book of Interviews. They exhaled the flinty musk of a cigar smoker’s home, and were as snappy as the lining of a 1940s dinner jacket. Read More »
October 22, 2013 | by Sadie Stein
I know people say things like, “I regard you as rather a prophet.” But there’s nothing I’ve said that hasn’t been, for example, in the New Scientist for the last twenty years. Nothing! So why am I called a prophet, and they are not?
You write better.
Well, I was going to say, I present it in a more interesting way. I do think that sometimes I hit a kind of wavelength—though I think a lot of writers do this—where I anticipate events. But I don’t think it’s very much, really. I think a writer’s job is to provoke questions. I like to think that if someone’s read a book of mine, they’ve had—I don’t know what—the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That’s what I think writers are for. This is what our function is. We spend all our time thinking about how things work, why things happen, which means that we are more sensitive to what’s going on.
—Doris Lessing, the Art of Fiction No. 102