The Daily

Posts Tagged ‘diaries’

Protection

March 16, 2016 | by

Louis-Robert Carrier-Belleuse, Porteurs de farine. Scène parisienne, 1885.

Before I traveled to France this week, I made myself go back and read my diaries from the time I’d lived there, years ago. I had avoided rereading them ever since, and I was relieved to find, in my actual words, very little of the sadness I knew lurked between the lines. I’d said plenty about all the different jobs I did, about the people I taught and the children I nannied and the soup kitchen at the local church. There were details about deals I’d gotten late in the day from the vegetable vendors and stuff I’d found discarded by the side of the street. Well, I was never very good at being young. Read More »

That Old-time Coney Island Dreamland, and Other News

March 7, 2016 | by

Joseph Stella, Battle of Lights, Coney Island, Mardi Gras, 1913–1914.

  • Coney Island today is a fine place to force-feed yourself hotdogs and get a weird rash, but in centuries past it was a bona fide dreamland—so much so that a new exhibition of early Coney Island art is called “Visions of an American Dreamland.” J. Hoberman writes, “As befits a dreamland, the exhibit—curated by Robin Jaffee Frank, who also wrote much of the show’s excellent, richly illustrated catalogue—is a mix of artifacts and artworks and a trove of suggestive juxtapositions … A 1910 wooden cut-out cartoon of Mae West and Jimmy Durante, both of whom got their starts in Coney Island ‘concert saloons,’ is positioned opposite a selection of roughly contemporaneous Sunday pages by the master draughtsman Winsor McCay, whose gorgeously inventive comic strip Little Nemo in Slumberland was surely the greatest graphic expression of fin-de-siècle Coney.”
  • Morgan Jerkins reflects on the role of the diary for black women: “The boundaries of a black woman’s social life are many and varied. Alice Dunbar Nelson, who had been married to the famous black writer Paul Laurence Dunbar, wrote in her diary of her lesbian and other extramarital affairs. One of the fears that many black women writers have historically had is that if they reveal too much of their intimate lives, it could reflect badly, not only on themselves but on the black community. In addition to matters of romance and money, these earlier diaries of black women are filled with confessions about strained familial relationships, and personal demons and insecurities … For a black woman in a white world, a conversation with the self is crucial: for when she walks through that often-unwelcoming world she is subjected to confining perceptions of who she might be. When that world insists on racist and narrow paradigms, the diary gives these women a chance to scratch out and rewrite such definitions.”
  • Today in unsolicited advice for parents: take your kids to see Where’s Peter Rabbit, a new puppet musical designed to preserve the memory of Beatrix Potter’s darker side. It’ll scare the shit out of them … but, you know, in a good way. As the designer Roger Glossop argues, “[Potter’s] stories really are not all fluffy bunnies. I mean, Mr. Tod, the fox in The Tale of Jemima Puddleduck, is one of the darker villains you will find anywhere in children’s literature … It is a really foul piece and so, dramatically, that is terrific! We do wonder if some children in the audience may leave weeping, although we will certainly not try to scare them.” Sold!
  • Not unrelatedly, a new book of Laura Ingalls Wilder’s letters sheds some much-needed light on her past and her feelings about the coddled youths of her day: “Later in life, as the Little House series grew in popularity, her letters are devoted to readers—children, parents, schoolteachers, librarians, even a congressman—who flood Wilder with fan mail. The Laura in this period is given to mildly political disquisitions on how things used to be. ‘The children today have so much that they have lost the power to truly enjoy anything,’ Wilder wrote from her ten-room house in 1944. ‘They are poor little rich children.’”
  • To go by the new collection of Jane Austen’s juvenilia, Love and Freindship [sic], no one would ever accuse her of being a poor little rich kid. The book is, at its best, sublimely ridiculous, as in the case of a 1788 work called The Beautifull [sic] Cassandra: “Escaping her parents’ millinery shop with another woman’s hat on her head, Cassandra sets out to ‘make her Fortune.’ Her attempt would last seven hours. For a lot of heroines, that exit from the parental home would be precisely the moment when a handsome man, whether a villain or a preserver, would be thrown in her way. But when Cassandra finds herself in just this situation, passing an attractive Viscount, she walks right by him to devour a gluttonous amount of dessert … The heroine ‘proceeded to a Pastry-cooks where she devoured six ices, refused to pay for them, knocked down the Pastry Cook and walked away.’ ”

Roger That

December 25, 2015 | by

We’re away until January 4, but we’re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!

William_Byrd_II

Hans Hysing’s portrait of Byrd, ca. 1724.

The complicated sex drive of William Byrd II.

William Byrd II was a colonial Virginia gentleman who, on occasion, was no gentleman at all. Writing about himself in the third person, in 1723, he bemoaned “the combustible manner in his constitution”; he cursed the innate passions that “broke out upon him before his beard,” making him a “swain” before all women. Byrd’s carnal drive underscored the eyebrow-raising vigor of his lust. On a trip to London in 1719, according to his secret diary, he “rogered”—an easy enough euphemism—no fewer than six women in nine days. Of one woman, he (proudly) recorded having “rogered her three times” in a single evening. That same night, Byrd, aged forty-four, noted with a tinge of sadness that he had “neglected my prayers.”

When he wasn’t on a whore-chasing jag in the metropolis, Byrd was back on his Virginia estate, called Westover, with his wife, Lucy. At Westover, his sexual proclivities certainly raged with similar, singleminded intensity—he wrote in his diary about having urgent sex with Lucy on a billiards table—but it was also tempered by a healthy desire to achieve mutual pleasure with her. He was just as inclined to “give my wife a flourish”—bring her to orgasm—as he was to “roger” her, a semantic shift suggesting that Lucy’s response to their sexual union mattered as much to Byrd as his own physical gratification. On April 30, 1711, he noted in his diary that although he discovered his wife in a “melancholy” mood, the “powerful flourish” he delivered filled her with “great ecstasy and refreshment.” He recalled one morning during which “I lay in my wife’s arms” while, during another, his wife “kept me so long in bed” that “I rogered her.” That evening he got around to saying his prayers—before rogering her again. The man could be a virtuous, even tender, Tidewater lover when he wasn’t being a London sleazebag. Read More >>

Got Your Tongue

October 7, 2015 | by

From Louis Wain’s schizophrenic cat drawings.

From the psychiatrist R. D. Laing’s transcripts of his sessions with Edith E., a young woman he took on as a patient in 1954 and later wrote about in The Divided Self. Laing, who was born on this day in 1927 and died in 1989, is remembered for his progressive thinking on sanity and madness. He struggled to make sense of Edith, whose schizophrenia was so abstruse that on paper it amounted to “an intolerable mass of incoherent data.” To draw her out, he tried to react to her comments as spontaneously as possible, sometimes addressing himself to a doll he’d brought in. Edith admitted to hearing voices that instructed her to disrobe or to go to a certain subway station, where she would, one voice said, see someone beaten to a pulp; she talked at length about mouths, tonsils, and sucking, and once claimed that her mother had cut her into pieces and that Laing was her “new, good mother.” The case is discussed in further detail in Alan Beveridge’s Portrait of the Psychiatrist as a Young Man, a study of Laing’s early work from which the following exchange is taken.

EDITH I’ve no tongue. I’ve a tongue but it’s not my actual tongue.

LAING You have a tongue in your mouth anyway.

EDITH Yes, I’ve a tongue in my mouth, but it’s not my actual tongue. I’ve no actual tongue. Read More »

Salton Sea Notes

September 18, 2015 | by

Soda fountains, rest stops, barber shops, motels: Lawrence Ferlinghetti’s California travel journals, 1961.

A drawing by Ferlinghetti.

 

TIRED OF THE FOG AND COLD? COME TO CALIFORNIA’S RIVIERA
Sailing, Water Skiing, Swimming, Seaside Dining—
A DESERT PARADISE AT THE GREAT SALTON SEA

—promotional brochure

 

October 28, 1961

Henry Miller was right. “Some other breed of man has won out.” Some strange breed has taken over America. I sit in a soda-fountain on the main street of El Centro, California—inexplicably I have ordered & have eaten a Mexican Combination Plate—tacos, enchiladas, and all that. Outside, at the curb, sits the junk of American civilization—cars, cars, cars. On the jukebox inside, a Mexican crooner with a tear in his voice … An hour north of here lies the Salton Sea. I have not figured out what “El Centro” could be the center of. Not the universe. The Salton Sea may offer a clue. The Salton Sea is in America. In California, in fact. Very strange. I still have to get there.
          I have two hours before the bus to that Sea. I go to the public library. It’s Saturday afternoon, and it’s closed. Naturally. People that work during the week naturally have no time to go to the library on their day off. I must think of something else. I go to a barber’s, that should take at least half an hour, maybe more if I divert the barber with witticisms or dirty jokes. No luck. He whips me thru in a little over ten minutes, including a swipe at my eyebrows and sideburns, which I duck. He drops the comb on the greasy floor several times and wipes it off on his pants and continues. In the meantime I listen to him haranguing the other barber (who looks like a local football player) about how to skin a buck & how to remove its horns & how much you can count a full-grown buck coming to in net weight after it’s skinned. The other barber keeps saying “Yeah—yeah” like a little halfhearted football cheer. I have a feeling that if I had got this young football barber instead of the old geezer and had a hunting license to show him, he would have cut my hair for free. As it is, I have to pay for my scalping. (The old geezer keeps nicking me every time he gets to a good part of the description of how to skin a buck.) When I am down to “net weight” he steps back with a sour grin, as if to say it’s a pretty sad carcass. Read More »

Diary of a Sycophant, and Other News

July 2, 2015 | by

Goebbels in an American caricature, ca. 1943.

  • Proverbs are perfect examples of poetry’s seductiveness—and, in many cases, of its emptiness. “The brain craves ideas that can be understood and remembered without effort … But what happens when memorable advice is bad? ‘To thine own self be true’ is terrible counsel for many people, as Shakespeare himself realized. “If you want something done right, do it yourself” applies only to those things you are already good at … ‘It’s always darkest before the dawn’ can only have been coined by someone who had never stayed up all night.”
  • Robert Frank’s The Americans, “a photographic survey of the inner life of the country,” is sixty, and guess what? It’s still good. “Among the many qualities that enabled Frank to achieve something so ambitious was his profound ambivalence. He was always that way personally, and it was how he could locate the full spectrum of any given feeling in the inscrutable faces of strangers. Critics like W. S. Di Piero believe his genius for expressing emotional complication came from an artistic innocence, the ability to look at the world as a child does—without the intrusions of experience.”
  • Linda Rosenkrantz’s Talk, mentioned previously on the Daily, “documents what has turned out to be a fleeting historical moment: when it was possible to bring a recording device to the beach and not expect that everyone else has done the same.” But is its mode of self-exposure too transparent?
  • Self-exposure of a very different sort can be found in Goebbels’s diaries, which reveal a servile creature completely dedicated to Hitler: “The thoroughly repellent figure that emerges from the diaries is not simply Goebbels as he was in fact. It is Goebbels as he wanted to be. He actively embraced barbarism as a way out from the chaos of his time, and in this he was at one with multitudes of educated Europeans. Viewing him as the victim of a personality disorder is a way of denying a more chilling fact that his life reveals—the perilous fragility of civilization.”
  • Summer’s a great time to read the classics you’ve neglected for so many years, the forbidding volumes of Melville and Joyce peering at you from your shelves. You can also take this as a time to trumpet the fact that you’ll never read those classics … either way, good on you!