Posts Tagged ‘dogs’
February 18, 2016 | by Sadie Stein
At the time of this interview, Mrs. Parker was living in a midtown New York hotel. She shared her small apartment with a youthful poodle that had the run of the place and had caused it to look, as Mrs. Parker said apologetically, somewhat “Hogarthian”: newspapers spread about the floor, picked lamb chops here and there, and a rubber doll—its throat torn from ear to ear—which Mrs. Parker lobbed left-handed from her chair into corners of the room for the poodle to retrieve—as it did, never tiring of the opportunity. The room was sparsely decorated, its one overpowering fixture being a large dog portrait, not of the poodle, but of a sheepdog owned by the author Philip Wylie, and painted by his wife. The portrait indicated a dog of such size that if it were real, would have dwarfed Mrs. Parker, who was a small woman, her voice gentle, her tone often apologetic, but occasionally, given the opportunity to comment on matters she felt strongly about, she spoke almost harshly, and her sentences were punctuated with observations phrased with lethal force.
That description comes from the introduction to Dorothy Parker’s 1956 Paris Review Art of Fiction interview, a document of unusual (sometimes harsh) honesty, and great humor. I've always tried to envision that scene: the writer, battling depression and alcoholism, her career (to her eyes) in twilight—and so was fascinated to run across this snapshot in the New York Public Library’s digital archive. It pictures Parker—petite, with signature chignon and bangs—in a distinctly midcentury room, seated on a dun-colored sofa with two poodles. Before her on a marbled coffee table is a fairly hideous arrangement made up at least in part of dried eucalyptus stems, which puts the viewer in the unusual position of being able to imagine the smell of the scene: eucalyptus and dog, with hints of coffee. (I assume coffee, rather than tea, although feel free to disagree.) The only real mystery—besides where she is, and who took the picture—concerns the pink plush thing on the stack of magazines. Hat? Chew toy? Lamb Chop? But then, as Parker herself wrote in Esquire in 1959, “In all reverence I say Heaven bless the Whodunit, the soothing balm on the wound, the cooling hand on the brow, the opiate of the people.” Update: a colleague feels strongly that it is a bedroom slipper “filled with either dog food or gold coins,” possibly the chocolate Hanukah kind.
Sadie Stein is contributing editor of The Paris Review, and the Daily’s correspondent.
January 27, 2016 | by Mark DeFoe
January 12, 2016 | by Sadie Stein
Back when our family dog was not dead, he would vacation at the home of a woman named Janet. Hank was a pound mutt with shepherd coloring and terrier brains and a sensitive, Mr. Chips–like face that spoke of past sufferings. He and my dad were inseparable, which made his visits to Janet’s a big deal.
Hank adored my father; they frequently duetted on renditions of “Memory,” and the dog spent hours sitting in my dad’s office while he worked. My dad never minded his mange or his foul breath. The only other star in Hank’s universe was a former baby toy of mine, a truly revolting specimen known as Bear, which one tried to avoid touching as much as possible. Read More »
December 25, 2015 | by Dave Tompkins
We’re away until January 4, but we’re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!
The Thing scampers across the Antarctic tundra in a dog suit. A Norwegian helicopter gives chase with bad aim and incendiaries. It’s in humanity’s best interest to kill the dog before it transforms into a “pissed-off cabbage” made of twelve dog tongues lined with thorny dog teeth. (Taking over the world requires imagination, psychedelic detailing, and a little hustle.) The dog, referred to by Thingsplainers as “Running dog-Thing,” is smart; it will go on to perform incredible feats. Like helping oatmeal cowboy Wilford Brimley build a spaceship. Like sticking Kurt Russell inside a fifth of J&B. Like replicating the frailty of the human mind in conditions of paranoia and subzero isolation. All of these, unbearable likenesses. Running dog-Thing has earned its customized bass lurk, composed by Ennio Morricone, which, in fairness to your ears and mine, could be an expensive John Carpenter imitation.
This opening sequence for Carpenter’s The Thing prompted cheers at BAM last month, as part of a retrospective of the horror director’s work. I whooped for my own dread, maybe rooting for the thirteen-year-old version of me who saw The Thing with my dad in 1982, after my parents’ divorce. I relished those early quiet moments at U.S. National Science Institute Outpost 31, before the dog exploded and everyone started side-eyeing each other’s ratty long johns. Before, if you’ll forgive me, things got messy. Read More >>
December 8, 2015 | by Sadie Stein
Here at the Review, we don’t run a “gift guide,” as such—though we do have our special holiday offers. Even so, I’m here to solve all your holiday present questions. I’m out of ideas! You say. What do I do? Where do I go? How do I live? All these questions have a single answer.
The answer is this image of a dog in a fez and lounging pajamas, reading a newspaper. Read More »
September 21, 2015 | by Dan Piepenbring
- There are any number of prestigious opportunities available to freelance writers—footwear catalogs, restroom signage, pamphlets about flossing—but it takes a truly outstanding writer to land the best gig of them all: fortune-cookie writer, at seventy-five cents a pop. It’s exacting work. The fortunes “have to be general enough to make sense for any kind of customer, but at the same time, they can’t offend anyone … Companies keep databases of thousands of fortunes accumulated over years that they rotate on a regular basis to keep people from getting the same ones over and over. Coming up with original ideas when there are already ten thousand in the database—as there are, for example, at cookie manufacturer Wonton Foods—is a real challenge.”
- Stephen King on William Sloane, whose 1930s horror novels were the opposite of Lovecraftian: “Because they ignore genre conventions, Sloane’s novels are actual works of literature … In To Walk the Night, we discover that a disembodied brain—perhaps an alien from space, perhaps a human intelligence from another time-stream or dimension—has inhabited the body of an ‘idiot’ girl named Luella Jamison, transforming her vacuity into coldly classical beauty.”
- While we’re on horror: try reading The Hound of the Baskervilles when you have a profound fear of dogs. “My elementary school’s library had an edition of the book with a cover like this: a black dog with red eyes standing in a green hoary mist, spittle oozing from its jaws, while the vague silhouette of someone in a cloak (Sherlock Holmes?) lurks in the background. I was totally captivated and scared shitless by the horrific power of this book.”
- The lexicographer Francis Grose was the first to record phrases like fly by night and birds of a feather, in addition to other, non-flight-related idioms. His Classical Dictionary of the Vulgar Tongue deserves the same recognition as Johnson’s Dictionary, and its entries live up to its name: “Inebriation is well documented, with terms ranging from ‘Hicksius Doxius: Drunk’ and ‘Emperor: Drunk as an emperor, ie ten times as drunk as a lord’ to ‘Admiral of the narrow seas: One who from drunkenness vomits into the lap of the person sitting opposite him’. Other entries focus on bodily functions. There’s ‘Fizzle: A small windy escape backwards, more obvious to the nose than ears; frequently by old ladies charged on their lap-dogs’, as well as ‘Fart catcher: A valet or footman, from his walking behind his master or mistress.’ ”
- We all know that cops are putzes—but does this, in and of itself, explain their love for doughnuts? Is that love a symptom or a cause of their idiocy? The link between law enforcement and dough runs deep: “We’ve officially stuffed the protecting-and-serving citizens of our country with sugary pastries since at least World War I, when the Salvation Army sent female volunteers to France to cook doughnuts and bring them to the front … ”