Posts Tagged ‘deaths’
August 20, 2013 | by Sadie Stein
“I don’t like a lot of description. I like to judge for myself what a character looks like from the way he talks. I picked up on that immediately. I thought, That’s the way to go, just keep the characters talking and the reader will discover what they look like. When you are developing your style you avoid weaknesses. I am not good at describing things so I stay away from it. And if anyone is going to describe anything at all, it’s going to be from the point of view of the character, because then I can use his voice and his attitude will be revealed in the way he describes what he sees. I want to remain completely out of it. I don’t want the reader to be aware of me as the writer.”
—Elmore Leonard (1925–2013), from “Como Conversazione: Criminal Conversations” in our Winter 2002 issue
August 19, 2013 | by Sadie Stein
“Literature is not different from life, it is part of life. And for someone like myself, The Odyssey is as much a part of nature as the Aegean. And I react to the Aegean—as distinct, say, from the Caribbean—because its history is part of its physical substance. What I know about it, and feel about it, even mistaken things, is a part of it. Certain great texts are like this. Paradise Lost is like the Himalayas. It’s there. A part of nature, not separate.” —John Hollander, The Art of Poetry No. 35
June 25, 2013 | by Sadie Stein
Richard Matheson, the screenwriter and author of (among others) I Am Legend, A Stir of Echoes, and What Dreams May Come, has died, at eighty-seven.
Below, watch a pre-Kirk William Shatner in the Matheson-penned Twilight Zone episode “Nightmare at 20,000 Feet.”
February 11, 2013 | by Sadie Stein
January 10, 2013 | by Lorin Stein
We are sad to learn that Evan Connell has died. An early contributor to The Paris Review, Connell was and is a quiet hero of contemporary literature. His novels Mrs. Bridge and Mr. Bridge have been cited as a crucial influence by writers as different as Lydia Davis, Jonathan Franzen, and Zadie Smith. In his history books—Son of the Morning Star (about General Custer) and Deus Lo Volt! (about the Crusades)—his poems, and his essays, he sang the glories of lost civilizations and unearthed the ruins at our feet. Connell delighted in tales of folly, of doomed experiments, but his own experiments bore fruits, plural, for no two are alike. We regret that Connell was unable to finish his Art of Fiction interview for the magazine; stay tuned in the next few days for selections from his work as it appeared in The Paris Review.
January 9, 2013 | by Sadie Stein
Harvey Shapiro, poet and editor, died on Monday at eighty-eight. The following ran in The Paris Review No. 84, Summer 1982.
On A Sunday
When you write something
you want it to live—
you have that obligation, to give it
a start in life.
Virginia Woolf, pockets full of stones,
sinks into the sad river
that surrounds us daily. Everything
about London amazed her, the shapes
and sight, the conversations on a bus.
At the end of her life, she said
London is my patriotism.
I feel that about New York.
Would Frank O’Hara say Virginia Woolf,
get up? No, but images from her novels
stay in my head—the old poet
(Swinburne, I suppose) sits on the lawn
of the countryhouse, mumbling
into the sun. Pleased with the images,
I won’t let the chaos of my life
overwhelm me. There is the City,
and the sun blazes on Central Park
in September. These people on a Sunday
are beautiful, various. And the poor
among them make me think
the experience I knew will be relived again,
so that my sentences will keep hold
of reality, for a while at least.